Partitions Numériques de Harp of Worship pour Trompette, Piano

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Harp of Worship
Non classifié 252

Piano & claviers
Piano Facile 52
Instruments en Do 33
Piano seul 25
Accompagnement Piano 14
Piano, Voix 13

Orgue 9
Clavier 3
1 Piano, 4 mains 2
Piano, Voix et Guitare 2
Clavecin 1

+ 5 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 7
Guitare Pedal Steel 3
Guitare notes et tablatures 2

Voix
Chorale SATB 52
Chorale 3 parties 14
Chorale 2 parties 11
Voix duo, Piano 7
Chorale Unison 5

Chorale SSAA 2
Voix duo 2
Chorale 1
Voix moyenne, Piano 1
Soli, choeur mixte et accompagnement 1
Chorale TTBB 1

+ 6 instrumentations

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Vents
Clarinette, Harpe (duo) 8
Saxophone et Harpe 5
2 Flûtes traversières (duo) 4
2 Clarinettes (duo) 3
Ensemble de saxophones 2

Hautbois, Harpe 2
2 Flûtes traversières, Harpe 2
Flûte, Clarinette, Piano (trio) 2
Flûte traversière 1
Clarinette, Violoncelle, Piano (trio) 1
Trio de Flûtes: 3 flûtes 1
Flûte traversière, Orgue (duo) 1
Saxophone Alto 1
Saxophone Alto et Piano 1

+ 9 instrumentations

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Cuivres
Cor et Harpe 5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Cor et Piano 2
Trompette, Piano 1

Trompette, Harpe 1

2 Cors (duo) 1
Trombone et Piano 1
Quatuor de Cuivres 1

+ 3 instrumentations

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Cordes
Harpe 238
2 Harpes (duo) 54
Harpe, Flûte (duo) 28
Harpe, Violon (duo) 21
Harpe, Voix 7

Alto et Harpe 6
Violon et Piano 6
Harpe (partie séparée) 5
Harpe, Violoncelle (duo) 5
2 Violons (duo) 4
Alto, Piano 4
Violon 3
Violoncelle (partie séparée) 2
Quatuor à cordes: 2 violons, alto, violoncelle 2
Harpe et Piano 2
Violon (partie séparée) 1
Violon, Violoncelle (duo) 1
Harpe, Violon, Violoncelle 1

+ 13 instrumentations

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Percussions & orchestre
Orchestre 69
Cloches 5
Orchestre de chambre 4
Orchestre d'harmonie 3
Orchestre à Cordes 1

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Harp of Worship

Trompette, Piano

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1 partition trouvée

Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano

Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano #Trompette, Piano #FACILE #J S Bach-Gounod #Colin Kirkpatrick #Bach-Gounod: Ave Maria for Tru #Colin Kirkpatrick Publications #SheetMusicPlus

B-Flat Trumpet,Piano - Level 2 - SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Sco...(+)

B-Flat Trumpet,Piano - Level 2 - SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line.Â In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the â€œcombinedâ€ piece was MÃ©ditation sur le Premier PrÃ©lude de Piano de S. Bach. Gounodâ€™s original arrangement transposed Bachâ€™s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-LÃ©opold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a â€œharmonic weaknessâ€ (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

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