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Vous avez sélectionné:
Madness
Violon et Piano
Partitions à imprimer
4 partitions trouvées
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1
Morning Madness
Morning Madness
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazeps Jermolovs
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Morning Madness
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Jazeps Jermolovs
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.899370 Composed by Jazeps Jermolovs. Contemporary,Instructional,Standards. 25 pages. Jazeps Jermolovs #2930809. Publish...
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Piano,Violin - Level 4 - SKU: A0.899370 Composed by Jazeps Jermolovs. Contemporary,Instructional,Standards. 25 pages. Jazeps Jermolovs #2930809. Published by Jazeps Jermolovs (A0.899370). Contemporary piece in Octatonic scale for violin and piano.
$4.99 ≈
4.60€
It Must Be Love
It Must Be Love
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Violon et Piano
#
INTERMÉDIAIRE
#
Madness
#
Austin Ralphson
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It Must Be Love
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Austin Ralphson
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.563790 By Madness. By Labi Siffre. Arranged by Austin Ralphson. Oldies. 10 pages. Austin Ralphson #5001649. Published b...
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Piano,Violin - Level 3 - SKU: A0.563790 By Madness. By Labi Siffre. Arranged by Austin Ralphson. Oldies. 10 pages. Austin Ralphson #5001649. Published by Austin Ralphson (A0.563790). Ska/pop band Madness recorded this song in 1981 and it has become a firm favourite, especially at weddings and anniversary parties. This version is for solo with piano, and is great fun to play.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$7.99 ≈
7.36€
South Bay Angle for violin and piano
South Bay Angle for violin and piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...
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Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00 ≈
25.80€
Les cloches de Rouen for violin, bassoon and piano
Les cloches de Rouen for violin, bassoon and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Les cloches de Rouen for violi
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David Warin Solomons
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SheetMusicPlus
Bassoon,Piano,Violin - Level 4 - SKU: A0.576480 Composed by David Warin Solomons. Contemporary. 15 pages. David Warin Solomons #26919. Published by Davi...
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Bassoon,Piano,Violin - Level 4 - SKU: A0.576480 Composed by David Warin Solomons. Contemporary. 15 pages. David Warin Solomons #26919. Published by David Warin Solomons (A0.576480). This is my composition from several movements written by various composer members of the Delian Society to illustrate the novel Le Horla by Guy de Maupassant Details, pdf files and mp3 files of the whole suite can be found at:https://dwsolo.com/le-horla-2012-after-the-novel-by-guy-de-maupassant/ This movement is introduced by the narrator as follows: On the left, down yonder, lies Rouen, populous Rouen with its blue roofs massing under pointed, Gothic towers. Innumerable are they, delicate or broad, dominated by the spire of the cathedral, full of bells which sound through the blue air on fine mornings, sending their sweet and distant iron clang to me, their metallic sounds, now stronger and now weaker, according as the wind is strong or light. The protagonist is still in a happy mood, before the madness of Le Horla descends upon him. The sogetto cavato on the name of Guy de Maupassant, used in all of the compositions, is taken as part of the Dorian scale initially, to be transmogrified halfway through into the major scale, representing the optimistic mood of our anti-hero at the outset as he listens to the cheerful bells of Rouen and thinks all is well with his world. In counterpoint to the sogetto cavato you can also hear the first quarter of the hourly chime of Rouen Cathedral played on the bassoon, both themes interweaving playfully in four time, in seven time and in two-two-three time throughout the movement. The misleadingly cheerful scene is set.
$8.00 ≈
7.37€
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