Partitions Numériques de She's All I Ever Had pour Guitare notes et tablatures

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She's All I Ever Had
Non classifié 354

Piano & claviers
Piano seul 92
Piano, Voix et Guitare 48
Piano, Voix 21
Piano Facile 13
Instruments en Do 8

Orgue 7
1 Piano, 4 mains 3
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Quatuor: piano, violon, alto, violoncelle 1
2 Pianos, 4 mains 1

+ 5 instrumentations

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Guitares
Guitare 5
Guitare notes et tablatures 2

Basse electrique 2
Ligne De Mélodie, (Paroles) et Accords 1
Ukulele 1

4 Guitares (Quatuor) 1

+ 1 instrumentations

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Voix
Chorale SATB 42
Chorale TTBB 9
Chorale 3 parties 7
Voix duo, Piano 4
Chorale 2 parties 4

Chorale SSAA 2
Voix seule 1
Voix duo 1
Voix Tenor 1
Voix haute 1
Voix Soprano, Piano 1
Chorale Unison 1

+ 7 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 56
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 50
Ensemble de saxophones 28
Quatuor de Saxophones: 4 saxophones 15
2 Flûtes traversières (duo) 14

Ensemble de Clarinettes 13
Hautbois (partie séparée) 10
Clarinette 10
Quintette de Flûte : 5 flûtes 8
Flûte, Hautbois, Clarinette, Basson 7
Ensemble de Flûtes 5
2 Saxophones (duo) 4
Flûte traversière et Piano 3
Quatuor de Clarinettes: 4 clarinettes 3
Quintette de Clarinettes: 5 clarinettes 2
Clarinette et Piano 2
Flûte traversière 2
Saxophone Alto et Piano 2
Hautbois, Piano (duo) 2
Clarinette, Violoncelle (duo) 2
Saxophone Alto 1
Ensemble De Flûte à bec 1
Saxophone (partie séparée) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Saxophone Tenor et Piano 1
2 Clarinettes (duo) 1
Hautbois, Basson (duo) 1
2 Cors Anglais Et Pianoforte 1
Hautbois, Violoncelle 1
Saxophone et Orgue 1

+ 25 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 24
Ensemble de Trombones 12
Quatuor de Cuivres 10
Ensemble de Trompettes 10

Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Quatuor de cuivres: 4 trombones 4
Trompette, Piano 3
Ensemble de Cors 3
Trombone et Piano 2
Cor et Piano 2
2 Trombones (duo) 2
Trompette (partie séparée) 1
Tuba 1
2 Euphoniums et 2 Tubas 1
Trombone basse et Piano 1
2 Trompettes (duo) 1
Ensemble de Tubas 1
Quatuor de cuivres: 4 cors 1
Tuba et Piano 1
Trompette, Trombone (duo) 1
Trompette 1
2 Cors Anglais Et Pianoforte 1

+ 18 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 17
2 Violons (duo) 9
Ensemble de Violons 8
Violon et Piano 7
Ensemble d'Altos 6

Violoncelle, Piano 5
Harpe 5
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Violoncelle (partie séparée) 4
2 Violoncelles (duo) 2
Violon, Violoncelle (duo) 2
Violon, Alto (duo) 2
Violon 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
2 Harpes (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
4 Violoncelles 2
Alto, Piano 1
Violoncelle 1
Contre Basse 1
Alto, Violoncelle (duo) 1
Violoncelle , Guitare (duo) 1

+ 17 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 27
Orchestre 13
Orchestre à Cordes 12
Ensemble de cuivres 6
Ensemble Jazz 6

Orchestre de chambre 3
Cloches 2
Jazz combo 2
Vibraphone 1
Quintette de Cuivres: autres combinaisons 1
Piano et Orchestre 1
2 Marimbas 1
Fanfare 1
Ensemble de Percussions 1

+ 9 instrumentations

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She's All I Ever Had

Guitare notes et tablatures

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2 partitions trouvées

Waltz Op 69 No 2 (Arranged for Guitar)

Waltz Op 69 No 2 (Arranged for Guitar) #Guitare notes et tablatures #INTERMÉDIAIRE #Classique #Frederic Chopin #Brian Streckfus #Waltz Op 69 No 2 #Brian Streckfus #SheetMusicPlus

Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...(+)

Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy.Â Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don'tÂ have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.

$1.99 ≈ 1.85€

Summer Rain (Ft. Madison Cunningham and Chris Thile)

Summer Rain (Ft. Madison Cunningham and Chris Thile) #Guitare notes et tablatures #INTERMÉDIAIRE #Jacob Collier #Justin Roth #Summer Rain #Rothirric Music #SheetMusicPlus

Guitar - Level 3 - SKU: A0.1401766 Composed by Jacob Collier. Arranged by Justin Roth. Contemporary,Folk,Pop,Singer/Songwriter. Guitar Tab. 10 pages. Ro...(+)

Guitar - Level 3 - SKU: A0.1401766 Composed by Jacob Collier. Arranged by Justin Roth. Contemporary,Folk,Pop,Singer/Songwriter. Guitar Tab. 10 pages. Rothirric Music #984951. Published by Rothirric Music (A0.1401766). Summer Rain was written by Jacob Collier and features Madison Cunningham on vocals and Chris Thile on mandolin. It is on Jacobâ??s Djesse vol. 4 album, released on February 29, 2024. This transcription was originally based on two back-to-back live performances at Union Chapel in London on Aug. 31, 2023, and was completed before the album version was released. The videos were not an official release, but the performances were the first time the three of them had ever performed it as a trio in front of an audience. There were slight discrepancies between the two performances, but I chose what was most consistent with the resulting pattern and progression of the album version.Despite the harmonic complexity of parts of the song, learn the easy and repeatable chord shapes that Jacob actually uses to make this song easier to play that you think. This transcription is intended as a chordal and rhythmic guide to the song, making it more accessible, no matter what your level of playing is. Since it is based on a live performance, and because Jacob doesn't play anything exactly the same way twice, this is not a note-for-note fingerstyle arrangement. This frees you up to adapt it to your level of playing, whether you're a strummer or fingerpicker.As a professional fingerstyle guitarist himself, arranger and transcriber, Justin Roth, has been teaching and transcribing Jacob Collier's guitar arrangements with precision and attention to detail unlike no other to date. Supplemental tutorial videos that accompany Justin's transcriptions are available here: https://bit.ly/JCtutorials.

$5.99 ≈ 5.56€

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