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Chopin: Prelude in A Major
Non classifié
12
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Vous avez sélectionné:
Chopin: Prelude in A Major
Partitions à imprimer
12 partitions trouvées
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1
Prelude in A Major
Prelude in A Major
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Classique
#
Frederic Chopin
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David D
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Prelude in A Major
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David D Mason
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SheetMusicPlus
Small Ensemble Piano - Level 2 - SKU: A0.770283 Composed by Frederic Chopin. Arranged by David D. Mason. Concert,Holiday,Wedding. Score and parts. 9 pag...
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Small Ensemble Piano - Level 2 - SKU: A0.770283 Composed by Frederic Chopin. Arranged by David D. Mason. Concert,Holiday,Wedding. Score and parts. 9 pages. David D Mason #6637585. Published by David D Mason (A0.770283). I have arranged Chopin's Prelude in A Major for Woodwind Quartet and Piano.
$4.99 ≈
4.60€
Prelude In A Major, Op. 28, No. 7
Prelude In A Major, Op. 28, No. 7
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Classique
#
Frederic Chopin
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Dominic Meccia
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Prelude In A Major, Op. 28, No
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Dominic Meccia
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SheetMusicPlus
Piano and Keyboard,Vocal - Interactive Download SKU: A0.494337 Composed by Frederic Chopin. Arranged by Dominic Meccia. This edition: Interactive Downloa...
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Piano and Keyboard,Vocal - Interactive Download SKU: A0.494337 Composed by Frederic Chopin. Arranged by Dominic Meccia. This edition: Interactive Download. Classical,Standards,World. Score. 1 pages. Duration 39. Published by Dominic Meccia (A0.494337).
$3.99 ≈
3.68€
Chopin Prelude in B minor - Guitar Trio
Chopin Prelude in B minor - Guitar Trio
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Classique
#
Frederic Chopin
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Sean Atkinson
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Chopin Prelude in B minor - Gu
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Sean James Atkinson
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.876623 Composed by Frederic Chopin. Arranged by Sean Atkinson. 20th Century,Classical,Romantic Period. Score ...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.876623 Composed by Frederic Chopin. Arranged by Sean Atkinson. 20th Century,Classical,Romantic Period. Score and parts. 5 pages. Sean James Atkinson #6231281. Published by Sean James Atkinson (A0.876623). Originally composed (just like most of the work by the beloved Frederic Chopin) for the piano, the Lento Assai prelude in B minor is now available to be performed by a trio of classical guitarists. While Guitar 1 and 2 play moderately easy single notes for the majority of the piece, and Guitar 3 takes the melody (originally played by the left hand of the pianist) this piece is a great opportunity for the ensemble to practice playing as just that, an ensemble. .
$9.99 ≈
9.21€
Chopin, Prelude no. 15 in Db major for five bassoons and contrabassoon
Chopin, Prelude no. 15 in Db major for five bassoons and contrabassoon
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Classique
#
Frederic Chopin
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Gillian Horn
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Chopin, Prelude no. 15 in Db m
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G. Horn
#
SheetMusicPlus
Small Ensemble Contrabassoon - Level 4 - SKU: A0.1026220 Composed by Frederic Chopin. Arranged by Gillian Horn. Romantic Period,World. Score and parts. ...
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Small Ensemble Contrabassoon - Level 4 - SKU: A0.1026220 Composed by Frederic Chopin. Arranged by Gillian Horn. Romantic Period,World. Score and parts. 19 pages. G. Horn #5997939. Published by G. Horn (A0.1026220). Chopin, Prelude in Db major Raindrop Op. 28, no. 15arr. for five bassoons and contrabassoon by Gillian HornKnown as the Raindrop prelude, this is one of the 24 Chopin preludes composed in 1838. Originally for solo piano, this prelude is the longest of the set and is noted for its repeating Aâ™, which appears throughout the piece and sounds like raindrops to many listeners.After a tranquil opening in Db major, we transition into the C# minor middle section where the music intensifies as we pass from dream to nightmare (this is where we feature the rich low tones of the contrabassoon). The nightmare dispels as suddenly as it arrived, and we return back to peace and harmony once more.I get much joy from writing arrangements of great works that we wind players don't always get to perform. I hope you enjoy my brand new arrangement for five bassoons and contrabassoon!Duration approx. 5 minutes
$18.99 ≈
17.52€
Prelude In D-flat Major, Op. 28, No. 15 "raindrop"
Prelude In D-flat Major, Op. 28, No. 15 "raindrop"
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Classique
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Frederic Chopin
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Greg Urban
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Prelude In D-flat Major, Op. 2
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Greg Urban
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SheetMusicPlus
Large Ensemble Handbell - Level 5 - SKU: A0.930891 Composed by Frederic Chopin. Arranged by Greg Urban. Contemporary. Score and parts. 7 pages. Greg Urb...
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Large Ensemble Handbell - Level 5 - SKU: A0.930891 Composed by Frederic Chopin. Arranged by Greg Urban. Contemporary. Score and parts. 7 pages. Greg Urban #4269037. Published by Greg Urban (A0.930891). Prelude In D-flat Major, Op. 28, No. 15 Raindrop Prelude by Frederic Chopin, transcribed by Greg Urban.Transcribed for 6 octaves handbells and 3 octaves handchimes. Duplicate G#5 and B5 helpful, but not mandatory. Level 5One set of parts gives access to 15 printed copies at a time.
$39.99 ≈
36.88€
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.40€
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.40€
Were You There (Trio for Horn in F, Cello and Piano)
Were You There (Trio for Horn in F, Cello and Piano)
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Gospel Spirituel
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Traditional Spiritual, Frederi
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John A
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Were You There
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Cello,Horn,Piano - Level 3 - SKU: A0.523421 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Ea...
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Small Ensemble Cello,Horn,Piano - Level 3 - SKU: A0.523421 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 15 pages. John A. Dempsey #3472713. Published by John A. Dempsey (A0.523421). This trio for French horn, cello and piano weaves the moving spiritual Were You There? into the rich tapestry of a beautiful Chopin etude (Tristesse), Op. 10, No. 3. Â Recommended for traditional Easter Sunday church services and other worship events, including Good Friday services and Easter sunrise worship as well as the Lord's Supper and Communion. Â Welcome as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â Appropriate year-round! Â 11 pages of music (that includes separate two-page parts for French horn and cello). Â Concert Key (Piano): G major. Â French Horn key: D major. Â Cello Key: G major. Â Horn/Cello Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99 ≈
11.06€
Were You There (Trio for Flute, Horn in F and Piano)
Were You There (Trio for Flute, Horn in F and Piano)
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Gospel Spirituel
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Traditional Spiritual, Frederi
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John A
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Were You There
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Flute,Horn,Piano - Level 3 - SKU: A0.523371 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Ea...
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Small Ensemble Flute,Horn,Piano - Level 3 - SKU: A0.523371 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 14 pages. John A. Dempsey #3448781. Published by John A. Dempsey (A0.523371). This trio for flute, horn in F and piano weaves the moving spiritual Were You There into the rich tapestry of a beautifully tranquil Chopin etude (Tristesse), Op. 10, No. 3. Â Recommended for traditional Easter Sunday church services and other worship events, including Good Friday services and Easter sunrise worship as well as the Lord's Supper and Communion. Â Welcome as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â Appropriate year-round! Â 10 pages of music (that includes separate two-page pullout parts for flute and horn). Â Concert Key (Piano/Flute): C major. Â French Horn Key: G major.
$11.99 ≈
11.06€
Were You There (Horn in F Trio)
Were You There (Horn in F Trio)
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Gospel Spirituel
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Traditional Spiritual, Frederi
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John A
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Were You There
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John A. Dempsey
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.524280 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Praise ...
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Brass Ensemble Horn - Level 3 - SKU: A0.524280 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 15 pages. John A. Dempsey #5209115. Published by John A. Dempsey (A0.524280). This brass trio for French horn weaves the moving spiritual Were You There? into the tapestry of a beautifully tranquil Chopin etude (Tristesse, Op. 10, No. 3). Â Recommended for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship as well as the Lord's Supper and Communion. Â Works well as a prelude, an offertory, silent prayer accompaniment or special music. Â Appropriate year round! Â 11 pages of music (that includes the score and separate two-page parts for horn 1, horn 2 and horn 3). Â Concert Key: F major. Â Horn Key: C major.
$9.99 ≈
9.21€
George Gershwin Three Preludes for Flute and Guitar
George Gershwin Three Preludes for Flute and Guitar
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omission and circumstance, the
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George Gershwin Three Preludes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.31076MEB Chamber. Classical. Ebook/insert/online audio. 32 pages. Mel Bay Publications - Digital Sheet Music #31076MEB. ...
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Guitar - Intermediate - SKU: M0.31076MEB Chamber. Classical. Ebook/insert/online audio. 32 pages. Mel Bay Publications - Digital Sheet Music #31076MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31076MEB). ISBN 9781513477718. 8.75x11.75 inches.Following the model established by Bach and Chopin, George Gershwin (1898 – 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwin’s frenetic musical activities and an early death intervened, and for various reasons—only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwin’s Three Preludes. This book presents idiomatic flute/guitar arrangements of Gershwin’s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke. Audiences are going to love hearing these preludes rendered by the flute and guitar, particularly “Prelude II”, in Gershwin’s words, “a sort of blues lullaby” that is familiar to many musicians and listeners alike.
Song List
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Allegro ben ritmato e deciso
Andante con moto e poco rubato
Allegro ben ritmato e deciso
$14.99 ≈
13.83€
America, the Beautiful
America, the Beautiful
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America, the Beautiful
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SheetMusicPlus
A worship prelude based on the patriotic ballad This lovely patriotic ballad setting is the latest addition to Joel Raney's exciting series of piano/organ d...
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A worship prelude based on the patriotic ballad This lovely patriotic ballad setting is the latest addition to Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion of the prelude for an optional choral introit. This arrangement was first conceived in the aftermath of the events of 9-11, combining America, the Beautiful with Chopin's gorgeous piano etude in E Major, Opus 10, No. 3, and together they make an emotionally powerful presentation. Both keyboard parts and a reproducible page with the choral part are included. An optional 3-7 octave handbell part (w/opt. 3-7 octave handchimes) and a full conductor's score are available separately
Song List
: Single
$22.95 ≈
21.17€
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Chopin: Prelude in A Major
