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Vous avez sélectionné:
Let's Get Lost
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1
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95 ≈
18.67€
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Nobody Love a Fairy When She's Forty - in C major (soprano key)
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's
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Kim Kirkman
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SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditi...
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Voice Duet Piano,Vocal,Voice - Level 3 - SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99 ≈
1.86€
Sullivan: The Lost Chord for Baritone Horn & Piano
Sullivan: The Lost Chord for Baritone Horn & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,...
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Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
25.22€
Sullivan: The Lost Chord for Oboe d'Amore & Piano
Sullivan: The Lost Chord for Oboe d'Amore & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructio...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.22€
Let's Get Lost from Happy Go Lucky - for Trumpet with Vocal/Chords
Sheet Music
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Let's Get Lost from Happy Go L
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Musicnotes
Sheet Music for Let's Get Lost from Happy Go Lucky arranged for Trumpet with Vocal/Chords in D Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Let's Get Lost from Happy Go Lucky arranged for Trumpet with Vocal/Chords in D Major. Digital sheet music from Musicnotes.
$5.79 ≈
5.42€
Let Us Break Bread Together (Downloadable)
Let Us Break Bread Together (Downloadable)
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Gwyneth W
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Let Us Break Bread Together
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Violin, violoncello, and piano - Medium - SKU: MQ.8652-E Composed by Gwyneth W. Walker. 10 pages. E. C. Schirmer Music Company - Digital #8652-E. Publis...
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Violin, violoncello, and piano - Medium - SKU: MQ.8652-E Composed by Gwyneth W. Walker. 10 pages. E. C. Schirmer Music Company - Digital #8652-E. Published by E. C. Schirmer Music Company - Digital (MQ.8652-E). This purely instrumental version of the composer's very popular choral setting of this classic spiritual moves metaphorically from tears, to falling to our knees, to asserting the strength that comes through faith and unity. Dedicated to Heather Heyer, who lost her life in Charlottesville, Virginia, on August 12, 2017. Duration: 3:00.
$15.00 ≈
14.03€
Let Us Break Bread Together (Downloadable)
Let Us Break Bread Together (Downloadable)
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Gwyneth W
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Let Us Break Bread Together
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Violin, viola, and violoncello - Medium - SKU: MQ.8651-E Composed by Gwyneth W. Walker. 11 pages. E. C. Schirmer Music Company - Digital #8651-E. Publis...
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Violin, viola, and violoncello - Medium - SKU: MQ.8651-E Composed by Gwyneth W. Walker. 11 pages. E. C. Schirmer Music Company - Digital #8651-E. Published by E. C. Schirmer Music Company - Digital (MQ.8651-E). This purely instrumental version of the composer's very popular choral setting of this classic spiritual moves metaphorically from tears, to falling to our knees, to asserting the strength that comes through faith and unity. Dedicated to Heather Heyer, who lost her life in Charlottesville, Virginia, on August 12, 2017. Duration: 3:00.
$15.00 ≈
14.03€
Let's Get Lost (Low Voice)
Let's Get Lost (Low Voice)
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Vaughn Monroe
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Let's Get Lost
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Hal Leonard - Digital
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SheetMusicPlus
Voice - SKU: HX.1420447 By Vaughn Monroe. This edition: scorch. Country,Jazz,Pop. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #4711...
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Voice - SKU: HX.1420447 By Vaughn Monroe. This edition: scorch. Country,Jazz,Pop. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #471180. Published by Hal Leonard - Digital (HX.1420447).
$1.99 ≈
1.86€
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
21.05€
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
14.03€
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 ≈
14.03€
La nemesi
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and ...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99 ≈
3.73€
Gnossienne nº 1 - Score Only
Gnossienne nº 1 - Score Only
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Classique
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Contemporain
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purchasing the PDF score, you
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Erik Satie
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Bisdré Santos
#
Gnossienne nº 1 - Score O
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Soul - Musical Creations
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1401929 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. ...
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Guitar - Level 2 - SKU: A0.1401929 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. Soul - Musical Creations #985125. Published by Soul - Musical Creations (A0.1401929). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99 ≈
1.86€
Gnossienne nº 3 - Score Only
Gnossienne nº 3 - Score Only
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Classique
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Contemporain
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Erik Satie
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Erik Satie, one of the most re
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Bisdre Santos
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Gnossienne nº 3 - Score O
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Soul - Musical Creations
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1401937 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 10 pag...
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Guitar - Level 2 - SKU: A0.1401937 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 10 pages. Soul - Musical Creations #985135. Published by Soul - Musical Creations (A0.1401937). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99 ≈
1.86€
Gnossienne nº 2 - Score Only
Gnossienne nº 2 - Score Only
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Classique
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Contemporain
#
Erik Satie
#
Erik Satie, one of the most re
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Bisdre Santos
#
Gnossienne nº 2 - Score O
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Soul - Musical Creations
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1401936 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 page...
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Guitar - Level 2 - SKU: A0.1401936 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. Soul - Musical Creations #985134. Published by Soul - Musical Creations (A0.1401936). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99 ≈
1.86€
Gnossienne No. 1
Gnossienne No. 1
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Classique
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Contemporain
#
purchasing the PDF score, you
#
Erik Satie
#
Bisdré Santos
#
Gnossienne No. 1
#
Soul - Musical Creations
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1401934 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. ...
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Guitar - Level 2 - SKU: A0.1401934 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. Soul - Musical Creations #985132. Published by Soul - Musical Creations (A0.1401934). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$4.99 ≈
4.67€
Patios de Córdoba
Patios de Córdoba
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99 ≈
3.73€
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99 ≈
10.28€
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