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Uberto Pieroni
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Uberto Pieroni
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SheetMusicPlus
Instrumental Solo - Level 3 - SKU: A0.1042725 By Uberto Pieroni. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Film/TV,Multicultural,New A...
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Instrumental Solo - Level 3 - SKU: A0.1042725 By Uberto Pieroni. By Uberto Pieroni. Arranged by Uberto Pieroni. 20th Century,Film/TV,Multicultural,New Age,World. Individual part. 3 pages. Editori vari #647506. Published by Editori vari (A0.1042725). Brano strumentale New Age.
$5.00 ≈
4.50€
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
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Classique
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in F major, Op.7
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #10...
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Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00 ≈
47.67€
Tannhäuser und der Sängerkrieg auf Wartburg
Tannhäuser und der Sängerkrieg auf Wartburg
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Classique
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Richard Wagner
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Tannhäuser und der Sä
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: v...
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SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99 ≈
48.56€
The Schott Recorder Consort Anthology
The Schott Recorder Consort Anthology
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Bernard Thomas
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The Schott Recorder Consort An
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Schott Music - Digital
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SheetMusicPlus
2-6 recorders (SA/SAT/ATB/AAT/AAB/STB/SAAT/SATB/SATT/AATB/SSATB/SSATTB) - intermediate - SKU: S9.Q40260 German and Dutch Music. Arranged by Berna...
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2-6 recorders (SA/SAT/ATB/AAT/AAB/STB/SAAT/SATB/SATT/AATB/SSATB/SSATTB) - intermediate - SKU: S9.Q40260 German and Dutch Music. Arranged by Bernard Thomas. This edition: performance score. The Schott Recorder Consort. Downloadable, Performance score. Op. 5. Schott Music - Digital #Q40260. Published by Schott Music - Digital (S9.Q40260). The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations.
$15.99 ≈
14.38€
Flute Quartet in E flat major, Op. 7 No.4 (Weinmann Vb: Eb1)
Flute Quartet in E flat major, Op. 7 No.4 (Weinmann Vb: Eb1)
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Classique
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in E flat major,
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Artaria Editions
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SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488252 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 39 pages. Artaria Editions #10...
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Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488252 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 39 pages. Artaria Editions #1065139. Published by Artaria Editions (A0.1488252). Artaria Editions AE381In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.
$53.00 ≈
47.67€
Flute Quartet in G major, Op.7 No.3 (Weinmann Vb: G1)
Flute Quartet in G major, Op.7 No.3 (Weinmann Vb: G1)
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Classique
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in G major, Op.7
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488239 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 53 pages. Artaria Editions #10...
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Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488239 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 53 pages. Artaria Editions #1065127. Published by Artaria Editions (A0.1488239). Artaria Editions AE380 In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00 ≈
47.67€
Flute Quartet in A major, Op. 7 No.5(Weinmann Vb: A1)
Flute Quartet in A major, Op. 7 No.5(Weinmann Vb: A1)
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Classique
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in A major, Op.
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Artaria Editions
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SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488255 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 40 pages. Artaria Editions #10...
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Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488255 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 40 pages. Artaria Editions #1065142. Published by Artaria Editions (A0.1488255). Artaria Editions AE382In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.
$53.00 ≈
47.67€
Flute Quartet in C major, Op.7 No.6 (Weinmann Vb: C1)
Flute Quartet in C major, Op.7 No.6 (Weinmann Vb: C1)
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Classique
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in C major, Op.7
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Artaria Editions
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SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488256 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 57 pages. Artaria Editions #10...
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Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488256 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 57 pages. Artaria Editions #1065143. Published by Artaria Editions (A0.1488256). Artaria Editions AE383In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.
$53.00 ≈
47.67€
Flute Quartet in B flat major, Op.7 No.2 (Weinmann Vb: Bb1)
Flute Quartet in B flat major, Op.7 No.2 (Weinmann Vb: Bb1)
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Classique
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in B flat major,
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Artaria Editions
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SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488834 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #10...
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Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488834 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065688. Published by Artaria Editions (A0.1488834). Artaria Editions AE379In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.
$53.00 ≈
47.67€
The Bluebells of Scotland (Theme and Six Variations on a Scottish Tune for Classical Guitar)
The Bluebells of Scotland (Theme and Six Variations on a Scottish Tune for Classical Guitar)
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Contemporain
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Socrates Arvanitakis
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The Bluebells of Scotland
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1163563 Composed by Socrates Arvanitakis. Classical,Contemporary,Folk. Individual part. 10 pages. ...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1163563 Composed by Socrates Arvanitakis. Classical,Contemporary,Folk. Individual part. 10 pages. Socrates Arvanitakis #763908. Published by Socrates Arvanitakis (A0.1163563). This set of variations for the classical guitar is part of a series of variation sets based on British ana Irish folk melodies.Metronome marks are only editorial suggestions. Slurring, dynamics, interpretation marks, etc are left to the performer's discretion.
$6.00 ≈
5.40€
O No John (Six Brief Variations on an English Folk Tune)
O No John (Six Brief Variations on an English Folk Tune)
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Contemporain
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Socrates Arvanitakis
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O No John
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 4 - SKU: A0.1163170 Composed by Socrates Arvanitakis. Classical,Contemporary,Folk. Individual part. 12 pages. ...
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Acoustic Guitar,Instrumental Solo - Level 4 - SKU: A0.1163170 Composed by Socrates Arvanitakis. Classical,Contemporary,Folk. Individual part. 12 pages. Socrates Arvanitakis #763524. Published by Socrates Arvanitakis (A0.1163170). This set of variations for the classical guitar is part of a series of variation sets based on British ana Irish folk melodies.Metronome marks are only editorial suggestions. Slurring, dynamics, interpretation marks, etc are left to the performer's discretion.
$6.00 ≈
5.40€
Daniel de Moivre: Eight Suites For Alto Recorder Solo
Daniel de Moivre: Eight Suites For Alto Recorder Solo
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Daniel de Moivre
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Socrates Arvanitakis
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Daniel de Moivre: Eight Suites
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Socrates Arvanitakis
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SheetMusicPlus
Recorder Solo,Treble Recorder - Level 3 - SKU: A0.1261477 Composed by Daniel de Moivre (1687-1731). Arranged by Socrates Arvanitakis. Baroque. Individua...
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Recorder Solo,Treble Recorder - Level 3 - SKU: A0.1261477 Composed by Daniel de Moivre (1687-1731). Arranged by Socrates Arvanitakis. Baroque. Individual part. 88 pages. Socrates Arvanitakis #854554. Published by Socrates Arvanitakis (A0.1261477). PREFACEThese eight suites for solo recorder are amongst the relatively fewcompositions by Daniel de Moivre that have survived for us through the centuries.Not very much is known of the life of this composer, except that hewas a French Huguenot, the younger brother of the well-known French mathematician Abraham de Moivre, with whom he movedfrom France to England after their imprisonment in France for being protestants, and it is recorded that they both became denizens ofGreat Britain on 16/12/1687. It seems that both brothers earn their livings mostly by teaching in their respective subjects for the rest of their lives. Daniel de Moivre had early training in France in recorderand composition, and in England he was known as one of the bestrecorder players at the time, together with Paisible, Banister Loilet and others.The solo suites that follow are of moderate technical difficulty andform a good basis for advancing the recorder technique to higher levels. But primarily are well made baroque dance tunes that can beused for both study and recreation.All ornaments are marked as trills starting usually on the upper note,but some of them can be interpreted as mordents or inverted mordents. There are quite a few baroque-rondeau movements withinthese suites, marked with double bar lines but without repeats.Repeats are optional here, and it depends on personal aesthetics. I find the following scheme of playing baroque- rondeau movements quite satisfactory: AA-BB-A-CC-ALegato marks and other slurs were not included in the original andare left to the performer’s decision.All tempi are only editorial suggestions which can be ignored to a reasonable degree.This volume has been created with decorated and undecorated pages and with individual front covers for each suite so that the user can add or omit pages at will and create his own book designs.The mp3 sample contains various movements from all suites.Socrates ArvanitakisLondon 2021.
$25.00 ≈
22.48€
The Cello Orchestral Companion to the Suzuki Violin School Vol. 2
The Cello Orchestral Companion to the Suzuki Violin School Vol. 2
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Classique
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Various
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Michele Galvagno
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The Cello Orchestral Companion
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.841327 Composed by Various. Arranged by Michele Galvagno. Baroque,Children,Classical,Romantic Period. Score and part...
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String Ensemble - Level 2 - SKU: A0.841327 Composed by Various. Arranged by Michele Galvagno. Baroque,Children,Classical,Romantic Period. Score and parts. 29 pages. Artistic Score Engraving di Galvagno Michele #3501893. Published by Artistic Score Engraving di Galvagno Michele (A0.841327). In schools using the Suzuki Method it is usual to perform music taken from the children's repertoire books. The main problem with this is that, being violinists usually many more than their cellist fellows, these last ones have to add to their normal weekly practice also the study of the accompaniments of the pieces for violin. This can drain a lot of time from the cello teacher's weekly lesson's already limited time.This edition aims to solve this problem by providing already made parts for accompanying all of the pieces presented in the Suzuki Violin School - Volume 2, ready to use with fingerings, bowings and other editorial marks. Printing the whole score in recto-verso will give you a ready to play book with page turns already set up. The solo violin part is not shown in this publication. The teacher or the orchestra wishing to perform this is required to own a legal copy of the Suzuki Violin School - Volume 2
$14.95 ≈
13.45€
Concerto D Minor
Concerto D Minor
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Robert Schumann
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Concerto D Minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
2 Flöten · 2 Oboen · 2 Klarinetten · 2 Fagotte · 2 Hörner · 2 Trompeten · 2 Pauken · Streicher violin and orchestra - SKU: S9.Q46...
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2 Flöten · 2 Oboen · 2 Klarinetten · 2 Fagotte · 2 Hörner · 2 Trompeten · 2 Pauken · Streicher violin and orchestra - SKU: S9.Q4688 Composed by Robert Schumann. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Duration 30 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4688. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4688). Key: D minor.‘You were often on my mind when I was writing’, wrote Robert Schumann to Joseph Joachim who had encouraged him to write this concerto. In view of Schumann’s illness, however, Joachim began to have his doubts about the value of the work. In his will, Joachim prohibited the first performance until the 100th anniversary of Schumann’s death in 1956. After detailed editorial work, the premiere was brought forward to 1937. The theme of the middle movement probably formed the basis of Schumann’s Geistervariationen (‘Ghost Variations’), the character of the third movement is that of a grand polonaise. Yehudi Menuhin who performed the world premiere of the unedited version of Schumann’s solo part saw in this piece ‘the bridge between Beethoven’s and Brahms’ concertos’.
$11.99 ≈
10.78€
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