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When a Mezzo
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Vous avez sélectionné:
When a Mezzo
Partitions à imprimer
39 partitions trouvées
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1
26
When a Mezzo (x2)
When a Mezzo (x2)
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99 ≈
5.51€
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
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Carla Moraga
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David Warin Solomons
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Ale Vasserlech for mezzo, flut
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David Warin Solomons
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SheetMusicPlus
Cello,Flute,Guitar,Medium Voice - Level 4 - SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and R...
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Cello,Flute,Guitar,Medium Voice - Level 4 - SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 177. David Warin Solomons #980048. Published by David Warin Solomons (A0.1396707). Based on a traditional Yiddish folk song[Lyrics - English version below]Ale vasserlech flisn avek, di gribelech blaybn leydik.   Nito aza mentsh oyf gor der velt, vos zol farsteyn mayn veytik. Di yorelech tsien, di yorelech flien, di tsayt geyt avek vi roych, un az ich dermon zich on dir, mayn zis lebn, geyt mir oys der ko'ech.Un aza meydele shpilt a libe, shpilt in ir alle farbn un az zi shpilt ir libe nit oys, ken zi cholile noch shtarbn. Un az de tepelech trinkenen oys blaybn zey ale leydik un az a meydele firt ir libe nit oys vert zi farfalln oyf eybik. All the little waters flow awayThe little ditches remain dryThere is nobody on this whole earthwho can understand my painThe years drag on, the years fleeTime goes away like smokeand when I think of you, my sweet lifeI lose my strengthAnd when a young girl plays at loveall the colours play in herand if she doesn't play her love for realshe can - God forbid - still die.And when the water jars run outthey all remain dryand when a young girl doesn't play her love for realshe will pine away for ever.
$4.50 ≈
4.14€
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 ≈
9.19€
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
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Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99 ≈
9.19€
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 ≈
9.19€
The Fox and the Crow from Fables for a Prince
The Fox and the Crow from Fables for a Prince
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Juliana Hall
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The Fox and the Crow from Fabl
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice, mezzo soprano voice, tenor voice, baritone voice, and piano - Medium - SKU: MQ.8591-2E Composed by Juliana Hall. Secular, 21st century. 1...
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Soprano voice, mezzo soprano voice, tenor voice, baritone voice, and piano - Medium - SKU: MQ.8591-2E Composed by Juliana Hall. Secular, 21st century. 12 pages. E. C. Schirmer Music Company - Digital #8591-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8591-2E). English.Fables for a Prince evokes images of aristocratic life in days past, when a young prince would be taught his lessons always with an appreciation of him one day becoming the king. Both animals and humans enact small tales – fables – designed to show the young prince the difference between good and bad, and the reasoning in favor of behavior that is right over that which is wrong, so that his sense of fairness and justice may develop as he grows into his proper role as king and protector of his people. Duration: 16:00Contents:To His Royal Highness the Dauphin The Fox and the Crow The Hen that Laid the Golden Eggs The Horse and the Ass The Physicians Epilogue.
$5.40 ≈
4.97€
"Three Labe Sonnets" for mezzo-soprano and piano
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Three Labe Sonnets"
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265...
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Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50 ≈
4.14€
"Five Settings by Christina Rossetti" for mezzo-soprano and piano
"Five Settings by Christina Rossetti" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Five Settings by Christi
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Call of the Wild Publishing
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 5 - SKU: A0.978195 Composed by Jason A. Heald. Contemporary. Score. 25 pages. Call of the Wild Publishing #6265341. Pub...
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Choral Piano,Vocal,Voice - Level 5 - SKU: A0.978195 Composed by Jason A. Heald. Contemporary. Score. 25 pages. Call of the Wild Publishing #6265341. Published by Call of the Wild Publishing (A0.978195). Five Settings by Christina Rossetti is a set of art songs for mezzo-soprano and piano. The selections include Who has Seen the Wind, When I am dead, my dearest, Sleeping at Last, A Daughter of Eve, and A Better Resurrection . For more music by Jason Heald, visit www.jasonheald.com .
$4.50 ≈
4.14€
Ave Maria, Thou Virgin and Mother (Accompaniment Track - Mezzo and Bass solo only)
Ave Maria, Thou Virgin and Mother (Accompaniment Track - Mezzo and Bass solo only)
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Musique Sacrée
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Christian contemporain
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Stephen DeCesare
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Ave Maria, Thou Virgin and Mot
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Exultet Music
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SheetMusicPlus
SKU: A0.1051519 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 176. Exultet...
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SKU: A0.1051519 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 176. Exultet Music #785. Published by Exultet Music (A0.1051519). Gentle and tender hymn for the Blessed Virgin Mary. Â Scored for Mezzo and Bass solos, Soprano Recorder and Piano. Â Can be used for many times throughout the liturgical year but especially when it is a Marian theme.
$3.99 ≈
3.67€
The Lone Wanderer - Mezzo Soprano and Clarinet
The Lone Wanderer - Mezzo Soprano and Clarinet
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Celtique/Irlandais
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Alexander Campbell and arrange
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Karen E McAulay
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The Lone Wanderer - Mezzo Sopr
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Dr Karen E McAulay
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SheetMusicPlus
Clarinet,Instrumental Duet,Medium Voice - SKU: A0.984265 Composed by Alexander Campbell and arranged Karen E McAulay. Arranged by Karen E McAulay. Celti...
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Clarinet,Instrumental Duet,Medium Voice - SKU: A0.984265 Composed by Alexander Campbell and arranged Karen E McAulay. Arranged by Karen E McAulay. Celtic,Contemporary,Folk. 4 pages. Dr Karen E McAulay #3680017. Published by Dr Karen E McAulay (A0.984265). A bit of background: the poet of this tragic song was Anon (maybe the tune-collector Alexander Campbell himself?), and he set it to an ancient Lowland melody that he had collected on his song-collecting travels. The lyrics tell the story of a girl who went out of her mind with grief, when her fiance was taken from her on their wedding day. The theme is strongly reminiscent of a very popular song, Crazy Jane.
$15.00 ≈
13.81€
Alter? When the hills do
Alter? When the hills do
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Robert A
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Alter? When the hills do
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Robert A. Howard
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.998819 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Instructional. 3 pages. Rober...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.998819 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Instructional. 3 pages. Robert A. Howard #6092973. Published by Robert A. Howard (A0.998819). This is a stark and haunting setting of the miniature poem by Emily Dickinson. Some rhythmic freedom is afforded to the singer in order to fully express the text. The vocal part is well supported by the piano accompaniment, and the singer's pitches are generally easily obtainable from the piano part. This song is appropriate for virtually any standard of mezzo-soprano singer and pianist. The piece is suitable for performance in a wide variety of contexts.
$2.99 ≈
2.75€
When Silent Voices Sing
When Silent Voices Sing
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Allen Pote
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When Silent Voices Sing
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8125DP Composed by Allen Pote. Musicals & Cantatas. Lent, General Worship. Instrumental parts. 302 pages. Hope Publishing - Digital #8125DP. Pub...
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SKU: H1.8125DP Composed by Allen Pote. Musicals & Cantatas. Lent, General Worship. Instrumental parts. 302 pages. Hope Publishing - Digital #8125DP. Published by Hope Publishing - Digital (H1.8125DP). Tom S. Long.Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.
$175.00 ≈
161.07€
When Silent Voices Sing
When Silent Voices Sing
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Allen Pote
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When Silent Voices Sing
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8120DP Composed by Allen Pote. Musicals for Adults. Musicals & Cantatas. Lent, General Worship, Sacred. SATB Score. 64 pages. Hope Publishing - ...
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SKU: H1.8120DP Composed by Allen Pote. Musicals for Adults. Musicals & Cantatas. Lent, General Worship, Sacred. SATB Score. 64 pages. Hope Publishing - Digital #8120DP. Published by Hope Publishing - Digital (H1.8120DP). Tom S. Long.Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.
$12.95 ≈
11.92€
Remember When? (Vocal Track)
Remember When? (Vocal Track)
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Stephen DeCesare
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Remember When?
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Exultet Music
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SheetMusicPlus
Alto Voice,Baritone Horn TC,Piano - SKU: A0.1052847 Composed by Stephen DeCesare. Broadway,Christmas,Concert,Film/TV,Musical/Show. Full Performance. Dur...
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Alto Voice,Baritone Horn TC,Piano - SKU: A0.1052847 Composed by Stephen DeCesare. Broadway,Christmas,Concert,Film/TV,Musical/Show. Full Performance. Duration 197. Exultet Music #6327947. Published by Exultet Music (A0.1052847). Charming musical-theatre song that is featured in A Christmas Carol: the musical (available on this site) which is sung by Mr. and Mrs. Fezziwig. Scored for Baritone Solo, Mezzo Solo, and Piano. Note: this is the original concept track.
$3.99 ≈
3.67€
When a Mezzo
When a Mezzo
Piano Accompaniment,Mezzo-soprano Voice
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Gary D
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When a Mezzo
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Gary D. Belshaw Music
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SheetMusicPlus
Composed by Gary D. Belshaw (ASCAP). Opera, Musicals, TV. Sheet Music Single. 8 pages. Published by Gary D. Belshaw Music (S0.152651). - Sheet Music Single - Op...
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Composed by Gary D. Belshaw (ASCAP). Opera, Musicals, TV. Sheet Music Single. 8 pages. Published by Gary D. Belshaw Music (S0.152651). - Sheet Music Single - Opera,Musicals,TV - Gary D. Belshaw Music
$3.99 ≈
3.67€
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.24€
Les heures bleues
Les heures bleues
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Contemporain
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Martin Lachance
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Les heures bleues
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Martin Lachance
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 4 - SKU: A0.1009919 Composed by Martin Lachance. Contemporary. Score and parts. 7 pages. Martin Lachance #22647...
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Small Ensemble Flute,Piano,Voice - Level 4 - SKU: A0.1009919 Composed by Martin Lachance. Contemporary. Score and parts. 7 pages. Martin Lachance #22647. Published by Martin Lachance (A0.1009919). This composition was commissioned by the Ensemble de Bilitis, a Montreal based music ensemble consisting of a mezzo-soprano, a flute, and a piano. I asked my cousin, the visual artist and poet Patrick Michael Lachance, if he would write a poem for the occasion. His words inspire me, and I had already composed a work on one of his texts (see Sang d’encre). When he wrote the text, Patrick Michaël decided to step into the shoes of one who has lost his great love. The term Les heures bleues (or blue hours) refers to the wee hours of the morning when the sun begins to appear on the horizon. After many sleepless nights waiting for this lost love, despair quietly settles in. The piece is in four sections, each section corresponding to a stanza of the text. Each section begins with two ascending fifths in the piano, symbolizing the dawning of the morning.
$9.99 ≈
9.19€
He is Lord
He is Lord
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F
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He is Lord
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Fred Bock Music Company
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SheetMusicPlus
Handbell choir (3-5 octaves) - Level 3 SKU: JF.MFBBG0948 Arranged by F. Bock / K. McChesney. Published by Fred Bock Music Company (JF.MFBBG0948). UPC:...
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Handbell choir (3-5 octaves) - Level 3 SKU: JF.MFBBG0948 Arranged by F. Bock / K. McChesney. Published by Fred Bock Music Company (JF.MFBBG0948). UPC: 714245100721.Fred Bock has long been known for excellent and interesting piano arrangements. At last, some of these are being set for handbells. Kevin McChesney uses mallets on suspended bells and LV to add sparkle to the introduction and then leads into a fuller texture when presenting the melody. After a key change a stronger section comes in with open intervals in the upper bells. The ending is full forte and then backs off to a piano and ends with a mezzo forte again with mallets on suspended bells.
$2.75 ≈
2.53€
Winds of May (Downloadable)
Winds of May (Downloadable)
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Juliana Hall
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Winds of May
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-2E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$4.00 ≈
3.68€
Of That So Sweet Imprisonment (Downloadable)
Of That So Sweet Imprisonment (Downloadable)
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.76€
Bid Adieu (Downloadable)
Bid Adieu (Downloadable)
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Juliana Hall
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Bid Adieu
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-5E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-5E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-5E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-5E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.76€
In the Dark Pine-Wood (Downloadable)
In the Dark Pine-Wood (Downloadable)
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.76€
Strings in the Earth and Air (Downloadable)
Strings in the Earth and Air (Downloadable)
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00 ≈
2.76€
Catch Me if You Can
Catch Me if You Can
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Margaret Brandman
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Catch Me if You Can
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Jazzem Enterprises
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - SKU: A0.939247 Composed by Margaret Brandman. Concert,Contemporary. 8 pages. Jazzem Enterprises #3879189. Published by ...
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Mezzo-Soprano Voice,Vocal Solo - SKU: A0.939247 Composed by Margaret Brandman. Concert,Contemporary. 8 pages. Jazzem Enterprises #3879189. Published by Jazzem Enterprises (A0.939247). ‘Catch Me if You Can’ (duration 3'16) is the fourth song in the song cycle of contemporary classical art songs ‘Songs of Love and Desire’ for Mezzo Soprano voice and piano, composed by Margaret Brandman to the passionate lyrics of Désirée Regina. This is the most up-tempo and rhythmic song in the cycle. The light and breezy mood captures the elation of the lovers. The major key opening stanza in which the piano accompanies the voice, is contrasted in the middle section in the related minor key, when the voice sings an obligato line accompanying the piano solo. The work has been performed in concert many times by lyricist Désirée Regina and composer/pianist Margaret Brandman who have also recorded the song cycle for the ‘Songs of Love and Desire’ album on the JazzEM music label (MMP8041). The work is registered with A.P.R.A (Australian Performing Rights Association). The album is available for purchase from CD Baby and/or Margaret Brandman’s website. www.margaretbrandman.com. The recording is available on Margaret Brandman’s You-Tube channel. http://bit.ly/mb5music www.facebook.com/margaretbrandmanmusic https://au.linkedin.com/in/margaret-brandman2a435a1 https://twitter.com/margbrandmusic5 http://www.instagram.com/margaretbrandmanmusic
$5.95 ≈
5.48€
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