Partitions Numériques de Franz Schubert, Franz Liszt pour Cor et Piano

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Franz Schubert, Franz Liszt
Non classifié 5

Piano & claviers
Piano seul 18
Piano Facile 6
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano, Voix et Guitare 1

Guitares
Guitare 1

Voix

Vents
Flûte traversière et Piano 5
Saxophone Alto et Piano 4
Hautbois, Piano (duo) 3
Clarinette et Piano 3
Saxophone Tenor et Piano 3

2 Saxophones (duo) 2
Saxophone Baryton, Piano 2
Saxophone (partie séparée) 2
Saxophone Soprano et Piano 2
Hautbois (partie séparée) 1
2 Clarinettes (duo) 1
Clarinette 1
Flûte, Clarinette (duo) 1
Saxophone Alto 1
Clarinette, Guitare (duo) 1
Flûte traversière 1
Clarinette Basse, Piano 1
2 Flûtes traversières (duo) 1

+ 13 instrumentations

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Cuivres
Trombone et Piano 5
Trompette, Piano 3
Cor et Piano 2

Trompette 2
Trombone 1

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Tuba et Piano 1

+ 2 instrumentations

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Cordes
Violon et Piano 5
Alto, Piano 3
Violoncelle, Piano 3
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violoncelle (partie séparée) 1

2 Altos (duo) 1
2 Violons (duo) 1
Violon 1
Ensemble de Violoncelles 1

+ 4 instrumentations

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Percussions & orchestre
Orchestre à Cordes 11
Orchestre 3

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Vous avez sélectionné:

Franz Schubert, Franz Liszt

Cor et Piano

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2 partitions trouvées

Erlkönig

Erlkönig #Cor et Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Franz Schumbert #Layne Anspach #Erlkönig #Songburd Music #SheetMusicPlus

French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...(+)

French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the â€œCity of Musicâ€ as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home. Â While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe. Â This lead Schubert in the year of 1815 to compose the well-known ErlkÃ¶nig, op. 1 D. 328, based upon Goetheâ€™s poem Der ErlkÃ¶ning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King.Â Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day. Â Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goetheâ€™s poem, Der ErlkÃ¶nig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the â€œking of the elves,â€ a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand.Â The story of the ErlkÃ¶nig is considered by some to have come from the Danish folk ballad Elveskud, and that Goetheâ€™s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder. Â It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The ErlkÃ¶nig translates literally from the German as â€œAlder Kingâ€ rather than the commonly used â€œElf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Â Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line.Â Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. Â To match the hornâ€™s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

$14.99 ≈ 13.81€

The Wedding Album, for Solo Horn in F and Piano

The Wedding Album, for Solo Horn in F and Piano #Cor et Piano #Mariage/Ballade #Mariage/Ballade #Various #The Wedding Album, for Solo Ho #David McKeown #SheetMusicPlus

Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Reper...(+)

Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 24 pages. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott?s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as ?Here Comes the Bride?. Queen Victoria?s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark?s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the?trumpet stop?. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul?s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

Felix Mendelssohn?s Wedding March was originally written in 1842 as incidental music to Shakespeare?s famousplay, Midsummer Night?s Dream. When Queen Victoria?s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

$9.99 ≈ 9.21€

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