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Vous avez sélectionné:
Return To Me
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
4 partitions trouvées
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1
Give Me This Mountain
Give Me This Mountain
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Dana F
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Give Me This Mountain
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 3 - SKU: DX.145528 Arranged by Dana F. Everson. Traditional. Key of Bb, Ab, C. Sacred Instrumental Music. Score and Parts. 14 page...
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Brass Quintet - Grade 3 - SKU: DX.145528 Arranged by Dana F. Everson. Traditional. Key of Bb, Ab, C. Sacred Instrumental Music. Score and Parts. 14 pages. David E. Smith - Digital Sheet Music #145528. Published by David E. Smith - Digital Sheet Music (DX.145528). A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. It opens with rhythmic patterns where the first statement of the tune is presented by the trombone. The chorus is harmonically in block format where it comes to an end. NOW, something different the second trumpet and tuba present a simple accompaniment while all the other voice, yes voices, sing the words and melody of the song! A brief conclusion, a modulations and the piece returns to the texture of the earlier statement. The a bit of tongue and check statements and a very conclusive ending.
$12.00 ≈
11.05€
A Child’s Garden of Jazz for Brass Quintet
A Child’s Garden of Jazz for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Wolking, Henryenry
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A Child’s Garden of Jazz
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cher...
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Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50 ≈
25.33€
Cinnamon Rolls (for Brass Quintet)
Cinnamon Rolls (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gilde...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95 ≈
18.38€
Lighthouse Suite
Lighthouse Suite
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Daniel Baldwin
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Lighthouse Suite
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Imagine Music - Digital
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SheetMusicPlus
Composed by Daniel Baldwin. Score and parts. 89 pages. Published by Imagine Music - Digital (IZ.IMS1511). - score and parts - - Imagine Music - Digital...
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Composed by Daniel Baldwin. Score and parts. 89 pages. Published by Imagine Music - Digital (IZ.IMS1511). - score and parts - - Imagine Music - Digital
In the spring of 2010, my minister put me in touch with his nephew, the trombonist of the Gaudete Brass Quintet of Chicago. A brief conversation resulted in a commission for an expansive four movement work written over the course of three years. Lighthouses have always been a fascination of mine; all of the things they must see! The piece begins with a call to the high seas. In this you will hear the introduction of the lighthouse dynamic, a large dynamic sweep, representing the lighthouse light swinging by and out of sight again. The second movement depicts adventures on the open sea. In the third movement, darkness falls. The finale represents daybreak and the excitement of the new day. A dramatic moment leads to a heroic moment, followed by a moment of silence for those who have fallen (the second theme of the fourth movement is presented in the style of taps). A return of the call to the high seas leads to an energetic conclusion. Lighthouse Suite is dedicated to the Gaudete Brass Quintet who premiered the piece in the fall of 2014.
$24.00 ≈
22.11€
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