Partitions Numériques de Del Roma and J pour Violon et Piano

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Del Roma and J
Non classifié 5

Piano & claviers
Piano seul 12
Orgue 2
Piano, Voix 1

Guitares
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale 3 parties 3
Chorale SATB 1
Chorale TTBB 1

Vents
Saxophone 6
Clarinette 3
2 Saxophones (duo) 1
Flûte et Guitare 1
Flûte, Clarinette (duo) 1

Flûte traversière et Piano 1
Hautbois, Piano (duo) 1
Flûte traversière 1
2 Flûtes traversières (duo) 1

+ 4 instrumentations

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Cuivres
Trompette 4
Ensemble de Trompettes 3
Trompette, Piano 1
Ensemble de Tubas 1
Cor et Piano 1

Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trombone 1

+ 2 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 4
Violon et Piano 3

Violon 1
Violon, Alto (duo) 1
Alto seul 1

Percussions & orchestre
Orchestre à Cordes 1

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Del Roma and J

intermédiaire

Violon et Piano

Partitions à imprimer

3 partitions trouvées

Nimrod (for Violin Solo and Piano)

Nimrod (for Violin Solo and Piano) #Violon et Piano #INTERMÉDIAIRE #Classique #Edward Elgar #Flavio Regis Cunha #Nimrod #Flavio Regis Cunha #SheetMusicPlus

Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, W...(+)

Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, Wedding, Funeral, Recital. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.

Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.

In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.

The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", J�ger being German for hunter.

In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Path�tique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."

This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The ?Nimrod? variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.

An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score

$5.99 ≈ ¥43.44

I Will Follow Him (I Will Follow You)

I Will Follow Him (I Will Follow You) #Violon et Piano #INTERMÉDIAIRE #Little Peggy March #Rafael Dengra #I Will Follow Him #Rafael Dengra Rodriguez-Vida #SheetMusicPlus

Piano,Violin - Level 3 - SKU: A0.1424454 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by R...(+)

Piano,Violin - Level 3 - SKU: A0.1424454 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by Rafael Dengra. Pop,Wedding. 7 pages. Rafael Dengra Rodriguez-Vida #1005644. Published by Rafael Dengra Rodriguez-Vida (A0.1424454). Best Arrangement for Weddings or Concerts if You are looking for Intermediate - Advanced level. Above 3 and half minutes with optional repeat. All of our Arrangements have tested at professional events before publish.

$6.99 ≈ ¥50.70

Beyond Her Only Dreaming

Beyond Her Only Dreaming #Violon et Piano #INTERMÉDIAIRE #J #J #Beyond Her Only Dreaming #J.Francis Ball #SheetMusicPlus

Piano,Violin - Level 3 - SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. ...(+)

Piano,Violin - Level 3 - SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. J.Francis Ball #1024223. Published by J.Francis Ball (A0.1444309). Program Notes Mercedes M. Yardley is a dark fantasist who wears poisonous flowers in her hair. She is a two-time Bram Stoker Award winner for Little Dead Red and “Fracture.” She is the author of Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, and Love is a Crematorium. Mercedes lives in Las Vegas and can be found at mercedesmyardley.com. J. Francis Ball Is a composer, violinist, and guitarist who has performed in multiple bands, in collaborations, in orchestras, and solo projects. He has recorded and released ten studio albums with The Unwieldies and The Psyatics. His classical, jazz, romantic, and punk musical influences can be heard in all his contemporary compositions. J. Francis Ball was born and raised in Pittsburgh, PA, and currently lives and performs in Las Vegas. His Words This collaboration began with a powerful name. I asked Mercedes to listen to and name an early piano composition I wrote. Her reply was “Beyond Her Only Dreaming.” The original composition was ultimately scrapped, but the name stuck with me. It inspired the muses whispering in my haunted ear. I wrote five musical tone poems that were loosely based on a woman’s dream. During the creative process, I asked Mercedes to listen to the tones and use her imagination to create sketches for each section. Her spoken poetry powerfully frames a woman’s dreams, fears, desires, and hope for love. They blend seamlessly with the music and are so masterfully written that they create a picture frame to use as structure but leave the canvas blank. This allows the listener to also take part in this collaboration and paint their own visions of how they experience the music. J.F.B.Her Words I’m a dreamer and writer of words, but I love music. When John asked me to name his original musical piece, I was delighted. I had recently written a story based on Robert Chamber’s famed The King in Yellow collection and, due to the sound and feel of John’s piece, loosely named the composition after my short story. John took this title and created a brilliant new musical composition. After listening to it, I was influenced to create spoken- word pieces that match the emotion of the music while also hearkening back to the original short story. The piece you’ll hear contains poetry influenced by original music inspired by a short story based on a collection written in 1895. Time is a flat circle. This is how art moves and breathes, and I’m truly honored to take part. MMY.

$5.99 ≈ ¥43.44

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