Partitions Numériques de 3 HYMNS OF JOY pour Quatuor de Cuivres : 2 trompettes, trombone, tuba

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3 HYMNS OF JOY
Non classifié 281

Piano & claviers
Piano seul 70
Orgue 9
Piano, Voix et Guitare 7
Piano, Voix 6
Piano Trio: piano, violon, violoncelle 4

Piano Facile 2
Instruments en Do 1
Accompagnement Piano 1

+ 3 instrumentations

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Guitares
Guitare 1

Voix
Chorale 2 parties 57
Chorale SATB 52
Voix duo 16
Chorale TTBB 3
Voix duo, Piano 2

Voix haute 1
Chorale 3 parties 1

+ 2 instrumentations

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Vents
Hautbois, Piano (duo) 91
Saxophone Alto et Piano 65
Saxophone Baryton, Piano 34
Saxophone Tenor et Piano 34
Clarinette et Piano 28

Flûte traversière et Piano 27
Clarinette 11
Flûte, Basson et Piano 7
2 Saxophones, Piano 7
2 Flûtes traversières (duo) 5
Flûte, Trompette (duo) 4
2 Saxophones (duo) 4
Clarinette, Basson, Piano (trio) 4
Hautbois, Basson (duo) 4
Flûte, Trombone (duo) 3
Saxophone Alto 3
Quatuor de Clarinettes: 4 clarinettes 2
2 Clarinettes (duo) 2
Flûte traversière 2
Clarinette, Basson (duo) 2
Saxophone (partie séparée) 2
Flûte, Clarinette (duo) 2
Flûte, Violon, Violoncelle et Piano 2
Hautbois (partie séparée) 2
Flûte, Hautbois, Clarinette, Basson 2
Saxophone Soprano et Piano 2
Quatuor de Saxophones: 4 saxophones 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
2 Clarinettes, Piano 1
Clarinette, Alto et Piano (trio) 1
3 Saxophones (trio) 1
Clarinette (partie séparée) 1
Flûte, Harpe et Violoncelle 1
Flûte, Violon, Piano 1
Flûte, Alto et Piano 1

+ 30 instrumentations

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Cuivres
Trombone et Piano 75
Cor et Piano 34
Trompette, Piano 26
2 Cors (duo) 21
Trompette 10

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
2 Trombones (duo) 3
Trombone 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2

Euphonium, Piano (duo) 1
Tuba 1
Cor 1

+ 7 instrumentations

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Cordes
Alto, Piano 48
Violoncelle, Piano 39
Violon et Piano 29
Alto, Violoncelle (duo) 4
Violon, Violoncelle (duo) 4

Violon, Alto (duo) 4
Quatuor à cordes: 2 violons, alto, violoncelle 4
Piano Trio: Violon, Alto, Piano 4
Violoncelle (partie séparée) 3
Alto seul 3
Trio à Cordes: 2 violons, violoncelle 1
Violoncelle 1
Trio à Cordes: violon, alto, violoncelle 1
Violon 1
2 Violons (duo) 1
Violon (partie séparée) 1
Alto (partie séparée) 1
Violon, Basson (duo) 1

+ 13 instrumentations

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Percussions & orchestre
Ensemble de cuivres 7
Marimba 6
Cloches 5
Orchestre à Cordes 2
Orchestre 2

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3 HYMNS OF JOY

intermédiaire

Quatuor de Cuivres : 2 trompettes, trombone, tuba

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2 partitions trouvées

As With Gladness Men Of Old (Brass Quintet)

As With Gladness Men Of Old (Brass Quintet) #Quatuor de Cuivres : 2 trompettes, trombone, tuba #INTERMÉDIAIRE #Conrad Kochier #Joseph Pugh #d #As With Gladness Men Of Old #Joseph Pugh #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855267 Composed by Conrad Kochier (1786-1872). Arranged by Joseph Pugh. Christian,Christma...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855267 Composed by Conrad Kochier (1786-1872). Arranged by Joseph Pugh. Christian,Christmas,Classical,Concert,Standards. Score and parts. 2 pages. Joseph Pugh #6518121. Published by Joseph Pugh (A0.855267). Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Striftsckirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for Treuer Heiland, wir sind hir, found in Kocher's Stimmen aus den Reiche Gottes (1838).-Hymnary.com Bert PolmanChristmas season wouldn't be complete without the Christmas Hymns. Joseph's arrangement of this classic Christmas Hymn will bring the Spirit of Christmas to your audience as well as, comfort and joy.Download it today and start getting ready for your Christmas gigs.

$19.99 ≈ 18.42€

A Billings Triptych - for 8-Part Brass Choir

A Billings Triptych - for 8-Part Brass Choir #Quatuor de Cuivres : 2 trompettes, trombone, tuba #INTERMÉDIAIRE #William Billings #Mike Allsen #A Billings Triptych - for 8-Pa #Aaron Hettinga #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North Americaâ€™s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching â€œsinging-schools,â€ where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billingsâ€™s works were hymns or â€œpsalm tunes.â€ He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings â€œpsalm tunes,â€ Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Masterâ€™s Assistant during the height of the war in 1778, Billings added a verse calling out the â€œinfernal leagueâ€ of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schumanâ€™s 1957 band piece A New England Triptych. Billings also composed over 50 â€œfuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn â€œWhen I With Pleasing Wonder Standâ€ though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn â€œNow Shall My Inward Joys Arise.â€ I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.

$34.99 ≈ 32.24€

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