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26 partitions trouvées
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Music for Three, Volume 8 - Keyboard or Guitar 50840
Music for Three, Volume 8 - Keyboard or Guitar 50840
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Various
#
Daniel Kelley
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Music for Three, Volume 8 - Ke
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Organ,Piano Accompaniment - Level 5 - SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Tr...
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Small Ensemble Organ,Piano Accompaniment - Level 5 - SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Traditional. Score and parts. 94 pages. Last Resort Music Publishing #567576. Published by Last Resort Music Publishing (A0.961865). Music for Three, Volume 8 - More Baroque, Classical & Romantic Favorites Keyboard or Guitar Including works by Bizet, Faure, Borodin, Gottschalk, and Rossini and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. The parts available for this volume are listed here! 50811 Part 1 Flute or Oboe or Violin 50813 Part 1 Clarinet in Bb 50821 Part 2 Flute or Oboe or Violin 50822 Part 2 Viola 50823 Part 2 Clarinet in Bb 50831 Part 3 Cello or Bassoon 50840 Keyboard or Guitar 50899 Score Table of Contents Badinerie from Suite #2 in b minor (Bach) Bist Du Bei Mir (Bach) Allegro Moderato & Allegro from Brandenburg Concerto #3 in G Major (Bach) Fur Elise (Beethoven) Galop & Petit Mari, Petite Femme from Jeux d'Enfants, Op. 22 (Bizet) Farandole & Menuet from L'Arlesienne Suite #2 (Bizet) Minuet from Quintet in E Major, Op. 13 #5 (Boccherini) Theme from Polovetzian Dances from Prince Igor (Borodin) Fantasie-Impromptu from Fantasie-Impromptu in C# minor, Op. 66 (Chopin) Adagio from Violin Sonata in G minor, Op. 5 #5 (Corelli) Flower Duet from Lakme (Delibes) Slavonic Dance #1 from Slavonic Dances, Op. 46 #1 (Dvorak) Slavonic Dance #2 from Slavonic Dances, Op. 46 #2 (Dvorak) Bereceuse from Dolly Suite, Op. 56 (Faure) Bananier, Le (Gottschalk) Dying Poet, The (Gottschalk) Tournament Galop (Gottschalk) Funeral March for a Marionette (Gounod) Juliet's Waltz Song Je veux vivre from Romeo and Juliet (Gounod) I Love Thee Ich Liebe Dich from The Heart's Melodies, Op. 5 (Grieg) Arrival of the Queen of Sheba from the Oratorio Solomon (Handel) Allegro & Hornpipe from The Water Music (Handel) Theme from Jupiter from The Planets (Holst) Capriccio #24 from 24 Capricci, Op. 1 (Paganini) Galop from La Boutique Fantastique (Rossini) Mon Coeur S'ouvre A Ta Voix from the opera Samson and Delilah (Saint-Saens) Rosamunde Ballet Music from incidental music to Rosamunde (Schubert) The Trout from the Trout Quintet, Op. 114 (Schubert) The Laughing Song from Die Fledermaus (Strauss) Danses des petits cygnes from the ballet Swan Lake (Tschaikovsky) None But the Lonely Heart from Six Songs, Op. 6 #6 (Tschaikovsky).
$26.00 ≈
¥188.74
Debussy Quartet in G minor for Mixed Woodwind Quartet
Debussy Quartet in G minor for Mixed Woodwind Quartet
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Classique
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Claude Debussy
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Jennifer Lindberg
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Debussy Quartet in G minor for
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Yayabe Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Clarinet,Bassoon,E-Flat Clarinet,English Horn,Oboe - Level 5 - SKU: A0.1392520 Composed by Claude Deb...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Clarinet,Bassoon,E-Flat Clarinet,English Horn,Oboe - Level 5 - SKU: A0.1392520 Composed by Claude Debussy. Arranged by Jennifer Lindberg. 19th Century,Classical. 317 pages. Yayabe Music #976039. Published by Yayabe Music (A0.1392520). Debussy's String Quartet in G minor, Op. 10 arranged for interchangeable woodwind quartet. This woodwind quartet can be played with many different combinations of woodwinds. Just choose any of the following instruments for each of the four parts.* Part 1: Flute, Oboe, Bb Clarinet, or Eb Clarinet* Part 2: Flute, Alto Flute, Oboe, or Bb Clarinet* Part 3: English Horn, Bb Clarinet* Part 4: Bassoon, Bass Clarinet, or CelloIncludes scores and parts for all the above instruments and all four movements.
$24.99 ≈
¥181.41
Etude in G
Etude in G
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Classique
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E
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Etude in G
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Terry Berry Music
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 5 - Interactive Download SKU: A0.1037641 Composed by E. V. Martinez. This edition: Interactive Download. Classi...
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Acoustic Guitar,Instrumental Solo - Level 5 - Interactive Download SKU: A0.1037641 Composed by E. V. Martinez. This edition: Interactive Download. Classical. Individual part. 8 pages. Duration 142. Terry Berry Music #7jd167FZZ4UAV6DUrWcslL. Published by Terry Berry Music (A0.1037641). Key: G major.A classical guitar solo for high intermediate or advanced guitarist.
$2.99 ≈
¥21.70
Divertimento in G Major H 642
Divertimento in G Major H 642
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Classique
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Bach, C P E
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Divertimento in G Major H 642
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Brett Thompson
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Guitar,Harpsichord,Viola,Violin - Level 5 - SKU: A0.851555 Composed by Bach, C P E. Arranged by Brett Thompson (Four ...
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Small Ensemble Bassoon,Cello,Flute,Guitar,Harpsichord,Viola,Violin - Level 5 - SKU: A0.851555 Composed by Bach, C P E. Arranged by Brett Thompson (Four and Twenty Music). Baroque. Score and parts. 32 pages. Brett Thompson #6794389. Published by Brett Thompson (A0.851555). Four and Twenty Music is very proud to present this new edition. The Divertimento in G H642 (a Flute Quartet with Basso Continuo) is hitherto unpublished. Its archive in Berlin was hidden during the Second World War to protect it from allied bombing, sequestered by USSR forces in 1945, and was long thought to have been lost or destroyed.The archive was discovered in Kyiv, Ukraine in 1999, returned to Berlin in 2001, and deposited in the Staatsbibliothek.This edition has remained faithful to Bach’s manuscript with a few minor alterations for inconsistencies with articulations and dynamics. A realisation for the Basso has been included for keyboard and also guitar.
$34.95 ≈
¥253.71
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe d’amor
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore - Level 5 - SKU: A0.955163 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Individua...
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Instrumental Solo,Oboe d'Amore - Level 5 - SKU: A0.955163 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Individual part. 39 pages. Chamber Ensemble of Minnesota, Inc. #5884093. Published by Chamber Ensemble of Minnesota, Inc. (A0.955163). Oboe d’amore solo part and full score of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$9.00 ≈
¥65.33
Music for Three Treble Instruments Collection No. 2 Wedding & Classical Favorites 58002
Music for Three Treble Instruments Collection No. 2 Wedding & Classical Favorites 58002
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Daniel Kelley
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Daniel Kelley
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Music for Three Treble Instrum
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Last Resort Music Publishing
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SheetMusicPlus
Cello,Clarinet,Flute,Oboe,Viola,Violin - Level 5 - SKU: A0.1109470 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Ba...
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Cello,Clarinet,Flute,Oboe,Viola,Violin - Level 5 - SKU: A0.1109470 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Romantic Period,Wedding. 52 pages. Last Resort Music Publishing #711892. Published by Last Resort Music Publishing (A0.1109470). 8 Arrangements including works by Delibes, Handel, Saint-Saens, Vivaldi and more! The following 6 parts are included in this digital set: Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or Violin Part 2 Clarinet in BbPart 3 Violin in C Part 3 ViolaPart 3 Clarinet in BbExtra Parts available as separate sPart 1 Clarinet in Bb (Makes a clarinet trio) Part 3 Alto Flute in G (Makes a flute trio) Part 3 English Horn or French Horn in F (Makes a mixed trio or Double Reed trio) Score (Parts 1 - 3 in C)Â TABLE OF CONTENTSAllegro from Concerto in E Major, Op. 8 #1 Spring (Vivaldi)Bourree from The Fireworks Music (Handel)Flower Duet from Lakme (Delibes)Fossils from Carnival of the Animals (Saint-Saens)Largo from Xerxes (Handel)Ode to Joy from Symphony No. 9 (Beethoven)Rejouissance, La from the Fireworks Music (Handel)Rondeau from Incidental Music to Abdelazer (Purcell) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music PublishingÂ
$22.00 ≈
¥159.70
Siegfried's Funeral Music (Götterdämmerung)
Siegfried's Funeral Music (Götterdämmerung)
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Nigel Simmons
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Nigel Simmons
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Set of Parts.
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Siegfried's Funeral Music
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Hepplewhite Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1205891 By Nigel Simmons. By Richard Wagner. Arranged by Nigel Simmons. 19th Century,Classical,Opera,Romantic Period. Brass Band. 50 pages. Hepplewhite Music #804082. Published by Hepplewhite Music (A0.1205891). Arrangement for Brass BandFull Score & Set of Parts.
$40.00 ≈
¥290.37
Quintet
Quintet
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Joerg Widmann
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Quintet
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Schott Music - Digital
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SheetMusicPlus
Oboe, clarinet in A, bassoon, horn and piano - difficult - SKU: S9.Q6559 For oboe, clarinet in A, horn, bassoon and piano. Composed by Joerg Widm...
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Oboe, clarinet in A, bassoon, horn and piano - difficult - SKU: S9.Q6559 For oboe, clarinet in A, horn, bassoon and piano. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 22 minutes. Schott Music - Digital #Q6559. Published by Schott Music - Digital (S9.Q6559). Widmann's Quintet is a deliberate tribute to Mozart's work for the same instrumentation (KV 452), both of which can be easily combined. In contrast to Mozart's classical forms of movements, Widmann composed 18 short miniatures some of which bear evocative titles while others bear musical-theoretical titles (e.g. 'Verwunschener Garten' (Enchanted Garden) or 'Kontrapunktische Studie' (Contrapuntal Study]). Traditional and contemporary playing techniques alternate in the musical texture. Therefore, in conjunction with the pointed style, this piece is also suitable for demanding educational purposes.
$57.99 ≈
¥420.96
Se Florindo è fedele ( Extract from Aria Antiche, Vol. 1 )
Se Florindo è fedele ( Extract from Aria Antiche, Vol. 1 )
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Classique
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Alessandro Scarlatti
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Terry Carpenter
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Se Florindo è fedele
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Terry Carpenter
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Voice - Level 5 - SKU: A0.1206227 Composed by Alessandro Scarlatti. Arranged by Terry Carpenter. Baroque. 12 pages. Te...
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Acoustic Guitar,Instrumental Duet,Voice - Level 5 - SKU: A0.1206227 Composed by Alessandro Scarlatti. Arranged by Terry Carpenter. Baroque. 12 pages. Terry Carpenter #804424. Published by Terry Carpenter (A0.1206227). For voice and classical guitarTranscription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords placed on the lead. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire!N.B. I advise you to listen to Cecilia Bartoli's version.The guitar part is difficult because the key of Ab is not convenient in first position. To play the chords, place a capodastre in the first fret. If you play chords, Â read them a minor second below. For example: Ab becomes G, Eb becomes DThe mp3 was made by musical software.
$4.99 ≈
¥36.22
Missa brevis "Surrexit Christus"
Missa brevis "Surrexit Christus"
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Enjott Schneider
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Missa brevis "Surrexit Ch
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Schott Music - Digital
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SheetMusicPlus
3 voices (S/S/A) or children's choir (female choir) and organ - advanced - SKU: S9.Q11757 Composed by Enjott Schneider. This edition: score. Downloadabl...
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3 voices (S/S/A) or children's choir (female choir) and organ - advanced - SKU: S9.Q11757 Composed by Enjott Schneider. This edition: score. Downloadable, Score. Duration 10 minutes. Schott Music - Digital #Q11757. Published by Schott Music - Digital (S9.Q11757). Latin.Enjott Schneider's 'Missa brevis' is based on the medieval Easter chorale 'Surrexit Christus Hodie' the headline of which shapes the melody line like a signature. The basic air is characterized by a ternary rhythm and Easter rejoicing. The mass can be sung throughout the entire year, whenever a cheerful and constructive mood is required in liturgy, and can be performed by a children's choir (girls' choir, boys' choir) or a women's choir, but also soloistically in all variants (e.g. even solo soprano, solo contralto and choir). The organ part is played on three manuals, but can also be performed on a one-manual organ.
$15.99 ≈
¥116.07
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
¥217.41
Asiago
Asiago
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Bertold Hummel
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Asiago
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Schott Music - Digital
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SheetMusicPlus
Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraph...
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Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraphon percussion and cello - difficult - SKU: S9.Q6118 For Percussion and Violoncello. Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 107 b. Duration 16 minutes. Schott Music - Digital #Q6118. Published by Schott Music - Digital (S9.Q6118). In summer 2001, Bertold Hummel composed the present work as a commission for the Asiago Festival and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works.Asiago is an effective examination of the wide range of possible tonal combinations between percussion instruments and the mystic and sensuous colouring of the violoncello, in which the string instrument is at times treated percussively and the percussion instruments in the manner of a string instrument. Furious rhythms alternate with meditative passages and choral fragments culminate in a large-scale cadenza in which the instrumentalists have the opportunity of free improvisation on the basis of specified models.
$19.99 ≈
¥145.11
It Is Well With My Soul
It Is Well With My Soul
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Folklorique/Traditionel
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Horatio G
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Rich Heffler
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It Is Well With My Soul
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Alto Sax and piano - Grade 5 - SKU: DX.W29116AX Composed by Horatio G. Spafford. Arranged by Rich Heffler. Key of G. Traditional. Score and part. 4 page...
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Alto Sax and piano - Grade 5 - SKU: DX.W29116AX Composed by Horatio G. Spafford. Arranged by Rich Heffler. Key of G. Traditional. Score and part. 4 pages. David E. Smith - Digital Sheet Music #W29116AX. Published by David E. Smith - Digital Sheet Music (DX.W29116AX). Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.
$5.50 ≈
¥39.93
It Is Well With My Soul
It Is Well With My Soul
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Folklorique/Traditionel
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Horatio G
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Rich Heffler
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It Is Well With My Soul
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Tenor Sax and piano - Grade 5 - SKU: DX.W29116TX Composed by Horatio G. Spafford. Arranged by Rich Heffler. Key of G. Traditional. Score and part. 4 pag...
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Tenor Sax and piano - Grade 5 - SKU: DX.W29116TX Composed by Horatio G. Spafford. Arranged by Rich Heffler. Key of G. Traditional. Score and part. 4 pages. David E. Smith - Digital Sheet Music #W29116TX. Published by David E. Smith - Digital Sheet Music (DX.W29116TX). Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A transition becomes freer in rhythm and harmony. It then repeats back to the opening sections and then moves to the coda where the piece ends in a solemn fashion.
$5.50 ≈
¥39.93
O DULCIS VIRGO
O DULCIS VIRGO
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Gunter Scholler
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O DULCIS VIRGO
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Scholler
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.1016063 Composed by Gunter Scholler. Christian,Concert,Contemporary,Sacred. Octavo. 7 pages. Scholler #5286149...
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Choral Choir (4-Part) - Level 5 - SKU: A0.1016063 Composed by Gunter Scholler. Christian,Concert,Contemporary,Sacred. Octavo. 7 pages. Scholler #5286149. Published by Scholler (A0.1016063). Spiritual contemporary-classical Music creating unearthly sounds for professional mixed choir & stringsBig choir and String Orchestra Great music for Live-performancesmovement number 6 of R E I S E N D E D E S J A K O B S W E G E S 8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune), Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ? (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanish
$3.49 ≈
¥25.33
Away In A Manger
Away In A Manger
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Noël
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James R
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Rich Heffler
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Away In A Manger
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Tenor sax solo - Level 5 - SKU: DX.W29141TX Composed by James R. Murray. Arranged by Rich Heffler. Christmas. Sacred instrumental music. Score and parts...
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Tenor sax solo - Level 5 - SKU: DX.W29141TX Composed by James R. Murray. Arranged by Rich Heffler. Christmas. Sacred instrumental music. Score and parts. Composed 2013. 8 pages. Duration 3'25. Published by David E. Smith - Digital Sheet Music (DX.W29141TX). Key: Main key: g, c, eb, b.A Rich Heffler Music arrangement. The piece begins with a statement of Flow Gently Sweet Afton, in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato.
$5.95 ≈
¥43.19
Away In A Manger
Away In A Manger
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Noël
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James R
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Rich Heffler
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Away In A Manger
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Alto sax solo - Level 5 - SKU: DX.W29141AX Composed by James R. Murray. Arranged by Rich Heffler. Christmas. Sacred instrumental music. Score and parts....
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Alto sax solo - Level 5 - SKU: DX.W29141AX Composed by James R. Murray. Arranged by Rich Heffler. Christmas. Sacred instrumental music. Score and parts. Composed 2013. 8 pages. Duration 3'25. Published by David E. Smith - Digital Sheet Music (DX.W29141AX). Key: Main key: g, c, eb, b.A Rich Heffler Music arrangement. The piece begins with a statement of Flow Gently Sweet Afton, in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato.
$5.95 ≈
¥43.19
Kairos im Kronos 1756 / 1956
Kairos im Kronos 1756 / 1956
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Herbert Willi
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Kairos im Kronos 1756 / 1956
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Schott Music - Digital
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SheetMusicPlus
Violin, viola and cello - difficult - SKU: S9.Q6364 For string trio (2005). Composed by Herbert Willi. This edition: score and parts. Downloadabl...
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Violin, viola and cello - difficult - SKU: S9.Q6364 For string trio (2005). Composed by Herbert Willi. This edition: score and parts. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q6364. Published by Schott Music - Digital (S9.Q6364). Der Komponist verwendet unverändert das Fragment G-Dur für Streichtrio von Mozart (K.V. 562 e) und komponiert drei Sätze hinzu, von denen einer vor und zwei nach dem Fragment gespielt werden.
$22.99 ≈
¥166.89
The Heights of Macchu Picchu: Canto X11
The Heights of Macchu Picchu: Canto X11
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Mary Ann Joyce
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The Heights of Macchu Picchu:
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Mary Ann Joyce-Walter
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SheetMusicPlus
Small Ensemble Bongos,Drums,High Voice,Piano Accompaniment - Level 5 - SKU: A0.989238 Composed by Mary Ann Joyce. Concert,Contemporary. Score and parts....
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Small Ensemble Bongos,Drums,High Voice,Piano Accompaniment - Level 5 - SKU: A0.989238 Composed by Mary Ann Joyce. Concert,Contemporary. Score and parts. 12 pages. Mary Ann Joyce-Walter #6210449. Published by Mary Ann Joyce-Walter (A0.989238). The Heights of Macchu Picchu: Canto X11 (in Spanish) was written by Pablo Neruda in which he speaks to his ancestors: Yo vengo a hablar por vuestra boca muerta. (I come to speak for your dead mouths.)The poem and music are highly dramatic, torrential and full of struggle (e.g. Sharpen the knives you kept hidden away, thrust them into my breast....like an Amazon of buried jaguars....).
$4.99 ≈
¥36.22
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
¥57.71
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
¥565.85
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
¥217.41
Your Song
Your Song
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Elton John
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Wesley G
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Your Song
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Wesley Moura
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SheetMusicPlus
C Trumpet,Cello,Drums,Flute,Piano,Violin - Level 5 - SKU: A0.1148002 By Elton John. By Bernie Taupin and Elton John. Arranged by Wesley G. Moura. Broadw...
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C Trumpet,Cello,Drums,Flute,Piano,Violin - Level 5 - SKU: A0.1148002 By Elton John. By Bernie Taupin and Elton John. Arranged by Wesley G. Moura. Broadway,Folk,Musical/Show,Pop,Singer/Songwriter,Wedding. 14 pages. Wesley Moura #748197. Published by Wesley Moura (A0.1148002). Your Song é uma canção composta por Elton John (música) e Bernie Taupin (letra) em 1967. Está em seu segundo álbum, intitulado Elton John, e foi seu primeiro single nas paradas de sucesso. Arranjo feito com a seguinte formação: Flute Violino Violoncello Trumpet in C Drum Set Piano.
$49.00 ≈
¥355.70
Spanish Songs for Voice and Guitar (Obradors)
Spanish Songs for Voice and Guitar (Obradors)
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Fernando Obradors
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Kenneth Pasciak
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Spanish Songs for Voice and Gu
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Kenneth Pasciak
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SheetMusicPlus
Guitar,Instrumental Duet,Voice - Level 5 - SKU: A0.1455767 Composed by Fernando Obradors. Arranged by Kenneth Pasciak. Chamber,Classical,Romantic Period...
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Guitar,Instrumental Duet,Voice - Level 5 - SKU: A0.1455767 Composed by Fernando Obradors. Arranged by Kenneth Pasciak. Chamber,Classical,Romantic Period. 22 pages. Kenneth Pasciak #1034865. Published by Kenneth Pasciak (A0.1455767). ....................Spanish Songs features three pieces by Spanish composer Fernando Obradors: La mi sola, Laureola, Al Amor and Con amores, la mi madre, arranged for voice and classical guitar. Includes sheet music score and individual parts for voice and guitar for each piece. Lyrics in Spanish. Each song also available separately with tablature.Contents:La mi sola, Laureola in A minorVocal range = A3-D54-page score plus partsAl Amor in A minorVocal range = G4-G53-page score plus partsCon amores, la mi madre... in E minorVocal range = E4-G#53-page score plus partsKenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/....................
$10.99 ≈
¥79.78
Venetian Boat Song (Felix Mendelssohn)arr. for flute (or violin or oboe) and classical guitar
Venetian Boat Song (Felix Mendelssohn)arr. for flute (or violin or oboe) and classical guitar
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Classique
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Felix Bartholdy Mendelssohn
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John Pinno
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Venetian Boat Song
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John Pinno
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Violin - Level 5 - SKU: A0.775440 Composed by Felix Bartholdy Mendelssohn. Arranged by John Pinno. Concert,Romantic Per...
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Small Ensemble Flute,Guitar,Oboe,Violin - Level 5 - SKU: A0.775440 Composed by Felix Bartholdy Mendelssohn. Arranged by John Pinno. Concert,Romantic Period. Score and parts. 5 pages. John Pinno #3125207. Published by John Pinno (A0.775440). An arrangement of Mendelsshon's Venetian Boat Song for flute and classical guitar, from his collection of Songs Without Words.This was originally written in the key of G minor and my arrangement has the flute line in that key, and the guitar in E minor. The guitarist must use a capo at the third fret to bring the guitar part to the same key as the flute. Even though this is scored for flute and guitar, the melody line could be played by an oboe or a violin. If the high D's in m. 36, 38, and 39 are not appropriate, those could easily be played an octave lower.For any questions or comments please email John Pinno at jpinno093@hotmail.com. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$10.00 ≈
¥72.59
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