Partitions Numériques de Seven Days pour Violon et Piano

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Seven Days
Non classifié 30

Piano & claviers
Piano seul 150
Piano, Voix et Guitare 22
Piano, Voix 8
Piano Facile 3
Orgue 3

Instruments en Do 2

+ 1 instrumentations

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Guitares
Guitare 20
Basse electrique 7
Paroles et Accords 6
Ukulele 4
Guitare notes et tablatures 3

Ligne De Mélodie, (Paroles) et Accords 1

+ 1 instrumentations

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Voix
Voix seule 49
Chorale SATB 23
Chorale 3 parties 5
Voix duo, Piano 2
Chorale Unison 2

Chorale 2 parties 2
Chorale TTBB 1
Chorale SSAATTBB 1
Chorale SSATTB 1

+ 4 instrumentations

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Vents
Saxophone 42
Clarinette 6
Flûte traversière 6
Flûte traversière et Piano 3
Saxophone Baryton, Piano 2

Saxophone Alto et Piano 1
Quatuor de Saxophones: 4 saxophones 1
Flûte, Hautbois, Clarinette, Basson 1
Saxophone Tenor et Piano 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Saxophone (partie séparée) 1
Clarinette Basse, Piano 1

+ 7 instrumentations

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Cuivres
Trombone 7
Trompette 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Trombone et Piano 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1

Tuba et Piano 1
Trompette, Piano 1

+ 2 instrumentations

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Cordes
Violon 4
Violoncelle 2
Alto seul 2
Violon et Piano 2

Alto, Piano 1

Percussions & orchestre
Orchestre d'harmonie 20
Batterie 16
Orchestre à Cordes 1
Orchestre 1
Percussion (partie séparée) 1

Piano et Orchestre 1
Ensemble Jazz 1
Ensemble de cuivres 1

+ 3 instrumentations

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Seven Days

Violon et Piano

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2 partitions trouvées

Schubert: Ave Maria for Violin & Piano

Schubert: Ave Maria for Violin & Piano #Violon et Piano #DÉBUTANT #Classique #Franz Schubert #James M #Schubert: Ave Maria for Violin #jmsgu3 #SheetMusicPlus

Piano,Violin - Level 1 - SKU: A0.548703 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #34...(+)

Piano,Violin - Level 1 - SKU: A0.548703 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #3411155. Published by jmsgu3 (A0.548703). A Violin Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Violin part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle.Â Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria. Â Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz SchubertÂ (1797â€“1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958â€“960), and the song cycles Die schÃ¶ne MÃ¼llerinÂ (D. 795) and WinterreiseÂ (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubertâ€™s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â

$29.95 ≈ 27.48€

South Bay Angle for violin and piano

South Bay Angle for violin and piano #Violon et Piano #AVANCÉ #Contemporain #Robert M #South Bay Angle for violin and #Robert M. Greenberg #SheetMusicPlus

Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...(+)

Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringoâ€™s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didnâ€™t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.

$28.00 ≈ 25.69€

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