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Make Them Hear You
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Retracter
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Vous avez sélectionné:
Make Them Hear You
Trombone et Piano
Partitions à imprimer
7 partitions trouvées
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1
Downton Abbey (theme)
Downton Abbey (theme)
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Trombone et Piano
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INTERMÉDIAIRE
#
Film/TV
#
John Lunn
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HELEN MARPLE-HORVAT
#
Downton Abbey
#
Helen Marple-Horvat
#
SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.749214 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-H...
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Piano,Trombone - Level 3 - SKU: A0.749214 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Horvat #3560439. Published by Helen Marple-Horvat (A0.749214). Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for other solo players and piano, as well as for string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, Downton Abbey, you can see and hear the live version. The harmony and structure is exactly the same. Though I am a pianist and string player, a trombonist assure me that this is a great key for a trombonist! Make sure that you grow through the phrases with your pianist. It is a piece that requires a great deal of ebb and flow with lots of crescendo and diminuendo throughout for you to feel together! Please do send me a recording of your playing it, even if it is done on a phone. Send me a message on Facebook. I hope you enjoy playing this piece!
$12.99 ≈
12.16€
Six Hungarian Dances for Two Trombones and Piano
Six Hungarian Dances for Two Trombones and Piano
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Trombone et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johannes Brahms
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P
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Six Hungarian Dances for Two T
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Pete Strohm Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928182 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Con...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.928182 Composed by Johannes Brahms. Arranged by P. F. Strohm. Classical,Contest,Festival,Instructional,Romantic Period. Score and parts. 80 pages. Pete Strohm Music #6758789. Published by Pete Strohm Music (A0.928182). The first six of Johannes Brahms' Hungarian Dances, expertly arranged by American composer P. F. Strohm for a trio consisting of two tenor trombones and piano. Brahms was enthralled with the rhythms and melodies of Hungarian music. He originally wrote his 21 Hungarian Dances for piano four-hands, and loved performing them for his friends. P. F. Strohm has placed the first six of these musical gems into a new setting of two trombones and piano, drawing from the original piano score; from the violin and piano arrangements made by Brahms' friend, Joseph Joachim; and from Brahms' own solo piano arrangements. These new arrangements are for skilled performers on all parts. Written for and dedicated to Mark Kellogg and Larry Zalkind at the Eastman School of Music, the dances are excellent for recitals and contests, and make wonderful encores. The individual dances are three to five minutes long. Performance time for the complete set of Six Hungarian Dances for Two Trombones and Piano would be about 21:00. You can watch and hear the score video for each of the Six Hungarian Dances on this site or on my YouTube channel, as well as by visiting https://petestrohm.com. Difficulty is Medium-Advanced. Member, ASCAP
$27.95 ≈
26.16€
Can't Help Falling In Love
Can't Help Falling In Love
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Trombone et Piano
#
FACILE
#
Elvis Presley
#
Benzaiten Editions
#
Can't Help Falling In Love
#
Benzaiten Editions
#
SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1421229 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20...
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Piano,Trombone - Level 2 - SKU: A0.1421229 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. Score and part. 7 pages. Benzaiten Editions #1002621. Published by Benzaiten Editions (A0.1421229). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's make some music!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • trombone sheet music w/ piano accompaniment Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Trombone part About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$6.99 ≈
6.54€
Can't Help Falling In Love
Can't Help Falling In Love
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Trombone et Piano
#
FACILE
#
Elvis Presley
#
Benzaiten Editions
#
Can't Help Falling In Love
#
Benzaiten Editions
#
SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.1421230 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20...
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Piano,Trombone - Level 2 - SKU: A0.1421230 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. Score and part. 7 pages. Benzaiten Editions #1002622. Published by Benzaiten Editions (A0.1421230). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's make some music!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • trombone sheet music w/ piano accompaniment [chords] Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Trombone part About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$6.99 ≈
6.54€
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
9.35€
Concerto for Trombone and Piano accompaniment (piano reduction)
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00 ≈
32.75€
The Water is Wide (Trio for Two Trombones and Piano)
The Water is Wide (Trio for Two Trombones and Piano)
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Trombone et Piano
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INTERMÉDIAIRE
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Traditional Scottish Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.1271208 Composed by Traditional Scottish Melody. Arranged by John A. Dempse...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.1271208 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Multicultural,Spiritual,Wedding,World. 16 pages. John A. Dempsey #863604. Published by John A. Dempsey (A0.1271208). Give me a boat that can carry two and both shall row - my love and I. Â From a rich, vibrant Celtic tradition comes the classic tune The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). Â This unabashedly romantic trio for two trombones and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. Â Â Â Â Â Â As wedding music, this arrangement stirs the heart as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Â This arrangement also makes a touching prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as the melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. Â Key: F major. Â 12 pages of music (that includes separate parts for trombone 1 and trombone 2).
$11.99 ≈
11.22€
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