Partitions Numériques de Give It All Up pour Alto, Piano

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Give It All Up
Non classifié 108

Piano & claviers
Piano seul 85
Piano, Voix 55
Piano, Voix et Guitare 23
Orgue 10
Piano Facile 8

Instruments en Do 4
Accompagnement Piano 1
Piano Trio: piano, violon, violoncelle 1
Orgue, Piano (duo) 1
1 Piano, 4 mains 1
Accordéon 1

+ 6 instrumentations

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Guitares
Guitare 17
Guitare notes et tablatures 6
Ligne De Mélodie, (Paroles) et Accords 4
Banjo 1
2 Guitares (duo) 1

Ukulele 1
3 Guitares (trio) 1

+ 2 instrumentations

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Voix
Chorale SATB 31
Chorale 2 parties 10
Chorale Unison 5
Chorale SSAA 5
Chorale TTBB 5

Chorale 3 parties 4
Voix Alto, Piano 3
Voix duo, Piano 1
Voix Soprano, Piano 1
Voix moyenne, Piano 1
Voix Tenor, Piano 1
Chorale SSATTB 1

+ 7 instrumentations

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Vents
Flûte traversière et Piano 7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 7
Quatuor de Saxophones: 4 saxophones 6
Saxophone Tenor et Piano 4
Saxophone Soprano et Piano 3

Clarinette et Piano 3
Saxophone Alto et Piano 3
Saxophone Tenor 2
Trio de Flûtes: 3 flûtes 2
Quatuor de Clarinettes: 4 clarinettes 2
Hautbois, Piano (duo) 2
Flûte à bec Alto, Piano 1
Clarinette 1
Ensemble de Flûtes 1
3 Clarinettes (trio) 1
3 Saxophones (trio) 1
Saxophone et Orgue 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte à bec Soprano 1
Saxophone Alto 1
2 Saxophones (duo) 1
2 Clarinettes (duo) 1
Flûte à bec Tenor 1
Hautbois (partie séparée) 1
Ensemble de saxophones 1
Clarinette, Basson (duo) 1
Quintette de Clarinettes: 5 clarinettes 1

+ 22 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9
Quatuor de Cuivres : 2 trompettes, trombone, tuba 5
Trompette 4
Trompette, Piano 3
Cor et Piano 3

2 Trompettes (duo) 2
Tuba 2
Cor et Orgue 1
Quatuor de cuivres: 4 cors 1
4 Tubas 1
Ensemble de Cors 1
Trombone 1
Trompette, Euphonium (duo) 1
2 Tubas (duo) 1
Trombone et Piano 1
Tuba et Piano 1

+ 11 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 24
Violon 8
Violon et Piano 6
Harpe 4
Violoncelle, Piano 3

Alto, Piano 3

Violon, Violoncelle (duo) 3
Trio à Cordes: violon, alto, violoncelle 3
4 Violoncelles 2
Trio à Cordes: 2 violons, violoncelle 2
Violoncelle , Guitare (duo) 2
4 Contrebasses 1
Trio à Cordes: 3 violoncelles 1
Contrebasse, Piano (duo) 1
Harpe, Voix 1
Violoncelle 1
Alto seul 1
2 Violoncelles (duo) 1

+ 13 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 23
Orchestre à Cordes 18
Ensemble Jazz 13
Orchestre 12
Orchestre de chambre 5

Ensemble de cuivres 5
Cloches 4
Fanfare 4
Batterie 3
Jazz combo 3
Xylophone, Piano 1
Ensemble de Percussions 1
Piano et Orchestre 1

+ 8 instrumentations

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Give It All Up

Alto, Piano

Partitions à imprimer

3 partitions trouvées

A Night In Tunisia

A Night In Tunisia #Alto, Piano #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...(+)

Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.09€

8 Swinging Xmas Carols for Viola & Piano

8 Swinging Xmas Carols for Viola & Piano #Alto, Piano #INTERMÉDIAIRE #Noël #Keith Terrett #Keith Terrett #Piano #8 Swinging Xmas Carols for Vio #Keith Terrett #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multicultural,Praise &...(+)

Piano,Viola - Level 3 - SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multicultural,Praise & Worship,World. Score and part. 30 pages. Keith Terrett #903870. Published by Keith Terrett (A0.1315127). Eight jazzy xmas carols arranged for Viola & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you wonâ€™t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.

$15.99 ≈ 14.38€

The Water is Wide for Viola & Piano

The Water is Wide for Viola & Piano #Alto, Piano #FACILE #Contemporain #Traditional Scottish #James M #The Water is Wide for Viola & #jmsgu3 #SheetMusicPlus

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...(+)

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.

A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.

Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.

Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.

Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.

For better insight into the performance of this music: express the emotion indicated by the lyrics:

The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me

The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).

O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.

O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).

Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.

'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).

But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)

For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications

$32.95 ≈ 29.63€

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