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Vous avez sélectionné:
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Violoncelle, Piano
Partitions à imprimer
10 partitions trouvées
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1
O Come All Ye Faithful for Cello & Piano
O Come All Ye Faithful for Cello & Piano
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Violoncelle, Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Cel
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388...
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Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
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Three Gymnopedies by Satie - Cello and Piano (Individual Parts)
Three Gymnopedies by Satie - Cello and Piano (Individual Parts)
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Violoncelle, Piano
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DÉBUTANT
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Contemporain
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Classique
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Erik Satie
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César Madeira
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Three Gymnopedies by Satie - C
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Sheet Music To Play Editions
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1222650 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic ...
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Cello,Piano - Level 1 - SKU: A0.1222650 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #818928. Published by Sheet Music To Play Editions (A0.1222650). Three Gymnopédies by Satie. Arrangement for Violoncello and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99 ≈
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Three Gymnopedies by Satie - Cello and Piano (Full Score)
Three Gymnopedies by Satie - Cello and Piano (Full Score)
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Violoncelle, Piano
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DÉBUTANT
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Contemporain
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Classique
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Erik Satie
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César Madeira
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Three Gymnopedies by Satie - C
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Sheet Music To Play Editions
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1222652 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Romantic Period...
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Cello,Piano - Level 1 - SKU: A0.1222652 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #818930. Published by Sheet Music To Play Editions (A0.1222652). Three Gymnopédies by Satie. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99 ≈
$9.56
Jesu, Joy Of Men's Desiring (Bach) + FREE Playback + Pdf Solo and Piano Parts
Jesu, Joy Of Men's Desiring (Bach) + FREE Playback + Pdf Solo and Piano Parts
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Jesu, Joy Of Men's Desiring
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Fabio Eduardo
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1266642 By Fabio Eduardo de Oliveira. By Johann Sebastian Bach. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th...
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Cello,Piano - Level 1 - SKU: A0.1266642 By Fabio Eduardo de Oliveira. By Johann Sebastian Bach. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 4 pages. Fabio Eduardo #859318. Published by Fabio Eduardo (A0.1266642). FREE Mp3 Backing TrackJesu, Joy of Man's Desiring is the most common English title of a piece of music derived from a chorale setting from the cantata Herz und Mund und Tat und Leben, BWV 147 (Heart and Mouth and Deed and Life), composed by Johann Sebastian Bach in 1723. The same music on different stanzas of a chorale closes both parts of the cantata.
$1.99 ≈
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Blue Danube (Strauss Jr) + Mp3 Playback and Demo + Pdf Solo and Piano Parts
Blue Danube (Strauss Jr) + Mp3 Playback and Demo + Pdf Solo and Piano Parts
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Violoncelle, Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Blue Danube
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Fabio Eduardo
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1265715 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/...
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Cello,Piano - Level 1 - SKU: A0.1265715 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 4 pages. Fabio Eduardo #858494. Published by Fabio Eduardo (A0.1265715). Free Mp3 Download Demo and Backing TrackThe Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the codaI wish that had been a success!.
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Lullaby in D Key for cello and piano
Lullaby in D Key for cello and piano
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Violoncelle, Piano
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DÉBUTANT
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Yuan-Chen Li
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Lullaby in D Key for cello and
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Yuan-Chen Li
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.926743 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score and part. 6 pages. Yuan-Chen Li #6866383. Published...
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Cello,Piano - Level 1 - SKU: A0.926743 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score and part. 6 pages. Yuan-Chen Li #6866383. Published by Yuan-Chen Li (A0.926743). Lullaby is the common theme running through three pieces for cello and piano, written for students of beginner, intermediate, and intermediate/advanced levels: Lullaby in D Key, Fantasia Lullaby, and When the Rainbow Says Goodnight. It takes students to consider color as a technical and formal expression that varieties of tone colors, as well as tonal centers, are explored. Originally modal, the tune by the aboriginal people takes the rocking baby as the inspiration and is embellished with a wide range of ornaments, string changes, and tonal centers, which are all relevant to Chinese traditional music and contemporary music. CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.
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Ave Maria (Schubert) - Pdf Sheet Music + Mp3 Playback + Mp3 Demo
Ave Maria (Schubert) - Pdf + Mp3 Playback + Mp3 Demo
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Violoncelle, Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1265237 By Fabio Eduardo de Oliveira. By Franz Schubert. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,F...
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Cello,Piano - Level 1 - SKU: A0.1265237 By Fabio Eduardo de Oliveira. By Franz Schubert. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 7 pages. Fabio Eduardo #858083. Published by Fabio Eduardo (A0.1265237). Backing Track and Demo Free DownloadEllens dritter Gesang, in English: Ellen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
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For Elise (Beethoven) + FREE Mp3 Playback + PDF Solo and Piano Parts
For Elise (Beethoven) + FREE Mp3 Playback + PDF Solo and Piano Parts
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Violoncelle, Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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For Elise
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Fabio Eduardo
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1266130 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Centur...
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Cello,Piano - Level 1 - SKU: A0.1266130 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #858874. Published by Fabio Eduardo (A0.1266130). Free Download PlaybackBagatelle No. 25 for solo piano, commonly known as Für Elise, is one of Ludwig van Beethoven's most popular compositions. It was not published during his lifetime, only being discovered (by Ludwig Nohl) 40 years after his death, and may be termed either a Bagatelle or an Albumblatt. The identity of Elise is unknown; researchers have suggested Therese Malfatti, Elisabeth Röckel, or Elise Barensfeld.
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