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--INSTRUMENTS--
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Vous avez sélectionné:
Early 20th century
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Violon et Piano
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Ethel Barns - Humoresque for violin and piano
Ethel Barns - Humoresque for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ethel Barns
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Music for a While
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Ethel Barns - Humoresque for v
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Music for a While
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.914170 Composed by Ethel Barns. Arranged by Music for a While. 20th Century,Romantic Period. 7 pages. Music for a While...
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Piano,Violin - Level 4 - SKU: A0.914170 Composed by Ethel Barns. Arranged by Music for a While. 20th Century,Romantic Period. 7 pages. Music for a While #5723929. Published by Music for a While (A0.914170). Born in 1873, Ethel Barns studied at the Watford School of Music and later at the Royal Academy of Music in London before becoming well known as a violinist-composer in the early 1900s. During her career Barns composed over 120 works comprising orchestral, chamber and vocal music; she was one of the most important female composers of the early twentieth century and to date her music has been performed at the Proms twenty times.Humoresque is a short melodic work for violin and piano ideal as a recital piece or encore for intermediate to advance level student or professional performers. The work originally published in 1909, a recording of a historical performance by Yvonne Curti (violin) and Godefroy Andolfi (piano) is available on the Exton label.
$2.99 ≈
2.79€
Ethel Barns - Poëme for violin and piano
Ethel Barns - Poëme for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ethel Barns
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Music for a While
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Ethel Barns - Poëme for vi
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Music for a While
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.914172 Composed by Ethel Barns. Arranged by Music for a While. 20th Century,Romantic Period. 12 pages. Music for a Whil...
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Piano,Violin - Level 4 - SKU: A0.914172 Composed by Ethel Barns. Arranged by Music for a While. 20th Century,Romantic Period. 12 pages. Music for a While #5774075. Published by Music for a While (A0.914172). Born in 1873, Ethel Barns studied at the Watford School of Music and later at the Royal Academy of Music in London before becoming well known as a violinist-composer in the early 1900s. During her career Barns composed over 120 works comprising orchestral, chamber and vocal music; she was one of the most important female composers of the early twentieth century and to date her music has been performed at the Proms twenty times.Poëme is a short melodic work for violin and piano ideal as a recital piece or encore for intermediate to advance level student or professional performers. The work originally published in 1928.
$2.99 ≈
2.79€
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
12.09€
Fauré: Élégie Op. 24 for Violin & Piano
Fauré: Élégie Op. 24 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stand...
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Piano,Violin - Level 4 - SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 22 pages. Jmsgu3 #3531355. Published by jmsgu3 (A0.549723). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95 ≈
30.76€
"Fulfillment" transcribed for Violin /Piano #5 from PASSAGE.,
"Fulfillment" transcribed for Violin /Piano #5 from PASSAGE.,
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Anita Gower
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"Fulfillment" transc
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Arpeggio Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.993561 Composed by Anita Gower. 20th Century,Concert,Film/TV. Score and parts. 6 pa...
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.993561 Composed by Anita Gower. 20th Century,Concert,Film/TV. Score and parts. 6 pages. Arpeggio Press #5196189. Published by Arpeggio Press (A0.993561). Smooth flowing and melodic lines may bring the listener to calm gladness and aesthetic reward. This piece isan expression of the composer's life journey during her early adult years. The art on the Cover Sheet came from her files. She deemed it a perfect image for life coming 'into balance'. after resolute coping.-- An expressive 3+ minutes.
$2.50 ≈
2.33€
La fille aux cheveux de lin / The girl with the flaxen hair for violin and piano
La fille aux cheveux de lin / The girl with the flaxen hair for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Klas Krantz
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La fille aux cheveux de lin /
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Amadeus Music
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.532340 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,Classical. 5 pages. Amadeus Music #6019655. Pu...
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Piano,Violin - Level 4 - SKU: A0.532340 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,Classical. 5 pages. Amadeus Music #6019655. Published by Amadeus Music (A0.532340). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
$4.95 ≈
4.62€
The Girl with the Flaxen Hair
The Girl with the Flaxen Hair
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Leon Roques
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The Girl with the Flaxen Hair
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Cornelius Edition
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1292756 Composed by Claude Debussy. Arranged by Leon Roques. 20th Century. 3 pages. Cornelius Edition (uk) #883319. Pub...
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Piano,Violin - Level 4 - SKU: A0.1292756 Composed by Claude Debussy. Arranged by Leon Roques. 20th Century. 3 pages. Cornelius Edition (uk) #883319. Published by Cornelius Edition (uk) (A0.1292756). La fille aux cheveux de lin is a musical composition for solo piano by French composer Claude Debussy. It is the eighth piece in the composer's first book of Préludes, written between late 1909 and early 1910. The title and translates roughly to The Girl with the Flaxen Hair. The piece, named after the poem by Leconte de Lisle, is known for its musical simplicity, and is one of Debussy's most recorded pieces, both in its original version and in subsequent various arrangements. This violin and piano version is transposed up a semitone to G major
$5.95 ≈
5.55€
ADAGIO from Concerto in D minor, BWV 974 (Concerto d'après Marcello) for Violin and Piano
ADAGIO from Concerto in D minor, BWV 974 (Concerto d'après Marcello) for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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ADAGIO from Concerto in D mino
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SheetMusicPlus
Piano Accompaniment, Violin - Advanced Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period,...
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Piano Accompaniment, Violin - Advanced Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period, Sacred, Easter, Graduation, Recital. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
The Concerto for Oboe and Strings in D minor, attributed to Alessandro Marcello, is one of the most performed oboe concertos in the repertory. It was written in the early 18th century and has become Marcello's most famous work. Bach wrote a keyboard transcription of the concerto.
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.
Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.
$5.99 ≈
5.59€
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