Partitions Numériques de Mark Rice pour Violoncelle, Piano

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Mark Rice
Non classifié 134

Piano & claviers
Piano seul 28
Piano Facile 8
Piano, Voix 6
Piano, Voix et Guitare 4
2 Pianos, 4 mains 2

Orgue 2
Piano (partie séparée) 2
Instruments en Do 2
Clavecin 1
2 Pianos, 8 mains 1
Orgue, Piano (duo) 1
Piano Trio: piano, violon, violoncelle 1

+ 7 instrumentations

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Guitares
Basse electrique 3
Guitare 2
Piano, Guitare (duo) 2
Mandoline 2
Guitare (partie séparée) 1

Guitare, Violon, Violoncelle (trio) 1
Guitare notes et tablatures 1

+ 2 instrumentations

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Voix
Chorale SATB 23
Chorale TTBB 3
Chorale 3 parties 3
Voix Soprano, Piano 3
Voix duo 2

Chorale SSAA 2
Chorale 2 parties 1
Chorale Unison 1

+ 3 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 45
Saxophone (partie séparée) 12
Ensemble de Clarinettes 6
Flûte, Hautbois, Clarinette, Basson 4

Saxophone Alto et Piano 4
Quatuor de Clarinettes: 4 clarinettes 4
Saxophone Soprano et Piano 3
Flûte traversière et Piano 3
Flûte traversière 3
Quintette de Flûte : 5 flûtes 3
Clarinette et Piano 3
Saxophone Alto 3
Saxophone Tenor 3
Hautbois, Piano (duo) 3
Saxophone Tenor et Piano 2
Quintette de Clarinettes: 5 clarinettes 2
Ensemble de Flûtes 2
Flûte et Guitare 2
Clarinette Basse 1
2 Flûtes traversières (duo) 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Violon, Piano 1
Hautbois (partie séparée) 1
Clarinette 1
Ensemble de saxophones 1

+ 21 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 23
Trompette (partie séparée) 8
Trombone (partie séparée) 7
Ensemble de Trombones 4
Trompette 4

Trombone 3
Trombone et Piano 3
Ensemble de Trompettes 2
Trompette, Piano 2
Cor et Piano 1
2 Trombones (duo) 1
Tuba et Piano 1

+ 7 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 18
Harpe 9
Violon 7
Trio à Cordes: violon, alto, violoncelle 6
Violoncelle 6

Violon et Piano 6
Quintette à cordes: 2 violons, alto, violoncelle, basse 5
Ensemble d'Altos 4
Ensemble de Violons 4
Contrebasse (partie séparée) 3
Violoncelle, Piano 3

2 Violons (duo) 3
Alto, Piano 3
Alto seul 1
Violon, Violoncelle (duo) 1
Violon (partie séparée) 1
Violoncelle , Guitare (duo) 1

+ 12 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 30
Orchestre à Cordes 16
Ensemble Jazz 6
Cloches 1
Jazz combo 1

Orchestre de chambre 1
Batterie 1
Ensemble de cuivres 1
Batterie (partie séparée) 1
Orchestre 1

+ 5 instrumentations

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Artistes :
• Rice, Damien
• Rice, Chris
• Rice, Tony

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Vous avez sélectionné:

Mark Rice

Violoncelle, Piano

Partitions à imprimer

3 partitions trouvées

Somewhere, My Love

Somewhere, My Love #Violoncelle, Piano #INTERMÉDIAIRE #Contemporain #Maurice Jarre #Fishel Pustilnik #Pop Piano Paradise #Somewhere, My Love #F & N Enterprise #SheetMusicPlus

Cello,Piano - Level 3 - SKU: A0.636312 Composed by Maurice Jarre. Arranged by Fishel Pustilnik. Contemporary. Score and part. 11 pages. F & N Enterprise...(+)

Cello,Piano - Level 3 - SKU: A0.636312 Composed by Maurice Jarre. Arranged by Fishel Pustilnik. Contemporary. Score and part. 11 pages. F & N Enterprise #6364741. Published by F & N Enterprise (A0.636312). An excellent arrangement of the famous Song Somewhere My Lovefor Cello and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/eRF5iKLvRN4The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.

$4.99 ≈ 4.47€

The Journey (Lenten) - cello and piano

The Journey (Lenten) - cello and piano #Violoncelle, Piano #FACILE #Connie Boss #The Journey #Connie Boss #SheetMusicPlus

Instrumental Duet,Piano Cello,Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.801576 Composed by Connie Boss. Celtic,Christian,Easter,Pop,Sacred. Sco...(+)

Instrumental Duet,Piano Cello,Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.801576 Composed by Connie Boss. Celtic,Christian,Easter,Pop,Sacred. Score and parts. 3 pages. Connie Boss #6233923. Published by Connie Boss (A0.801576). As we start our Lenten Journey, we reflect on what Jesus went through on His. May we show respect to Him during this time and do our best to Thank Him and show our appreciation. This is for solo and piano. cdboss@cvalley.net Lyrics below:The Journey (Lenten)Composed by Connie Boss Verse 1:As we start this Lenten journeyA time of fast and prayerWe reflect on your own journeyAnd itâ€™s beyond compare Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 2: Ash Wednesday starts our journeyWith a mark of sacrificeA cross of ashes on our foreheadsFor us you paid the price Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 3: As our time ends for this journeyWe enter Holy WeekWe reach that fateful dayForgiveness now we seek Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Final Refrain: So through our Lenten journeyWe fast and prayAnd we battle with the devilIn every way

$5.00 ≈ 4.48€

Saint-Saëns: The Swan for Cello & Piano

Saint-Saëns: The Swan for Cello & Piano #Violoncelle, Piano #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...(+)

Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$32.95 ≈ 29.51€

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