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BASS Ethnic
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9 partitions trouvées
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1
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
#
Classique
#
Antonin Dvorak
#
Ray Thompson
#
Dvorak: String Quartet No.12 i
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RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95 ≈
8.89€
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
#
Classique
#
Antonin Dvorak
#
Ray Thompson
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Dvorak: String Quartet No.12 i
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 30 pages. RayThompsonMusic #729243. Published by RayThompsonMusic (A0.1128641). Arranged wind dectet/bass (double wind quintet) Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$14.95 ≈
13.36€
Dvorak: String Quartet No.12 in F Op.96 " American" (Complete) - wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 " American" (Complete) - wind dectet/bass
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Classique
#
Antonin Dvorak
#
Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
#
SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Per...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 132 pages. RayThompsonMusic #743725. Published by RayThompsonMusic (A0.1143368). Arranged wind dectet/bass (Double wind quintet) Mp3 is of 1st mvt. The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This arrangement is of the complete workL you can alos buy each mvt separately.
$29.95 ≈
26.76€
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
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Classique
#
Antonin Dvorak
#
Ray Thompson
#
Dvorak: String Quartet No.12 i
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Roman...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. Score and parts. 38 pages. RayThompsonMusic #730825. Published by RayThompsonMusic (A0.1130508). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 1st movement: Allegro Check out my SMP page : https://www.sheetmusicplus.com/publishers/raythompsonmusic-sheet-music/3002229.
$14.95 ≈
13.36€
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
#
Classique
#
Antonin Dvorak
#
Ray Thompson
#
Dvorak: String Quartet No.12 i
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95 ≈
13.36€
Sync (Flute Part Only)
Sync (Flute Part Only)
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Contemporain
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Will Phillips
#
the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips M...
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Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465400. Published by Will Phillips Music (A0.1024748). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99 ≈
3.56€
Sync (Cello Part Only)
Sync (Cello Part Only)
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Contemporain
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips M...
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Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465402. Published by Will Phillips Music (A0.1024749). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99 ≈
3.56€
Sync
Sync
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Contemporain
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - Level 5 - SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will...
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Small Ensemble Cello,Double Bass,Flute - Level 5 - SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$19.99 ≈
17.86€
Helena Polka
Helena Polka
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Contemporain
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Various Artists
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Shawn Postell
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Helena Polka
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Encore Music LLC
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.982228 ...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.982228 By Various Artists. By George Cates, Lawrence Welk, and Myron Floren. Arranged by Shawn Postell. Contemporary. Score and parts. 27 pages. Encore Music LLC #6294119. Published by Encore Music LLC (A0.982228). The For Fun Folio is music for a flexible ensemble; arranged for meeting the music needs for a wide variety of purposes from pregame music to playing for a community group function. Easily accessible and flexible to meet your needs. The Helena Polka is a classic polka that audiences will enjoy. Perfect for Octoberfest concerts or ethnic music when a polka is needed - add this to your For Fun Folio library today!
$18.00 ≈
16.08€
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