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The King's Bard
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Vous avez sélectionné:
The King's Bard
Partitions à imprimer
22 partitions trouvées
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1
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 ...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99 ≈
3.72€
Dillon's Fancy (Irish Traditional) - Lead sheet in original key of G
Dillon's Fancy (Irish Traditional) - Lead sheet in original key of G
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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Dillon's Fancy
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859292 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Country,Folk,Holiday,Traditional. Score and parts. 3 pages. Stephen Bulat Publishing #6700059. Published by Stephen Bulat Publishing (A0.859292). This traditional Irish reel is also known as Dillan’s Favourite and Ginny’s Favourite.It has been recorded and performed by many recording artists including Seamus Tansey, Randal Bays, Trad Lads, Bards Of A Feather, Gary Quinn, James Keane, The Tulla Ceili Band, Colin Nea, The Madden Brothers and Kevin Crawford.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Old Time Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.25€
Dillon's Fancy (Irish Traditional) - Lead sheet (key of A)
Dillon's Fancy (Irish Traditional) - Lead sheet (key of A)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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Dillon's Fancy
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859293 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Country,Folk,Holiday,Traditional. Score and parts. 3 pages. Stephen Bulat Publishing #6700061. Published by Stephen Bulat Publishing (A0.859293). This traditional Irish reel is also known as Dillan’s Favourite and Ginny’s Favourite.It has been recorded and performed by many recording artists including Seamus Tansey, Randal Bays, Trad Lads, Bards Of A Feather, Gary Quinn, James Keane, The Tulla Ceili Band, Colin Nea, The Madden Brothers and Kevin Crawford.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Old Time Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.25€
Dillon's Fancy (Irish Traditional) - Lead sheet (key of E)
Dillon's Fancy (Irish Traditional) - Lead sheet (key of E)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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Dillon's Fancy
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859294 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Country,Folk,Holiday,Traditional. Score and parts. 3 pages. Stephen Bulat Publishing #6700063. Published by Stephen Bulat Publishing (A0.859294). This traditional Irish reel is also known as Dillan’s Favourite and Ginny’s Favourite.It has been recorded and performed by many recording artists including Seamus Tansey, Randal Bays, Trad Lads, Bards Of A Feather, Gary Quinn, James Keane, The Tulla Ceili Band, Colin Nea, The Madden Brothers and Kevin Crawford.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Old Time Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.25€
Michael Relihan's Reel (The Maids In The Meadow) - Lead sheet in original key of D
Michael Relihan's Reel (The Maids In The Meadow) - Lead sheet in original key of D
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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Michael Relihan's Reel
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859291 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Country,Folk,Holiday,Traditional. Score and parts. 3 pages. Stephen Bulat Publishing #6698127. Published by Stephen Bulat Publishing (A0.859291). This traditional Irish reel goes by several titles including The Dream Of Home, Maid In The Meadow, The Maid In The Meadow, Michael Relihan’s, Relihan’s and The Smoky Chimney.It has been recorded and performed by many recording artists including Alison Perkins & Nicolas Brown, Theresa O’Grady, Bua, Anthony Quigney, The Tin Sandwich Band, Nathan Gourley & Joey Abarta, Declan Masterson, Brobdingnagian Bards, Marcas Ó Murchú, Yvonne Casey, Noel Battle, Iontach, Gavin Whelan, Declan Masterson and Kevin Crawford.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.25€
Lanigan's Ball (Irish Traditional) - Lead sheet in original key of Em
Lanigan's Ball (Irish Traditional) - Lead sheet in original key of Em
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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Lanigan's Ball
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859284 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6692567. Published by Stephen Bulat Publishing (A0.859284). This traditional Irish jig goes by several titles including The Bullockies’ Ball, Domhnull An Dannsair, Domhull An Dannsair, Flannigan’s Ball, Lanagan’s Ball, Lannigan’s Ball, Unplugged And Plowed.It has been recorded and performed by many recording artists including Fiddler's Green, The Bards, The Molly's, Ed Kiefer, Christy Moore and a Celtic punk version by Dropkick Murphys titles F(l)annigan's Ball.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.25€
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.85€
Thinking Händel for Baroque Horn Quartet
Thinking Händel for Baroque Horn Quartet
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Alessandro Macrì
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Thinking Händel for Baroq
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 p...
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Brass Ensemble Horn - Level 2 - SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'università di Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una società musicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
$3.00 ≈
2.80€
Que Garota Linda (Bb leadsheet)
Que Garota Linda (Bb leadsheet)
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Mark S
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Que Garota Linda
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica A...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99 ≈
3.72€
The Christ Church Descant Book - Vol. 2 (Collection)
The Christ Church Descant Book - Vol. 2 (Collection)
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Lois Fyfe
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The Christ Church Descant Book
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Fred Bock Music Company
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SheetMusicPlus
Choral (2-Part) SKU: HL.8738797 Composed by Lois Fyfe. H.T. Fitzsimons Co. Collection, General Worship, Sacred. 45 pages. Fred Bock Music Company #F0637....
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Choral (2-Part) SKU: HL.8738797 Composed by Lois Fyfe. H.T. Fitzsimons Co. Collection, General Worship, Sacred. 45 pages. Fred Bock Music Company #F0637. Published by Fred Bock Music Company (HL.8738797). UPC: 073999387971. 6.8x10.0x0.128 inches.
Song List
: Morning Song Aberystwyth (Lois Fyfe) Ad Perennis (Lois Fyfe) Albano (Lois Fyfe) Alford (Lois Fyfe) Anima Christi (Lois Fyfe) Bangor (Lois Fyfe) Austria (Lois Fyfe) Bayhead (Lois Fyfe) Breslau (Lois Fyfe) Antioch (Lois Fyfe) Beecher (Lois Fyfe) Bristol (Lois Fyfe) Christ Is My Life (Lois Fyfe) Christe Sanctorum (Lois Fyfe) Coronation (Lois Fyfe) Darwall (Lois Fyfe) Dickinson College (Lois Fyfe) Diademata (Lois Fyfe) Dix (Lois Fyfe) Duke Street (Lois Fyfe) Ebenezer (Lois Fyfe) Eltham (Lois Fyfe) Fortunatus (Lois Fyfe) Frankfort (Lois Fyfe) Galilee (Lois Fyfe) Heinlein (Lois Fyfe) Intercessor (Lois Fyfe) Kingsfold (Lois Fyfe) King's Weston (Lois Fyfe) Leoni (Lois Fyfe) Lombard Street (Lois Fyfe) Luebeck (Lois Fyfe) Marlow (Lois Fyfe) Martyrs (Lois Fyfe) Quam Dilecta (Lois Fyfe) Melcombe (Lois Fyfe) Mentzer (Lois Fyfe) Merton (Lois Fyfe) Michael (Lois Fyfe) Moscow (Lois Fyfe) Newman (Lois Fyfe) Munich (Lois Fyfe) Nun Danket (Lois Fyfe) Olivet (Lois Fyfe) Ora Labora (Lois Fyfe) Peel Castle (Lois Fyfe) Picardy (Lois Fyfe) Magdalen College (Lois Fyfe) Praise to the Lord (Lois Fyfe) ST. Cecilia (Lois Fyfe) Regent Square (Lois Fyfe) Rendez A' Dieu (Lois Fyfe) Rest (Lois Fyfe) ST. Louis (Lois Fyfe) ST. Agnes (Lois Fyfe) ST. Denio (Lois Fyfe) ST. Elizabeth (Lois Fyfe) ST. Thomas (Lois Fyfe) ST. Flavian (Lois Fyfe) Salve Festa Dies (Lois Fyfe) Sewanee (Lois Fyfe) Song 13 (Lois Fyfe) Song 22 (Lois Fyfe) Steadfast (Lois Fyfe) Te Deum (Lois Fyfe) Stracathro (Lois Fyfe) Tidings (Lois Fyfe) Wareham (Lois Fyfe) Valour (Lois Fyfe) Walsall (Lois Fyfe) Westminster Abbey (Lois Fyfe) Winchester Old (Lois Fyfe) Woodbird (Lois Fyfe) Yorkshire (Lois Fyfe)
$6.95 ≈
6.48€
Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
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Juliana Hall
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Buffalo Dusk: Song for Soprano
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company -...
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Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #9229-E. Published by E. C. Schirmer Music Company - Digital (MQ.9229-E). English.Written for Jun Mo Yang, a young tenor studying in the graduate Vocal Arts Program at the Bard Conservatory of Bard College. He and his fellow students were working on a special project studying contemporary composers whose work engages with climate change, environmentalism, and the natural environment. The students had been asked to read a chapter from David Haskell’s Sounds Wild and Broken and had further been given the following direction to guide them: “we are assigning each of you to a project in which you will seek out song repertoire from a living composer whose work responds to climate change or the natural environment, heightening our connection to and awareness of the natural world. This topic has arisen from a call to Bard faculty to #MakeClimateAClass: Bard faculty are urged to use our collective power as educators to engage with the climate change crisis.â€Jun wrote to me that he was drawn to my music and asked whether any of my songs might fit within this subject area. At the time I had plenty of songs that spoke of the natural world, but none I could categorize as specifically dealing with the class’ more narrow focus, so I offered to write this song on a poem by one of my favorite poets, Carl Sandburg, who even by the early twentieth century was noting the degradation of the natural environment and its impact on life of all kinds trying to adjust to changed circumstances brought on in one way or another by man. I quickly found the poem Buffalo Dusk, seeing how strongly it speaks of the extinction of species and the loss that represents. Jun and his teachers remarked what a “beautiful and sad poem†it was, so in short order I was pleased to present this song to Jun, who gave Buffalo Dusk its first performance in April of 2023 at the Bard Conservatory.
$9.95 ≈
9.27€
Plateau of Dances with a Scottish Flavour
Plateau of Dances with a Scottish Flavour
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Alexandra Lehmann
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Plateau of Dances with a Scott
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Forton Music - Digital
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SheetMusicPlus
Fl. Afl. (guit/kbd) - Intermediate-Advanced - SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages...
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95 ≈
7.41€
A Moon, A Minute
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #85...
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Choral Choir - Level 5 - SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50 ≈
2.33€
St. Louis Blues
St. Louis Blues
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Contemporain
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W
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Stanley Nelson & Peet du Toit
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His Orchestra (with 
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St. Louis Blues
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - SKU: A0.802696 Composed by W.C. Handy. Arranged by Stanley Nelson & Peet du Toit. Contemporary. Score ...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - SKU: A0.802696 Composed by W.C. Handy. Arranged by Stanley Nelson & Peet du Toit. Contemporary. Score and parts. 24 pages. Peet du Toit #6683881. Published by Peet du Toit (A0.802696). The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Louis Armstrong, Bing Crosby, Bessie Smith, Count Basie, Glenn Miller, Guy Lombardo, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. The song has been called the jazzman's Hamlet. Composer William Grant Still arranged a version of the song in 1916 while working with Handy.The 1925 version sung by Bessie Smith, with Louis Armstrong on cornet, was inducted into the Grammy Hall of Fame in 1993. The 1929 version by Louis Armstrong & His Orchestra (with Red Allen) was inducted in 2008.Here's great arrangement for your quintet, drum set and the audience. Enjoy!
$18.00 ≈
16.78€
Till We Meet Again - Lead sheet (melody, lyrics & chords) in original key of Ab
Till We Meet Again - Lead sheet (melody, lyrics & chords) in original key of Ab
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Jazz
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Richard A
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Stephen Bulat
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Till We Meet Again - Lead shee
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858892 Composed by Richard A. Whiting, Raymond B. Egan. Arranged by Stephen Bulat. Folk,Jazz,Traditional. Score and parts. 3 pages. Stephen Bulat Publishing #6232623. Published by Stephen Bulat Publishing (A0.858892). An old time jazz staple which been covered by many vocal and instrumental groups which include Doris Day, Bing Crosby, Patti Page, Connie Francis, Dezi Arnez, Lawrence Welk, Guy Lombardo, Nelson Eddy, Rosemary Clooney and The Mills Brothers.A jazz standard songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the gigging musician's pop, jazz, love song and wedding fake book. Please click on the publisher to view this song in other keys as well as to purchase it in the Classic Love Songs - A Valentine's Day Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 - Stephen Bulat Publishing Online: http://stephenbulat.com
$2.99 ≈
2.79€
Till We Meet Again - Lead sheet (key of Bb)
Till We Meet Again - Lead sheet (key of Bb)
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Jazz
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Richard A
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Stephen Bulat
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Till We Meet Again - Lead shee
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858893 Composed by Richard A. Whiting, Raymond B. Egan. Arranged by Stephen Bulat. Folk,Jazz,Traditional. Score and parts. 3 pages. Stephen Bulat Publishing #6232625. Published by Stephen Bulat Publishing (A0.858893). An old time jazz staple which been covered by many vocal and instrumental groups which include Doris Day, Bing Crosby, Patti Page, Connie Francis, Dezi Arnez, Lawrence Welk, Guy Lombardo, Nelson Eddy, Rosemary Clooney and The Mills Brothers.A jazz standard songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the gigging musician's pop, jazz, love song and wedding fake book. Please click on the publisher to view this song in other keys as well as to purchase it in the Classic Love Songs - A Valentine's Day Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 - Stephen Bulat Publishing Online: http://stephenbulat.com
$2.99 ≈
2.79€
Till We Meet Again - Lead sheet (key of F)
Till We Meet Again - Lead sheet (key of F)
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Jazz
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Richard A
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Stephen Bulat
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Till We Meet Again - Lead shee
#
Stephen Bulat Publishing
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858894 Composed by Richard A. Whiting, Raymond B. Egan. Arranged by Stephen Bulat. Folk,Jazz,Traditional. Score and parts. 3 pages. Stephen Bulat Publishing #6232627. Published by Stephen Bulat Publishing (A0.858894). An old time jazz staple which been covered by many vocal and instrumental groups which include Doris Day, Bing Crosby, Patti Page, Connie Francis, Dezi Arnez, Lawrence Welk, Guy Lombardo, Nelson Eddy, Rosemary Clooney and The Mills Brothers.A jazz standard songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the gigging musician's pop, jazz, love song and wedding fake book. Please click on the publisher to view this song in other keys as well as to purchase it in the Classic Love Songs - A Valentine's Day Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 - Stephen Bulat Publishing Online: http://stephenbulat.com
$2.99 ≈
2.79€
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