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Vous avez sélectionné:
Common March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
11 partitions trouvées
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1
Wedding March
Wedding March
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
#
Classique
#
Felix Jakob Ludwig
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Peet du Toit
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Wedding March
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arra...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arranged by Peet du Toit. Romantic Period. 14 pages. Peet du Toit #976937. Published by Peet du Toit (A0.1393426). Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.At weddings in many Western countries, this piece is commonly used as a recessional, though frequently stripped of its episodes in this context. It is frequently teamed with the Bridal Chorus from Richard Wagner's opera Lohengrin, or with Jeremiah Clarke's Prince of Denmark's March, both of which are often played for the entry of the bride.The first time that Mendelssohn's Wedding March was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.An organ on which Mendelssohn gave recitals of the Wedding March, among other works, is housed in St Ann's Church in Tottenham.
$21.00 ≈
19.65€
Wedding March - Short Version
Wedding March - Short Version
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
#
Classique
#
Felix Bartholdy Mendelssohn
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Karen Gueiros
#
Wedding March - Short Version
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Editora Gueiros
#
SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.1251391 Composed by Felix Bartholdy Mendelssohn. Arranged by Karen Gueiros. 19th Century,March,Romantic Period,Wedding...
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Brass Quintet - Level 2 - SKU: A0.1251391 Composed by Felix Bartholdy Mendelssohn. Arranged by Karen Gueiros. 19th Century,March,Romantic Period,Wedding. 10 pages. Editora Gueiros #845672. Published by Editora Gueiros (A0.1251391). An arrangement of Wedding March by Felix Mendelssohn Bartholdy for brass quintet. This version contains only the commonly known wedding march theme.
$12.99 ≈
12.15€
How Great Thou Art ? brass quintet
How Great Thou Art ? brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
#
Musique Sacrée
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Gospel Spirituel
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Swedish folk tune
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Todd Marchand
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How Great Thou Art ? brass qui
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Con Spirito Music
#
SheetMusicPlus
Composed by Swedish folk tune. Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 13 pages. Published by Con Spirito Music (S0.181021). ...
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Composed by Swedish folk tune. Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 13 pages. Published by Con Spirito Music (S0.181021). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music
One of the best-loved gospel songs worldwide, ?How Great Thou Art? began as a nine-stanza hymn of praise, ?O Store Gud? (?O Great God?), written in 1885 by Swedish poet and lay minister Carl Gustav Boberg (1859?1940). In 1891 Boberg published the poem, accompanied by a Swedish folk melody, in Sanningsvittnet (Witness for the Truth), a weekly Christian journal of which he was editor. Today, the tune is commonly named ?Sanningsvittnet? in hymnals. From its Swedish origins, the text was translated to German in 1907, then to Russian in 1912. The Russian text became the basis for a translation to English by Stuart W. K. Hine (1899?1989), a British Methodist missionary who discovered it in 1931 while on mission in the Ukraine. Hine's work commonly contains four verses: the first two being a relatively close translation of stanzas by Boberg, and the latter two being original verses by Hine. Published in 1949, ?How Great Thou Art? gained great popularity in North America after George Beverly Shea began singing it in the Billy Graham evangelistic crusades in 1955. It has been named the #1 favorite hymn by respondents to various polls in both the United States and United Kingdom. Copyright 2013 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
14.03€
The Fightin' 55th (for Brass Quintet & Percussion)
The Fightin' 55th (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Dr
#
The Fightin' 55th
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Http...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95 ≈
23.34€
Still, Still, Still (Salzburg melody) ? brass quintet
Still, Still, Still (Salzburg melody) ? brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Traditional Austrian melody
#
Todd Marchand
#
Still, Still, Still
#
Con Spirito Music
#
SheetMusicPlus
Composed by Traditional Austrian melody. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 8 pages. Published by Con Spirito Music (...
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Composed by Traditional Austrian melody. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 8 pages. Published by Con Spirito Music (S0.180029). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?Still, Still, Still? is an Austrian carol and lullaby thought to have originated c. 1819 in the state of Salzburg. The tune appeared for the first time in Salzburgische Volkslieder mit ihren Singweisen (1865), a collection of folk songs from Salzburg compiled by Maria Vinzenz S (1802-1868), with the text attributed to G. Gotsch. Although a number of verses exist, three are commonly sung in their English translation: ?Still, still, still, one can hear the falling snow. For all is hushed, the world is sleeping, Holy Star its vigil keeping. Still, still, still, one can hear the falling snow. ?Sleep, sleep, sleep, ?tis the eve of our Savior's birth. The night is peaceful all around you; close your eyes, let sleep surround you. Sleep, sleep, sleep, ?tis the eve of our Saviour's birth. ?Dream, dream, dream, of the joyous day to come, while guardian angels without number watch you as you sweetly slumber. Dream, dream, dream, of the joyous day to come.? Copyright2019 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
14.03€
Joy to the World — brass quintet
Joy to the World — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lowell Mason
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Todd Marchand
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Joy to the World — brass
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1136166 Composed by Lowell Mason (1792-1872). Arranged by Todd Marchand. Chr...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1136166 Composed by Lowell Mason (1792-1872). Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 12 pages. Con Spirito Music #736195. Published by Con Spirito Music (A0.1136166). “Joy to the World†is, perhaps, the most widely performed Christmas carol, having appeared in nearly 1800 different hymnals since its initial publication, according to hymnary.org.The text was written by the prolific English hymn-writer Isaac Watts (1674-1748) as a paraphrase of Psalm 98 and published in his Psalms of David Imitated (1719) under the heading “The Messiah's Coming and Kingdom.†The paraphrase is a Christological interpretation of the psalm — i.e., an understanding of a passage of Old Testament scripture as pointing to the Christ of the New Testament.As hymn texts and tunes were often printed separately, Watts indicated that “Joy to the World†should be sung to any Common Meter (CM) tune — a poetic meter consisting of four lines that alternate between iambic tetrameter and iambic trimeter, with each foot consisting of an unstressed syllable followed by a stressed syllable. Consider the CM tunes, “Amazing Grace†and “O Little Town of Bethlehem,†for example — both very different from the tune commonly associated with Watts’ text today.That tune was written, or at least arranged, by the American hymn-writer and music educator Lowell Mason (1792-1872) and published in The National Psalmist (Boston, 1848). Mason had published three earlier arrangements of the tune he named “ANTIOCH,†the first in 1836 and attributed as being “from Handel.†Although Mason was a great admirer and student of Handel's music, and though the first four notes of Mason's “ANTIOCH†are the same as the first four in the chorus “Lift up your heads†from Handel's Messiah, the similarity ends there.This arrangement for brass quintet features a “bell-toneâ€-like fanfare in the introduction, interlude, and ending; textural contrasts between high and low brass; and tasteful re-harmonizations of the tune in the middle and concluding verses.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00 ≈
14.03€
Riu, Riu, Chiu - brass quintet, percussion (bodhran, tambourine)
Riu, Riu, Chiu - brass quintet, percussion (bodhran, tambourine)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Mateo Flecha
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Todd Marchand
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Riu, Riu, Chiu - brass quintet
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726138 Composed by Mateo Flecha (1481-1553). Arranged by Todd Marchand. Chri...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726138 Composed by Mateo Flecha (1481-1553). Arranged by Todd Marchand. Christmas,Latin,Sacred. Score and parts. 34 pages. Con Spirito Music #6565627. Published by Con Spirito Music (A0.726138). Riu, Riu, Chiu is a villancico (carol) attributed to Mateo Flecha the Elder (1481-1553), a Catalonian composer and cathedral music director of the Renaissance era.Flecha (Catalan: Mateu Flexta) was well-known for his ensaladas (literally, salads - works for four or five voices - and villancicos, a type of popular song in the vernacular (common language). Orignally a secular genre, villancicos gained popularity in the second half of the 16th century as a religious song form. Devotional villancicos, which were often intended to teach and reinforce theological principles, became very popular in the 17th century and continued in popularity until the decline of the genre in the 18th-19th centuries.Riu, Riu, Chiu is a lesson in Catholic doctrine on the Immaculate Conception of the Virgin Mary and the Incarnation of Christ the Redeemer. This arrangement presents four of the carol's seven verses as well as the refrain that opens the song and is repeated between verses. With engaging rhythms, clever harmonizations, and lively percussion, this arrangement is an ideal change-of-pace for any Christmas music program and a showcase for your ensemble.©Copyright 2021 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00 ≈
14.03€
Allegro - Score Only
Allegro - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Solo Trumpet Player
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ed
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Allegro - Score Only
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical...
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Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446). Franz Peter Schubert (German: [fÊants ˈpeËtÉ ËˆÊƒuËbÉt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.
$17.00 ≈
15.91€
Pomp and Circumstance (Brass Quintet)
Pomp and Circumstance (Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Classique
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Edward Elgar
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B
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Pomp and Circumstance
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Ben Dockery
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1260801 Composed by Edward Elgar. Arranged by B. C. Dockery. 19th Century,Classical,March,R...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1260801 Composed by Edward Elgar. Arranged by B. C. Dockery. 19th Century,Classical,March,Romantic Period. 8 pages. Ben Dockery #853944. Published by Ben Dockery (A0.1260801). Most commonly heard as a graduation processional, this is Edward Elgar's Pomp and Circumstance, March No. 1. Arranged for brass quintet: two B-flat trumpets, french horn, trombone, and tuba. Great for lessons, recitals, graduation and commencement services. Easy intermediate level. Includes score and parts.
$8.99 ≈
8.41€
Irish Carol "Christmas Day is Come" - brass quintet
Irish Carol "Christmas Day is Come" - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Irish traditional tune
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Todd Marchand
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Irish Carol "Christmas Da
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726136 Composed by Irish traditional tune. Arranged by Todd Marchand. Celtic...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726136 Composed by Irish traditional tune. Arranged by Todd Marchand. Celtic,Christmas,Holiday,Irish,Sacred,Traditional. Score and parts. 14 pages. Con Spirito Music #6537373. Published by Con Spirito Music (A0.726136). Set to a traditional 16th-17th century Irish tune, the Irish Carol (Christmas Day is Come) is attributed to Luke Wadding (1558-1657), a Franciscan friar and historian born in Ireland who did much to strengthen the Catholic Church in Ireland and raise its profile in Rome. Although he was a prolific writer who published his own Small Garland of Pious and Godly Songs (1684), the so-called Irish Carol appeared in A New Garland Containing Songs for Christmas by William Devereux (1696-1771) as The Second Carol for Christmas Day. It is likely that Devereux, not Wadding, was the author of the text, which begins:Christmas Day is come; Let us prepare for mirth,Which fills the heav'ns and earth at His amazing birth.Through both thy joyous angels in strife and hurry fly,With glory and hosannas, Holy, Holy they cry.In Heav'n the church triumphant adores with all her choirs,The militant on earth with humble faith admires.Although more than one tune has been associated with Christmas Day is Come, the tune that is the basis for this arrangement is the most commonly sung today. ©Copyright 2021 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00 ≈
14.03€
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