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Vous avez sélectionné:
Sam Cooke
Partitions à imprimer
25 partitions trouvées
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1
Sam Cooke: A Change Is Gonna Come - Choral Pax (full score)
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Rock
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Sam Cooke
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Virtualsheetmusic
Instantly printable sheet music by Sam Cooke for Choral Pax (full score) of EASY/MEDIUM skill level. / pop,rock,instructional,r & b,soul,choral
Instantly printable sheet music by Sam Cooke for Choral Pax (full score) of EASY/MEDIUM skill level. / pop,rock,instructional,r & b,soul,choral
$7.99 ≈
7.16€
Sam Cooke: A Change Is Gonna Come (COMPLETE) - Choral Pax
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Rock
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Sam Cooke
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Virtualsheetmusic
Instantly printable sheet music by Sam Cooke for Choral Pax of EASY/MEDIUM skill level. / pop,rock,instructional,r & b,soul,choral
Instantly printable sheet music by Sam Cooke for Choral Pax of EASY/MEDIUM skill level. / pop,rock,instructional,r & b,soul,choral
$32.99 ≈
29.55€
Gold-guy Sebastian
Gold-guy Sebastian
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Contemporain
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Guy Sebastian
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Daryl McKenzie
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Gold-guy Sebastian
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Daryl McKenzie
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Guitar,Drums,Percussion,Piano,Voice - Level 4 - SKU: A0.734000 By Guy Sebastian. By Guy Sebastian, Harmony Samuels, a...
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Small Ensemble Alto Saxophone,Bass Guitar,Drums,Percussion,Piano,Voice - Level 4 - SKU: A0.734000 By Guy Sebastian. By Guy Sebastian, Harmony Samuels, and Sam Cooke. Arranged by Daryl McKenzie. Contemporary. Score and parts. 55 pages. Daryl McKenzie #4628445. Published by Daryl McKenzie (A0.734000). Arranged for Guy Sebastian with Big Band (Backing Vocals, 5 Saxes, FHn (opt), 4 Trpt, 4 Trb, Piano/Guitar, Bass Guitar, Drums, Perc) No Voice part included. Key of B major Same arrangement for Pops Orchestra: https://www.sheetmusicplus.com/title/21320024 More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$49.99 ≈
44.77€
A Change Is Gonna Come: Guitar
A Change Is Gonna Come: Guitar
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Methodes
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Sam Cooke
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Jay Althouse
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Recorded Acc. Available.
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A Change Is Gonna Come: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar - SKU: AX.00-PC-0014423_G Guitar. Composed by Sam Cooke. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sh...
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Guitar - SKU: AX.00-PC-0014423_G Guitar. Composed by Sam Cooke. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014423_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014423_G). UPC: 038081358789.This 1964 gospel-style tune by legendary R&B singer-songwriter Sam Cooke has found new life in today's pop world. Both Seal (on his Soul album) and American Idol's Adam Lambert have hit recordings. It's been a long time comin', but I know a change is gonna come.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00 ≈
2.69€
A Change Is Gonna Come: Score
A Change Is Gonna Come: Score
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Methodes
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Sam Cooke
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Jay Althouse
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Recorded Acc. Available.
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A Change Is Gonna Come: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
SKU: AX.00-PR-0002742 Score. Composed by Sam Cooke. Arranged by Jay Althouse. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music ...
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SKU: AX.00-PR-0002742 Score. Composed by Sam Cooke. Arranged by Jay Althouse. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0002742. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002742). UPC: 038081358789.This 1964 gospel-style tune by legendary R&B singer-songwriter Sam Cooke has found new life in today's pop world. Both Seal (on his Soul album) and American Idol's Adam Lambert have hit recordings. It's been a long time comin', but I know a change is gonna come.Inst. Parts Available (choral); Recorded Acc. Available.
$8.00 ≈
7.16€
Twistin' the Night Away - Flute Duet by Sam Cooke - Instrumental Duet
Instrumental Duet
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Sam Cooke
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Twistin' the Night Away - Flut
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Musicnotes
Performed by: Sam Cooke: Twistin' the Night Away - Flute Duet Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instr...
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Performed by: Sam Cooke: Twistin' the Night Away - Flute Duet Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Flute 1;Flute 2; 1 pages -- Soul~~Movie/TV~~R & B~~Soundtrack~~Pop-Soul
$5.25 ≈
4.70€
You Send Me - Wind Accompaniment by Sam Cooke - Flute, Oboe, Recorder or Violin Part and Piano Accompaniment
Instrumental Part~~Solo & Accompaniment
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Soul/R&B
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Sam Cooke
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You Send Me - Wind Accompanime
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Musicnotes
Performed by: Sam Cooke: You Send Me - Wind Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital shee...
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Performed by: Sam Cooke: You Send Me - Wind Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Solo & Accompaniment;Instrumental Part, instruments: C Instrument;Piano Accompaniment;Violin;Oboe;Flute;Recorder; 3 pages -- Soul~~R & B~~Pop Rock
$4.95 ≈
4.43€
You Send Me - String Accompaniment by Sam Cooke - Flute, Oboe, Recorder or Violin Part and Piano Accompaniment
Instrumental Part~~Solo & Accompaniment
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Soul/R&B
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Sam Cooke
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You Send Me - String Accompani
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Musicnotes
Performed by: Sam Cooke: You Send Me - String Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
(+)
Performed by: Sam Cooke: You Send Me - String Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Solo & Accompaniment;Instrumental Part, instruments: C Instrument;Piano Accompaniment;Violin;Oboe;Flute;Recorder; 3 pages -- Soul~~R & B~~Pop Rock
$4.95 ≈
4.43€
Stand By Me
Stand By Me
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Soul/R&B
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Ben E
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K7
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Stand By Me
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K7
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.941379 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by K7. Soul. Score and parts. 6 pa...
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String Ensemble,String Trio - SKU: A0.941379 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by K7. Soul. Score and parts. 6 pages. K7 #3638689. Published by K7 (A0.941379). Stand by Me is a song originally performed by American singer-songwriter Ben E. King and written by King, Jerry Leiber, and Mike Stoller. According to King, the title is derived from, and was inspired by, a spiritual written by Sam Cooke and J. W. Alexander called Stand by Me Father, recorded by the Soul Stirrers with Johnnie Taylor singing lead. The third line of the second verse of the former work derives from Psalm 46:2c/3c.
$12.99 ≈
11.63€
Alphabet Song (Backing Track)
Alphabet Song (Backing Track)
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Jilly Cooke
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Alphabet Song
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Jilly Paige Cooke
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SheetMusicPlus
Brass Trio Bass Guitar,Choir,Clarinet,Double Bass,Drum Set,Drums,Flute,Piano,Trombone,Trumpet,Vibraphone,Voice - SKU: A0.1071725 Arranged by Jilly Cooke...
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Brass Trio Bass Guitar,Choir,Clarinet,Double Bass,Drum Set,Drums,Flute,Piano,Trombone,Trumpet,Vibraphone,Voice - SKU: A0.1071725 Arranged by Jilly Cooke. Children,Instructional. Accompaniment. Duration 29. Jilly Paige Cooke #5799963. Published by Jilly Paige Cooke (A0.1071725). This custom-made accompaniment track was made in an attempt to sound like the band arrangements for the beloved children's TV show Sesame Street. Using a subtle melodic guide of a vibraphone sounding in multiple octaves, this backing track is set in the accessible key of F major (with the ability to be transposed using online software) and features a classic, jazz-oriented chordal progression in the rhythm section with the charming use of flute, clarinet, two trumpets, and trombone in the horn section.
$3.99 ≈
3.57€
Four Castles of Stone
Four Castles of Stone
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Margaret Brandman
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Four Castles of Stone
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Jazzem Enterprises
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.939229 Composed by Margaret Brandman. Contemporary,Holiday,Spiritual. 6 pages. Jazzem Enterprises #2926589. ...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.939229 Composed by Margaret Brandman. Contemporary,Holiday,Spiritual. 6 pages. Jazzem Enterprises #2926589. Published by Jazzem Enterprises (A0.939229). Four Castles of Stone ( Taurus song) is a contemporary art song is set for Mezzo-Soprano voice or Baritone voice. It is the second song in Margaret Brandman's 'Cosmic Wheel of the Zodiac' Song Cycle. The lyrics are by astrologer and poet Benita Rainer who has artfully distilled the individual characteristics of this star sign in her text thereby making this song ideal birthday song for those born under the Taurus star sign. Duration 2'44 Suitable for concert performances. The work was premiered by Baritone Martin Cooke accompanied by the composer at a concert in September 2016 in Sydney, Australia. Registered with A.P.R.A ( Australian Performing Rights Association). The Audio file presents the vocal part performed on woodwinds with piano accompaniment. A video sampler of the performance can be viewed on the composer's website and the DVD of the entire performance is available from the composer's website. www.margaretbrandman.com. www.facebook.com/margaretbrandmanmusic https://au.linkedin.com/in/margaret-brandman-2a435a1 https://twitter.com/margbrandmusic5 .
$5.95 ≈
5.33€
The Ram in Spring
The Ram in Spring
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Margaret Brandman
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The Ram in Spring
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Jazzem Enterprises
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.939227 Composed by Margaret Brandman. Contemporary,Holiday,Spiritual. Score a...
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.939227 Composed by Margaret Brandman. Contemporary,Holiday,Spiritual. Score and parts. 4 pages. Jazzem Enterprises #2926585. Published by Jazzem Enterprises (A0.939227). The Ram in Spring ( Aries song) is a contemporary art song is set for Mezzo-Soprano voice or Baritone voice. It is the first song in Margaret Brandman's 'Cosmic Wheel of the Zodiac' Song Cycle. The lyrics are by astrologer and poet Benita Rainer who has artfully distilled the individual characteristics of this star sign in her text thereby making this song ideal birthday song for those born under the Aries star sign. Duration 1'50 Suitable for concert performances. The work was premiered by Baritone Martin Cooke accompanied by the composer at a concert in September 2016 in Sydney, Australia. Registered with A.P.R.A ( Australian Performing Rights Association). The Audio file presents the vocal part performed on woodwinds with piano accompaniment. A video sampler of the performance can be viewed on the composer's website and the DVD of the entire performance is available from the composer's website. www.margaretbrandman.com. www.facebook.com/margaretbrandmanmusic https://au.linkedin.com/in/margaret-brandman-2a435a1 https://twitter.com/margbrandmusic5 .
$5.95 ≈
5.33€
In Perfect, Perfect Pitch
In Perfect, Perfect Pitch
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Margaret Brandman
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In Perfect, Perfect Pitch
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Jazzem Enterprises
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.939232 Composed by Margaret Brandman. Contemporary,Holiday,Spiritual. 7 pages. Jazzem Enterprises #2926597. ...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.939232 Composed by Margaret Brandman. Contemporary,Holiday,Spiritual. 7 pages. Jazzem Enterprises #2926597. Published by Jazzem Enterprises (A0.939232). In Perfect, Perfect Pitch (Libra song) is a contemporary art song is set for Mezzo-Soprano voice or Baritone voice. It is the seventh song in Margaret Brandman's 'Cosmic Wheel of the Zodiac' Song Cycle. The lyrics are by astrologer and poet Benita Rainer who has artfully distilled the individual characteristics of this star sign in her text thereby making this song ideal birthday song for those born under the Libra star sign. Duration 4'15 Suitable for concert performances. The work was premiered by Baritone Martin Cooke accompanied by the composer at a concert in September 2016 in Sydney, Australia. Registered with A.P.R.A ( Australian Performing Rights Association). The Audio file presents the vocal part performed on woodwinds with piano accompaniment. A video sampler of the performance can be viewed on the composer's website and the DVD of the entire performance is available from the composer's website. www.margaretbrandman.com. www.facebook.com/margaretbrandmanmusic https://au.linkedin.com/in/margaret-brandman-2a435a1 https://twitter.com/margbrandmusic5
$5.95 ≈
5.33€
The Deserter. Celebrated Overture with the Scotch Reel
The Deserter. Celebrated Overture with the Scotch Reel
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N
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The Deserter. Celebrated Overt
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano or harpsichord - SKU: LV.13678 Composed by N. Sampieri. Soldiers, Battlefields, Cannons, Mountains, Musical instrument, Military cookery, Outdoor ...
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Piano or harpsichord - SKU: LV.13678 Composed by N. Sampieri. Soldiers, Battlefields, Cannons, Mountains, Musical instrument, Military cookery, Outdoor cookery, War crimes. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13678). The Deserter. Celebrated Overture with the Scotch Reel. (The Subject is only taken in the First Piece). The Additions are Composed by N. Sampieri. Published [n.d.] by [N. Sampieri, i.e., Sold at his House] in n.p. Composition of sectional with piano or harpsichord instrumentation. Subject headings for this piece include Soldiers, Battlefields, Cannons, Mountains, Musical instrument, Military cookery, Outdoor cookery, War crimes. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.36€
A Certain Smile
A Certain Smile
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Johnny Mathis
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Diane M
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A Certain Smile
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Diane M. Clark
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SheetMusicPlus
Small Ensemble Voice - Level 3 - SKU: A0.872162 By Johnny Mathis. By Sammy Fain. Arranged by Diane M. Clark. Barbershop. Score and parts. 4 pages. Diane...
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Small Ensemble Voice - Level 3 - SKU: A0.872162 By Johnny Mathis. By Sammy Fain. Arranged by Diane M. Clark. Barbershop. Score and parts. 4 pages. Diane M. Clark #4570113. Published by Diane M. Clark (A0.872162). Women's barbershop ballad suitable for competition. (SSAA) Â Learning tracks by Jennifer Cooke -- http://www.tracksbyjen.com
$12.99 ≈
11.63€
Nothing Can Change This Love
Nothing Can Change This Love
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Sam Cooke
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Ernesto Villa-Lobos
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Small Ensemble. R&
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Nothing Can Change This Love
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Sam Cooke. Arranged by Ernesto Villa-Lobos. For Solo & Small Ensemble. R&B/Soul. 6 pages. Published by Alfred Music. Digital Sheet Music...
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By Sam Cooke. Arranged by Ernesto Villa-Lobos. For Solo & Small Ensemble. R&B/Soul. 6 pages. Published by Alfred Music. Digital Sheet Music
$2.99 ≈
2.68€
A Change is Going to Come
A Change is Going to Come
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Sam Cooke
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Ernesto Villa-Lobos
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Small Ensemble. R&
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A Change is Going to Come
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Sam Cooke. Arranged by Ernesto Villa-Lobos. For Solo & Small Ensemble. R&B/Soul. 5 pages. Published by Alfred Music. Digital Sheet Music...
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By Sam Cooke. Arranged by Ernesto Villa-Lobos. For Solo & Small Ensemble. R&B/Soul. 5 pages. Published by Alfred Music. Digital Sheet Music
$2.99 ≈
2.68€
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50 ≈
6.72€
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.48€
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.48€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.48€
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015....
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Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00 ≈
8.96€
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Sli...
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00 ≈
8.96€
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.16€
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
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Classique
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Robert Schumann
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Nicole Elyse DiPaolo
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Lorelei from Romanzen und Ball
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse Di...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95 ≈
4.43€
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Sam Cooke
