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Turn Me 'Round
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Vous avez sélectionné:
Turn Me 'Round
Partitions à imprimer
33 partitions trouvées
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1
26
Still You Turn Me On
Still You Turn Me On
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Contemporain
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Greg Lake
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Patrick Sheehan
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Still You Turn Me On
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747862 Composed by Greg Lake. Arranged by Patrick Sheehan. Contemporary. Score and parts. 55 pages. Patrick Sheehan #...
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Small Ensemble - Level 5 - SKU: A0.747862 Composed by Greg Lake. Arranged by Patrick Sheehan. Contemporary. Score and parts. 55 pages. Patrick Sheehan #4968559. Published by Patrick Sheehan (A0.747862). INSTRUMENTATION: Vocal, Accordion, Harpsichord, Moog Apollo (Koto), Acoustic 12-String Guitar, Electric Guitar I, Electric Guitar II, Bass, Tambourine, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording of Brain Salad Surgery, 1973. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00 ≈
18.38€
Aint Gonna Let Nobody Turn Me Around
Aint Gonna Let Nobody Turn Me Around
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Rollo Dilworth
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Aint Gonna Let Nobody Turn Me
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.421636 Arranged by Rollo Dilworth. African American,Concert,Festival,Spiritual. Choral. Duration 215. Published by Hal Leon...
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(Full Performance) - SKU: HX.421636 Arranged by Rollo Dilworth. African American,Concert,Festival,Spiritual. Choral. Duration 215. Published by Hal Leonard - Digital (HX.421636).
$1.99 ≈
1.83€
Nobody Turn Me Around
Nobody Turn Me Around
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Neil Ginsberg
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Nobody Turn Me Around
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.410939 Arranged by Neil Ginsberg. Concert. Choral. Duration 172. Published by Hal Leonard - Digital (HX.410939).
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(Accompaniment Only) - SKU: HX.410939 Arranged by Neil Ginsberg. Concert. Choral. Duration 172. Published by Hal Leonard - Digital (HX.410939).
$19.99 ≈
18.37€
Aint Gonna Let Nobody Turn Me Around
Aint Gonna Let Nobody Turn Me Around
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Rollo Dilworth
#
Aint Gonna Let Nobody Turn Me
#
Hal Leonard - Digital
#
SheetMusicPlus
(Accompaniment Only) - SKU: HX.421705 Arranged by Rollo Dilworth. African American,Concert,Festival,Spiritual. Choral. Duration 215. Published by Hal Le...
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(Accompaniment Only) - SKU: HX.421705 Arranged by Rollo Dilworth. African American,Concert,Festival,Spiritual. Choral. Duration 215. Published by Hal Leonard - Digital (HX.421705).
$19.99 ≈
18.37€
touch me hear: a collection of conceptual compositions
touch me hear: a collection of conceptual compositions
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Igor Korneitchouk, Chad Mealey
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touch me hear: a collection of
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Studio at the Post
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SheetMusicPlus
Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. ...
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Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114). Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...†(to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audienceâ€. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!
$5.02 ≈
4.61€
Remember Me (lullaby)
Remember Me (lullaby)
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Kristen Anderson-Lopez and Rob
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Nathan L
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Remember Me
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Nathan L. Hatico
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1309133 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Nathan L. Hatico. Broadway,Film/TV,Musical/Show...
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Solo Guitar - Level 3 - SKU: A0.1309133 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Nathan L. Hatico. Broadway,Film/TV,Musical/Show,Pop. Individual part. 3 pages. Nathan L. Hatico #898318. Published by Nathan L. Hatico (A0.1309133). This is an intermediate level fingerstyle solo guitar arrangement of the beautiful lullaby from the movie Coco. Althogh the tune is played pretty straight the first time through, the turnaround introduces some jazz voicings and chromatic movement which continue through the rest of the arrangement. This arrangement is meant to be played freely and expressively, payng special attention to emphasizing the melody.
$4.99 ≈
4.59€
Venus
Venus
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Bananarama
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John Ivor Holland
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Venus
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1429858 By Bananarama. By Robert van Leeuwen. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 45 pages. ...
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Concert Band - Level 3 - SKU: A0.1429858 By Bananarama. By Robert van Leeuwen. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 45 pages. John Ivor Holland #1010492. Published by John Ivor Holland (A0.1429858). Venus is a song by Dutch rock band The Shocking Blue, released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen, the song topped the charts in nine countries. It has since been covered dozens of times by many artists. In 1986, English girl group Bananarama covered Venus for their third studio album, True Confessions, with the single reaching number one in six countries and has been featured in numerous films, television shows, and commercials. Venus had been a part of Bananarama's repertoire for several years before they actually recorded it. The group's three members, Sara Dallin, Siobhan Fahey and Keren Woodward had the idea of turning the song into a dance tune, but they were met with resistance from their producers at the time, Steven Jolley and Tony Swain. The group brought the idea to the production trio of Stock Aitken Waterman, and it became Bananarama's first collaboration with them. The track was initially produced in an arrangement more faithful to the Shocking Blue original, but was reworked in hi-NRG style after Fahey suggested that their version should sound similar to Dead or Alive's You Spin Me Round (Like a Record). Turn back the clock with this great song, perfect for outdoor performances - there are solo spots for alto sax and trumpet, as desired and the key has been shifted up from the original E minor to make it more band-friendly.
$49.99 ≈
45.94€
Rubank Elementary Method – Bell Lyra
Rubank Elementary Method – Bell Lyra
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Rubank Elementary Method &ndas
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Rubank Publications
#
SheetMusicPlus
Bell Lyra SKU: HL.4470120 Edited by Harvey S. Whistler. Concert Band Method. Elementary Method. Instruction. Softcover. 40 pages. Rubank Publications #RU...
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Bell Lyra SKU: HL.4470120 Edited by Harvey S. Whistler. Concert Band Method. Elementary Method. Instruction. Softcover. 40 pages. Rubank Publications #RUBL69. Published by Rubank Publications (HL.4470120). ISBN 9781458426383. UPC: 073999701203. 9.0x12.0x0.1 inches. Edited by Harvey S. Whistler.One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.
Song List
: All Through The Night Pilgrims' Chorus Little Annie Rooney Anvil Chorus The Campbells Are Coming Glorious Fourth High School Cadets Joy To The World Just A Song At Twilight (Love's Old Sweet Song) Merrily We Roll Along Merry Widow Moonmist (From Symphony #5) Tchaikovsky The Mulberry Bush Music Box Nightfall Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Our Director March Semper Fidelis Shadow Waltz Silent Night The Skaters (Waltz) The Thunderer By The River (Beachler) Nocturne (Von Blon) Andantino (Lemare) March Gloria (F.H.Losey) London Chimes Pierrot To The Evening Star (Wagner) Amaryllis (Ghys) Indiana State Band March Theme (Rigoletto) Verdi Aria (Il Trovatore) Verdi Melody(Weber's Freischutz)kohler Theme (Haydn) Soldier's Chorus (Auber) Good King Wenceslas Twinkle, Twinkle Little Star London Bridge I've Been Working On The Railroad Wedding March Yankee Doodle My Bonnie Lies Over The Ocean Old MacDonald Tango Little Brown Jug William Tell Overture She'll Be Comin' 'Round The Mountain Good Night Ladies Oh, Them Golden Slippers Hail, Hail, The Gang's All Here Auld Lang Syne America, The Beautiful Home On The Range Song Of India Drink To Me Only With Thine Eyes Jingle Bells Tambourin O Come, All Ye Faithful Nightfall, Op. 7, No. 2
$7.99 ≈
7.34€
People Need The Lord
People Need The Lord
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Gospel Spirituel
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Musique Sacrée
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christi...
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00 ≈
16.54€
One Second to the Future - Guitar Orchestra
One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00 ≈
68.92€
Home Again Guitar Minus Vocal
Home Again Guitar Minus Vocal
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Pop musique
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Steven H
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Home Again Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0....
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Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0.1069956). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
1.83€
Home Again Guitar Vocal Performance
Home Again Guitar Vocal Performance
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Pop musique
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Steven H
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Home Again Guitar Vocal Perfor
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Boothe Publishing
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SheetMusicPlus
Guitar,Voice - SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publis...
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Guitar,Voice - SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publishing (A0.1069974). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
1.83€
The Great Healer
The Great Healer
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David Kai
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David Kai
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The Great Healer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105120 By David Kai. By David Kai. Arranged by David ...
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Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105120 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Folk,Rock. Full Performance. Duration 215. David Kai #708367. Published by David Kai (A0.1105120). This fun song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone. The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife He’s the great healer, and he can mend a broken life And though your hurts be too much to bear He can heal your wounds with his loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live Good and bad look the same And you’re walking around more dead than alive Life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus:.
$1.99 ≈
1.83€
We Love the '60s: Guitar
We Love the '60s: Guitar
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Methodes
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Jay Althouse
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Movement and Staging
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We Love the '60s: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar - SKU: AX.00-PC-0015753_G Guitar. Arranged by Jay Althouse. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-001575...
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Guitar - SKU: AX.00-PC-0015753_G Guitar. Arranged by Jay Althouse. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015753_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015753_G). UPC: 038081361093.Here's seven minutes full of nonstop fun---and perhaps some fun memories for folks in your audience! This medley offers wonderful variety for concert or show choirs. Titles: He's a Rebel * Sealed with a Kiss * Save the LAst Dance for Me * Turn Around Look at Me * (Your Love Keeps Lifting Me) Higher and Higher.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$4.00 ≈
3.68€
We Love the '60s: Score
We Love the '60s: Score
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Methodes
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Jay Althouse
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Movement and Staging
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We Love the '60s: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
SKU: AX.00-PR-0004066 Score. Arranged by Jay Althouse. Instructional. Score. 48 pages. Alfred Music - Digital Sheet Music #00-PR-0004066. Publish...
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SKU: AX.00-PR-0004066 Score. Arranged by Jay Althouse. Instructional. Score. 48 pages. Alfred Music - Digital Sheet Music #00-PR-0004066. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004066). UPC: 038081361093.Here's seven minutes full of nonstop fun---and perhaps some fun memories for folks in your audience! This medley offers wonderful variety for concert or show choirs. Titles: He's a Rebel * Sealed with a Kiss * Save the LAst Dance for Me * Turn Around Look at Me * (Your Love Keeps Lifting Me) Higher and Higher.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$8.00 ≈
7.35€
You Are My Salvation (Lead Sheet)
You Are My Salvation (Lead Sheet)
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Musique Sacrée
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Rick Lee James
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Rick Lee James
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You Are My Salvation
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Voices In My Head Productions LLC
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SheetMusicPlus
Small Ensemble - SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 ...
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Small Ensemble - SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Voices In My Head Productions LLC #6418991. Published by Voices In My Head Productions LLC (A0.942923). You Are My SalvationVerse 1When the waves are crashing and the storm won’t calmWhen I’ve lost direction and I can’t find homeWhen my guiding stars are hidden by the cloudsAnd the waves are surging in to pull me downI will call on Him who calms the raging seasTrusting he’ll be stronger than the storms in meWhen my journey takes me to the great unknownsYou are my SalvationVerse 2When I’ve lost myself and fallen to my sinWhen my shame blinds me to all the grace you giveWhen I’ve placed my trust in lies that I’ve believedAnd I wonder how my God could still love meChrist is interceding when I cannot prayGroaning words unknown that I may still be savedMy lament for sin now turns to songs of praiseYou are my SalvationVerse 3When the night surrounds me and my fears beginWhen my grief is threatening to do me inWhen the pain is crushing and I can’t escapeWhen the strength I had is slowly drained awayEven in death’s shadow on the darkest nightThere is not one breath that you have not suppliedGive me faith my Lord that with the Son I’ll riseYou are my SalvationVerse 4When the dawn breaks through and we are truly healedWhen we climb the stairs to what will be revealedWhen our days are lighted by the Risen LambWhen our tears are wiped away by God’s own handWhen creation’s birth is finally made completeWhen the guests are seated at the Savior’s feastWhat a day of gladness when we join their songYou are my SalvationCCLI Song # 7171093Rick Lee James© 2020 James, Rick LeeFor use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.comCCLI License # 549412
$1.99 ≈
1.83€
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
25.73€
Ta Maman for alto, cello and guitar
Ta Maman for alto, cello and guitar
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Contemporain
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David Warin Solomons
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Ta Maman for alto, cello and g
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. Dav...
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Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00 ≈
9.19€
Folk Songs For Classical Guitar - Volume 15 (Songs 379-405)
Folk Songs For Classical Guitar - Volume 15 (Songs 379-405)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153433 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153433 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753694. Published by Socrates Arvanitakis (A0.1153433). This is the fifteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 15 (Songs 379-405)Green Grow the Rushes ohGreen mossy banks of the LeaGreen Willow Tree (The)Greenland Fishery (The)GreensleevesGresford Disaster (The)Grey Cock or The Lover’s Ghost (The)Grey Selkie 1 (The)Grigol CridheGround for the FloorGuise O’ ToughGuy Fawkes (Drum March For)Gypsy DaveyHampshire Mummers’ Christmas CarolHandsome Butcher (the)Hard Times of Old EnglandHark, hark, let us behold (Russell)Hark, Shepherds Hark, The Angels SingHarvest Song (Wiltshire)He Called for a CandleHe That Will Not Merry Merry BeHeavenly Child (The)Help Me O LordHenry MartinHenry, My SonHere Come the NavviesHere we come a-wassailing
$25.00 ≈
22.97€
No Greater Love
No Greater Love
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David Kai
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David Kai
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No Greater Love
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Per...
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Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99 ≈
1.83€
Modern Dinosaur
Modern Dinosaur
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Martin J
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Modern Dinosaur
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Martin J. Van Klompenberg
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 100 pages. Martin J. Van Klompenberg #877893. Published by Martin J. Van Klompenberg (A0.1286891). To be classified as a living fossil (or as I like to call it, a Modern Dinosaur), aspecies must have a clear ancestor in the fossil record that highly resembles ourmodern species. Often these species have few living relatives. (For example, theaardvark is currently the only living member of its genus.) People tend to think ofbirds and reptiles when they think of living fossils, but animals from any group canbe classified as such. In this piece, I have sought to explore these differences.Among these uniquely diverse group of animals are the African Lungfish, with itsability to breathe through special lungs, living in hardened clay burrows during thedry season, awaiting the coming rains; the Shoe-Billed Stork, the largest bird offlight with its icy stare and prehistoric appearance, with an aggressively unusualcall; the Alligator, unchanged for millennia, living side by side with it Kingfisherneighbors, not always peacefully; and the Aardvark, the great nocturnal excavatorof Africa.I have long been fascinated by fossils. The urge to learn as much as I could aboutprehistoric animals has never left me, like it does to most around the age of 10.Paired with my love of zoos, being interested in living fossils only makes sense.A portion of all proceeds from Modern Dinosaur will go to the Henry Doorly Zooand Aquarium in Omaha, Nebraska. This facility manages the Species SurvivalProgram (SSP) for Aardvarks for the Association of Zoos and Aquariums, theprimary accreditation organization for North America animal collections.
$50.00 ≈
45.95€
My Flight for Heaven
My Flight for Heaven
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Blake R
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Frederick Umar
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My Flight for Heaven
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Imagine Music - Digital
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SheetMusicPlus
Wind Ensemble - Grade 3 - SKU: IZ.WES141-S Composed by Blake R. Henson. Arranged by Frederick Umar. Score. 10 pages. Imagine Music - Digital #WES141-S. ...
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Wind Ensemble - Grade 3 - SKU: IZ.WES141-S Composed by Blake R. Henson. Arranged by Frederick Umar. Score. 10 pages. Imagine Music - Digital #WES141-S. Published by Imagine Music - Digital (IZ.WES141-S). 9 x 12 in inches.As an arranger and transcriber of choral works for the wind orchestra, the most important responsibility I find is setting a storyline through instrumental textures. Several times I tried to embrace the depth of this work through its text. And though I thoroughly enjoyed its choral setting, I could not find the musical language that invited its instrumental conveyance. Then, on December 14th of 2012, while playing with my 8-year old daughter, I learned of the details surrounding Sandy Hook Elementary in Newtown, CT. There I sat, listening as a commentator told of the some 600 children at the school and their parents, who waited outside in a despair I cannot begin to imagine, hoping that their child was not one of the victims. Little by little, the children were released into the arms of their waiting loved ones. But nothing could have prepared me for the emotions that arose when I learned that the parents and grandparents of 20 children learned of their loss when they did not return to them. There are nowords to describe what this picture conveyed in my mind in that moment. But musically, what you are about to perform is the result. I deeply thank Blake R. Henson and GIA Publications for the right to transcribe this work on their behalf.
$10.00 ≈
9.19€
My Flight for Heaven
My Flight for Heaven
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Blake R
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Frederick Umar
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My Flight for Heaven
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Imagine Music - Digital
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SheetMusicPlus
Wind Ensemble - Grade 3 - SKU: IZ.WES141 Composed by Blake R. Henson. Arranged by Frederick Umar. Score and Parts. 45 pages. Imagine Music - Digital #WE...
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Wind Ensemble - Grade 3 - SKU: IZ.WES141 Composed by Blake R. Henson. Arranged by Frederick Umar. Score and Parts. 45 pages. Imagine Music - Digital #WES141. Published by Imagine Music - Digital (IZ.WES141). 9 x 12 in inches.As an arranger and transcriber of choral works for the wind orchestra, the most important responsibility I find is setting a storyline through instrumental textures. Several times I tried to embrace the depth of this work through its text. And though I thoroughly enjoyed its choral setting, I could not find the musical language that invited its instrumental conveyance. Then, on December 14th of 2012, while playing with my 8-year old daughter, I learned of the details surrounding Sandy Hook Elementary in Newtown, CT. There I sat, listening as a commentator told of the some 600 children at the school and their parents, who waited outside in a despair I cannot begin to imagine, hoping that their child was not one of the victims. Little by little, the children were released into the arms of their waiting loved ones. But nothing could have prepared me for the emotions that arose when I learned that the parents and grandparents of 20 children learned of their loss when they did not return to them. There are nowords to describe what this picture conveyed in my mind in that moment. But musically, what you are about to perform is the result. I deeply thank Blake R. Henson and GIA Publications for the right to transcribe this work on their behalf.
$70.00 ≈
64.33€
Portals of Catedral de Orihuela.
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00 ≈
9.19€
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Turn Me 'Round
