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1
Two Wrongs Don't Make A Right by Oliver Johnson
Two Wrongs Don't Make A Right by Oliver Johnson
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Dwight Leroy Quinn
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Two Wrongs Don't Make A Right
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D.L. Quinn Music Publishing Company
#
SheetMusicPlus
Baritone Saxophone,Bass Guitar,Drum Set,Organ,Piano,Trumpet,Voice - SKU: A0.1072570 Composed by Dwight Leroy Quinn. Blues,R & B. Full Performance. Durat...
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Baritone Saxophone,Bass Guitar,Drum Set,Organ,Piano,Trumpet,Voice - SKU: A0.1072570 Composed by Dwight Leroy Quinn. Blues,R & B. Full Performance. Duration 330. D.L. Quinn Music Publishing Company #4580371. Published by D.L. Quinn Music Publishing Company (A0.1072570). Who threw that,ROCK in my BLUES, well it looks like Oliver Johnson did. The guy that brought the trumpet to soul, he have kicked 2019 off to a hot-rock start with his new CD Single Two Wrongs Don't A Right written and composed by Dwight Quinn. Oliver has for long time been wanting to do a Hot Bluesy Rock style song like ,Two Wrongs Don't A Right ,Oliver soon found a little time off from his busy touring schedule last year 2018,and he got with Dwight and they made it happen.Oliver has enjoyed an awesome career growth on his big hit,Daydreaming Again. Two Wrongs Don't A Right will be Oliver's 9th album on the Quinn Records TM Label.
$1.99 ≈
1.79€
Adolphe Danhauser | L'Escarpolette | for Brass Trio [High Register]
Adolphe Danhauser | L'Escarpolette | for Brass Trio [High Register]
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Adolphe Danhauser
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Andrew Lamb
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Adolphe Danhauser | L'Escarpol
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Andrew Lamb
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SheetMusicPlus
Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet - Level 4 - SKU: A0.1473205 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th...
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Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet - Level 4 - SKU: A0.1473205 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Romantic Period. 24 pages. Andrew Lamb #1050899. Published by Andrew Lamb (A0.1473205). 🎺 Brass Trio Arrangement of L'Escarpolette by Adolphe Danhauser 🎺 🎵 About the Composer: Adolphe-Léopold Danhauser (26 February 1835 – 9 June 1896) was a prominent French musician, educator, music theorist, and composer. Born in Paris, he studied at the Paris Conservatoire with distinguished teachers such as François Bazin, Fromental Halévy, and Napoléon Henri Reber. In 1863, he won the prestigious Second Prix de Rome and developed a keen interest in early music education. His Theory of Music, published in 1872, remains a cornerstone in music education. Danhauser served as the chief inspector of instruction in singing in Parisian schools and later became a professor of solfeggio at the Paris Conservatoire. He also conducted tours to study music pedagogy in the Netherlands, Belgium, and Switzerland, and his notable students include Charles Malherbe.🎼 Arrangement Details: This exquisite arrangement of L'Escarpolette by Adolphe Danhauser is crafted for a Brass Trio, offering flexibility in instrumentation. The parts are scored as follows: Part 1: Trumpet / Cornet / Flugel in Bb Part 2: Trumpet / Cornet / Flugel in Bb Part 3: Trumpet / Cornet / Flugel in Bb / French Horn / Tenor Horn / Baritone / Trombone / Euphonium (Bass and Treble Clef) This flexibility allows performers to choose the combination of instruments that best suits their ensemble's strengths and preferences.✨ Level of Difficulty: Advanced✨ Potential Uses: Ideal for concert or recital performances.Experience the enchanting melodies and intricate harmonies of Danhauser's L'Escarpolette in this sophisticated brass trio arrangement. Perfect for showcasing technical prowess and musical expression, this piece will captivate audiences and performers alike.Please like and subscribe for more videos and music arrangements. 🌟
$5.00 ≈
4.50€
Debussy: Piano Preludes Bk.1 No.4 Les sons et les parfums tournent dans l'air du soir - symph. wind
Debussy: Piano Preludes Bk.1 No.4 Les sons et les parfums tournent dans l'air du soir - symph. wind
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Classique
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Claude Debussy
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RayThompsonMusic
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Debussy: Piano Preludes Bk.1 N
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.606424 Composed by Claude Debussy. Arranged by RayThompsonMusic. 20th Century. Score and parts. 18 pages. RayThompson...
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Large Ensemble - Level 5 - SKU: A0.606424 Composed by Claude Debussy. Arranged by RayThompsonMusic. 20th Century. Score and parts. 18 pages. RayThompsonMusic #215628. Published by RayThompsonMusic (A0.606424). Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres. This piece is from book 1 (Translates as The sounds and perfumes of the night air Arranged double wind quintet and bass Clarinet in A. (Bb parts also provided).
$14.95 ≈
13.45€
Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
Thérèse Brenet : Quintet for two violins, viola, violoncello and piano
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Contemporain
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 5 - SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music P...
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Piano Quintet,String Ensemble Piano - Level 5 - SKU: A0.532827 Composed by Therese Brenet. Contemporary. Score and parts. 67 pages. Musik Fabrik Music Publishing #44853. Published by Musik Fabrik Music Publishing (A0.532827). 1. Une vision continuellement renouvelée par l'émotion II. Les forces expressives d'attraction semblent aller en s'amplifiant III. Les chants flamboyants tournoient et s'entrechoquent en un bouillonnement intense Perhaps the composition of a string quartet is a task for the mature age of a composer. It could be that this sort of work could be seen as a sort of musical will. Whatever the case, the author wanted to use, as much as possible, the great expressive possiblities of this ensemble. The quartet and the piano, by attraction or repulsion, share their specific forces and come together in a flamboyant osmosis. In each of these three movements, one can see the manifestations of a great sonic mass, an intense emotion and, the author hopes, the beauty of inspired music mvt 1 https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 2. https://www.youtube.com/watch?v=SzxBJqwy6P8 mvt 3. https://www.youtube.com/watch?v=rB1UlvGT9y4.
$25.95 ≈
23.34€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.15€
Wynwood Walls
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1...
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Guitar and string quartet - Advanced - SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95 ≈
30.53€
Harmonie du Soir for alto and classical guitar (mp3)
Harmonie du Soir for alto and classical guitar (mp3)
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András Csáki
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Harmonie du Soir for alto and
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1387467 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Perf...
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Alto Voice,Guitar - Level 4 - SKU: A0.1387467 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 259. David Warin Solomons #971321. Published by David Warin Solomons (A0.1387467). Poem by Baudelaire (from Les Fleurs du mal). The guitar part contains many tremolo and harmonics effects.Voici venir les temps où vibrant sur sa tigeChaque fleur s'évapore ainsi qu'un encensoir;Les sons et les parfums tournent dans l'air du soir;Valse mélancolique et langoureux vertige!Chaque fleur s'évapore ainsi qu'un encensoir;Le violon frémit comme un coeur qu'on afflige;Valse mélancolique et langoureux vertige!Le ciel est triste et beau comme un grand reposoir.Le violon frémit comme un coeur qu'on afflige,Un coeur tendre, qui hait le néant vaste et noir!Le ciel est triste et beau comme un grand reposoir;Le soleil s'est noyé dans son sang qui se fige.Un coeur tendre, qui hait le néant vaste et noir,Du passé lumineux recueille tout vestige!Le soleil s'est noyé dans son sang qui se fige...Ton souvenir en moi luit comme un ostensoir!The hour approacheth, when, as their stems incline,The flowers evaporate like an incense urn,And sounds and scents in the vesper breezes turn;A melancholy waltz — and a drowsiness divine.The flowers evaporate like an incense urn,The viol vibrates like the wailing of souls that repine.A melancholy waltz — and a drowsiness divine,The skies like a mosque are beautiful and stern.The viol vibrates like the wailing of souls that repine;Sweet souls that shrink from chaos vast and etern,The skies like a mosque are beautiful and stern,The sunset drowns within its blood-red brine.Sweet souls that shrink from chaos vast and etern,Essay the wreaths of their faded Past to entwine,The sunset drowns within its blood-red brine,Thy thought within me glows like an incense urn.— Cyril Scott, Baudelaire: The Flowers of Evil (London: Elkin Mathews, 1909).
$6.00 ≈
5.40€
Kör ad lib. Grön
Kör ad lib. Grön
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Various
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Gunnar Eriksson
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Kör ad lib. Grön
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Various - SKU: BJ.1104 Composed by Various. Arranged by Gunnar Eriksson. Octavo. 89 pages. Bo Ejeby Forlag - Digital #1104. Published by Bo Ejeby Forlag...
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Various - SKU: BJ.1104 Composed by Various. Arranged by Gunnar Eriksson. Octavo. 89 pages. Bo Ejeby Forlag - Digital #1104. Published by Bo Ejeby Forlag - Digital (BJ.1104). 8.27 x 11.7 inches.French and Swedish folksongs are the foundation for the models of improvisation and arrangements that are presented in this booklet for choirs on all levels.The idea of this book is to provide the choral conductor and the choir with a way into a somewhat more liberated way of working less tied to sheet music. Or if you wish: let the ears be more important than the eyes, and the body more important than the brain in the first encounter with the music. I present some simple, more or less ancient, ideas on composition and collective improvisation. You can create your own building kits, which in turn can develop into soundscapes. This can also serve as an invitation to the choir to, in a playful manner, approach the contemporary music and its ways of expression. - Gunnar ErikssonNotes in Swedish, French and English.Contents: Cris et chants de bergers Kuleken Voici le joli mois de Mai Majvisa Varvindar friska / Le murmure de vent In vernali tempore Den blomstertid nu kommer / Arrive le temps allegre Tempus adest floridum Voici l'hiver passe / Nu vintern tar adjo Voici le mois de mai Vatnsdaelinga Voila le printemps Tourdion Limu limu lima Rossignol du bois sauvage En gang i bredd med mig / Un jour devant l'autel J'entends dans le bocage La douce pensee Loyaute vueil toujours maintenir Kling, klang, klockan slar / Ding, dong sonne la cloche Rossignolet du bois / Nu ar en ljuvlig tid Jag vet en dejlig rosa / Une rose dans la nature La segaireta Gladjens blomster / Les fleurs de la joie Y'a pas d'amour sans peine Vem kan segla / Qui peut faire de la voile Devinez ce qu'il y a Martolodet, d'in o leret Vinden drar / Vent leve Vinden drar / Martolodet Vi aro musikanter / Nous sommes des musicienes O lo compogno / Vi aro musikanter Vi aro musikanter - quodlibet Ma mer' m'envoie-t-au marche Bon vin Kyrie Gloria Toi qui vient pour tout sauver / Varldens Fralsare kom har.
$20.00 ≈
17.99€
Loon Lake
Loon Lake
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Dale Kavanagh
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Loon Lake
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar ensemble - SKU: ZZ.DZ-4329 Composed by Dale Kavanagh. Score and parts. 33 pages. Les Productions d'OZ - Digital #DZ 4329. Published by Les Produc...
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Guitar ensemble - SKU: ZZ.DZ-4329 Composed by Dale Kavanagh. Score and parts. 33 pages. Les Productions d'OZ - Digital #DZ 4329. Published by Les Productions d'OZ - Digital (ZZ.DZ-4329). The Vancouver Guitar Orchestra asked me to write a piece describing something typically Canadian.The first thing that came to mind was listening to the wonderful call of a loon while sitting around a bonfire; a clear sky evening, on the shore line of a Canadian lake.I tried to imitate a crackling bonfire with a triangle, and the calls of loon conversation, at the beginning and end of the piece. The mid section should show a pleasant atmosphere of simply observing and enjoying the evening in a peaceful manner. A very special thanks to Anna Pietrzak for her inspiration and support for this project.L’Orchestre de guitares de Vancouver m’a demandé d’écrire une pièce décrivant quelque chose de typiquement canadien.La première chose qui m’est venue à l’esprit a été d’écouter le magnifique appel d’un huard en étant assis autour d’un feu de camp, sous un ciel clair, au bord d’un lac canadien.J’ai essayé d’imiter un feu de camp crépitant avec un triangle, et les appels des huards, au début et à la fin de la pièce. La section centrale devrait évoquer une atmosphère agréable où l’on observe simplement et apprécie la soirée paisiblement. Un grand merci à Anna Pietrzak pour son inspiration et son soutien dans ce projet.
$12.95 ≈
11.65€
The Bamboula Rhapsodic Dance for Brass Band
The Bamboula Rhapsodic Dance for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1190215 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. Brass Band. 201 pages. Charles Decker Music Press #789828. Published by Charles Decker Music Press (A0.1190215). This brilliant, tour de force arrangement for brass band is guaranteed to inspire performers and excite audiences as it captures the energy of the Samuel Coleridge-Taylor's 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The 11 minute arrangement has an optional cut to make it seven minutes and is scored for British brass band instrumentation of E-flat cornet, B-flat cornets, flugelhorn, E-flat alto horns, baritone horn, euphonium, trombones and E-flat and B-flat basses with parts sets in treble clef except for the bass trombone. Optional brass instrumentaion is provided with substiute F horn parts for the E-flat alto horns and bass clef parts for all the low brass. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$39.95 ≈
35.93€
Nevermore for alto and classical guitar (mp3)
Nevermore for alto and classical guitar (mp3)
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András Csáki
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Nevermore for alto and classic
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Perf...
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Alto Voice,Guitar - Level 3 - SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00 ≈
5.40€
The Maid of the Mist for Bb Cornet ((Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet
The Maid of the Mist for Bb Cornet ((Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet
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Herbert L
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Keith Terrett
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The Maid of the Mist for Bb Co
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.747073 Composed by Herbert L. Clarke. Arranged by Keith Terrett. 20th Century,Traditional. 40 pages. Keith Terrett...
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Woodwind Ensemble - Level 5 - SKU: A0.747073 Composed by Herbert L. Clarke. Arranged by Keith Terrett. 20th Century,Traditional. 40 pages. Keith Terrett #6199053. Published by Keith Terrett (A0.747073). The Maid of the Mist in an arrangement for solo Cornet (Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet of a fun light piece creating a great showpiece for the cornet. It is named after the sight-seeing boats for tourists in Niagara Falls. Set as a polka, there is much opportunity for the soloist to display quick fingers and light triple tonguing.To create a clean new edition, dynamics and articulations were made more consistent in the parts. Counter melodies were added to enhance the arrangement.American composer and Cornet player Herbert L. Clarke was one of the first soloists to combine a pyrotechnic technique with a lush, romantic sound. His virtuoso-with-a-heart' style set the standard for Cornet (and later Trumpet) players for the next several generations. He, along with Jean Baptiste Arban and Frank Simon, is considered to be one of the finest Cornetists in history. Many of Clarke's compositions are still regularly performed, including: 'The Maid of the Mist', 'Sounds of the Hudson', 'The Bride of the Waves', 'Stars in a Velvety Sky', 'From the Shores of the Mighty Pacific', 'The Debutante and Southern Cross'. 'The Maid of the Mist' was composed ca. 1912 and is one of about 50 pieces Clarke wrote to display his virtuosity in concerts. 'Maid of the Mist' is the name of a tourist boat that visitors to Niagara Falls can ride to view the falls up-close.
$15.99 ≈
14.38€
Music for Three, Volume 8 - Keyboard or Guitar 50840
Music for Three, Volume 8 - Keyboard or Guitar 50840
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Various
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Daniel Kelley
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Music for Three, Volume 8 - Ke
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Organ,Piano Accompaniment - Level 5 - SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Tr...
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Small Ensemble Organ,Piano Accompaniment - Level 5 - SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Traditional. Score and parts. 94 pages. Last Resort Music Publishing #567576. Published by Last Resort Music Publishing (A0.961865). Music for Three, Volume 8 - More Baroque, Classical & Romantic Favorites Keyboard or Guitar Including works by Bizet, Faure, Borodin, Gottschalk, and Rossini and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. The parts available for this volume are listed here! 50811 Part 1 Flute or Oboe or Violin 50813 Part 1 Clarinet in Bb 50821 Part 2 Flute or Oboe or Violin 50822 Part 2 Viola 50823 Part 2 Clarinet in Bb 50831 Part 3 Cello or Bassoon 50840 Keyboard or Guitar 50899 Score Table of Contents Badinerie from Suite #2 in b minor (Bach) Bist Du Bei Mir (Bach) Allegro Moderato & Allegro from Brandenburg Concerto #3 in G Major (Bach) Fur Elise (Beethoven) Galop & Petit Mari, Petite Femme from Jeux d'Enfants, Op. 22 (Bizet) Farandole & Menuet from L'Arlesienne Suite #2 (Bizet) Minuet from Quintet in E Major, Op. 13 #5 (Boccherini) Theme from Polovetzian Dances from Prince Igor (Borodin) Fantasie-Impromptu from Fantasie-Impromptu in C# minor, Op. 66 (Chopin) Adagio from Violin Sonata in G minor, Op. 5 #5 (Corelli) Flower Duet from Lakme (Delibes) Slavonic Dance #1 from Slavonic Dances, Op. 46 #1 (Dvorak) Slavonic Dance #2 from Slavonic Dances, Op. 46 #2 (Dvorak) Bereceuse from Dolly Suite, Op. 56 (Faure) Bananier, Le (Gottschalk) Dying Poet, The (Gottschalk) Tournament Galop (Gottschalk) Funeral March for a Marionette (Gounod) Juliet's Waltz Song Je veux vivre from Romeo and Juliet (Gounod) I Love Thee Ich Liebe Dich from The Heart's Melodies, Op. 5 (Grieg) Arrival of the Queen of Sheba from the Oratorio Solomon (Handel) Allegro & Hornpipe from The Water Music (Handel) Theme from Jupiter from The Planets (Holst) Capriccio #24 from 24 Capricci, Op. 1 (Paganini) Galop from La Boutique Fantastique (Rossini) Mon Coeur S'ouvre A Ta Voix from the opera Samson and Delilah (Saint-Saens) Rosamunde Ballet Music from incidental music to Rosamunde (Schubert) The Trout from the Trout Quintet, Op. 114 (Schubert) The Laughing Song from Die Fledermaus (Strauss) Danses des petits cygnes from the ballet Swan Lake (Tschaikovsky) None But the Lonely Heart from Six Songs, Op. 6 #6 (Tschaikovsky).
$26.00 ≈
23.38€
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