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Vous avez sélectionné:
Return To Me
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Partitions à imprimer
16 partitions trouvées
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1
Fly Me To The Moon (In Other Words)
Fly Me To The Moon (In Other Words)
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Tony Bennett
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Rita Arendz
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Fly Me To The Moon
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Rita Arendz
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1362700 By Tony Bennett. By Bart Howard. Arranged by Rita Arendz. 20th Century,Contemporary,Jazz,Standards. Brass Band. 53 pages. Rita Arendz #947088. Published by Rita Arendz (A0.1362700). FLY ME TO THE MOON by Bart Howard for Brass BandWritten in 1954 by American Jazz composer Bart Howard, Fly Me To the Moon (In Other Words) has become a standard worldwide. Â Originally sung by Kaye Ballard, it has been performed by other greats such as Frank Sinatra, Tony Bennett, Diana Krall, and Paul Anka, just to name a few.It has even crossed into other genres, such as metal rock with a cover by Mike, the Become the Knight, and played on a Gayageum by Luna Lee.This arrangement is for a British style Brass Band opening in a bel canto ballad style of Tony Bennett, continuing into the Big Band Swing Style of Sinatra, with a little bit of a jazz waltz that Fred Astaire and Ginger Rogers would have loved before returning to the Ballad style for the close.A great crowd-pleaser!Duration ~3:45 Â 53 pages.
$58.99 ≈
54.33€
One Second to the Future - Guitar Orchestra
One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00 ≈
69.08€
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performan...
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Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50 ≈
5.07€
Blackberry Mull (violin part - vln, vla, cel)
Blackberry Mull (violin part - vln, vla, cel)
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Mark O'Connor
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Blackberry Mull
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861846 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 15 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 4 - SKU: A0.861846 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 15 pages. Mark O'Connor Musik International #6203865. Published by Mark O'Connor Musik International (A0.861846). Blackberry Mull (violin part – vln, vla, cel) MO153BViolin Part (score and parts available)Music by Mark O’Connor10 pages - 8:00 minutes in length Blackberry Mull The idea for the tune originated at my Fiddle Camp in Tennessee when the old tune Blackberry Blossom was played in a jam led by fiddler Bruce Molsky. Later, during a trip to the Isle of Mull off the west coast of Scotland, the idea of the tune returned to me. I began to work on expanding the tune, reharmonizing it and reconfiguring it into a long-form piece. The world mull can mean mixing a variety of ingredients together. Suitable for both advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Public Domain Arranged by Mark O’ConnorBlackberry Mull can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO153BCopyright © 2003 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.14€
Blackberry Mull (cello part - vln, vla, cel)
Blackberry Mull (cello part - vln, vla, cel)
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Mark O'Connor
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Blackberry Mull
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861848 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 15 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 4 - SKU: A0.861848 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 15 pages. Mark O'Connor Musik International #6203869. Published by Mark O'Connor Musik International (A0.861848). Blackberry Mull (cello part – vln, vla, cel) MO153DCello Part (score and parts available)Music by Mark O’Connor10 pages - 8:00 minutes in length Blackberry Mull The idea for the tune originated at my Fiddle Camp in Tennessee when the old tune Blackberry Blossom was played in a jam led by fiddler Bruce Molsky. Later, during a trip to the Isle of Mull off the west coast of Scotland, the idea of the tune returned to me. I began to work on expanding the tune, reharmonizing it and reconfiguring it into a long-form piece. The world mull can mean mixing a variety of ingredients together. Suitable for both advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Public Domain Arranged by Mark O’ConnorBlackberry Mull can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO153DCopyright © 2003 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.14€
Blackberry Mull (score - vln, vla, cel)
Blackberry Mull (score - vln, vla, cel)
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Mark O'Connor
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Blackberry Mull
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861845 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 4 - SKU: A0.861845 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik International #6203857. Published by Mark O'Connor Musik International (A0.861845). Blackberry Mull (score – vln, vla, cel) MO153AScore (parts available)Music by Mark O’Connor15 pages - 8:00 minutes in length Blackberry Mull The idea for the tune originated at my Fiddle Camp in Tennessee when the old tune Blackberry Blossom was played in a jam led by fiddler Bruce Molsky. Later, during a trip to the Isle of Mull off the west coast of Scotland, the idea of the tune returned to me. I began to work on expanding the tune, reharmonizing it and reconfiguring it into a long-form piece. The world mull can mean mixing a variety of ingredients together. Suitable for both advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Public Domain Arranged by Mark O’ConnorBlackberry Mull can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO153ACopyright © 2003 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50 ≈
6.91€
Blackberry Mull (viola part - vln, vla, cel)
Blackberry Mull (viola part - vln, vla, cel)
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Mark O'Connor
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Blackberry Mull
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861847 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 13 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 4 - SKU: A0.861847 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 13 pages. Mark O'Connor Musik International #6203867. Published by Mark O'Connor Musik International (A0.861847). Blackberry Mull (viola part – vln, vla, cel) MO153CViola Part (score and parts available)Music by Mark O’Connor8 pages - 8:00 minutes in length Blackberry Mull The idea for the tune originated at my Fiddle Camp in Tennessee when the old tune Blackberry Blossom was played in a jam led by fiddler Bruce Molsky. Later, during a trip to the Isle of Mull off the west coast of Scotland, the idea of the tune returned to me. I began to work on expanding the tune, reharmonizing it and reconfiguring it into a long-form piece. The world mull can mean mixing a variety of ingredients together. Suitable for both advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Public Domain Arranged by Mark O’ConnorBlackberry Mull can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO153CCopyright © 2003 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.14€
PRESENTS
PRESENTS
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Contemporain
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Ryan Noakes
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PRESENTS
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Ryan Alexander Noakes
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Piano,Viola - Level 4 - SKU: A0.1073370 Composed by Ryan Noakes. Classical,Contemporary. Score and parts. 26 pages. Ryan ...
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Small Ensemble B-Flat Clarinet,Piano,Viola - Level 4 - SKU: A0.1073370 Composed by Ryan Noakes. Classical,Contemporary. Score and parts. 26 pages. Ryan Alexander Noakes #677633. Published by Ryan Alexander Noakes (A0.1073370). This piece was commissioned by the trio Triple Clef as part of their inaugural performance. The title was suggested/requested by the musicians who commissioned the piece, who wanted it to tie into the title of the concert, “Triple Clef Presentsâ€, and were quite fond of the ambiguity of the meaning. Is it presents as in multiple gifts, or as in to present? Nobody knows, not even me! This ambiguity had me thinking about other homonyms, and I became very interested in thinking about the present, as in past, present, and future. I felt the best way to be “in the present†musically speaking was through improvisation, and so this piece became based around the idea of the piano laying down a groove with the clarinet and viola getting short, “improvised†melodic lines to play over the groove (each melodic line is written out, but has an improvisatory nature to it). PRESENTS is in three sections; a slow and thoughtful section, a live and energetic “jam sessionâ€, and a return to the slower pace with a very introspective vibe.
$21.95 ≈
20.22€
The Butterfly
The Butterfly
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Contemporain
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
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Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00 ≈
11.05€
Déjeuner du matin sung in French and English with various samples (mp3)
Déjeuner du matin sung in French and English with various samples (mp3)
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David Warin Solomons
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Déjeuner du matin sung
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Sampler - Level 4 - SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Ful...
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Alto Voice,Sampler - Level 4 - SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Full Performance. Duration 249. David Warin Solomons #935190. Published by David Warin Solomons (A0.1350393). Déjeuner du matin - poem by Jacques PrévertEnglish translation by Lawrence FerlinghettiMusical improvisation on 8-track Fostex with Archimedes sequencer sung by David W Solomons with various samples (1989)using my Isaiah sequence (circular A minor arpeggio feature with bass note going down by semitones returning via a dominant 7th chord)This is best heard on headphones to get the English and French versions separately.Recently described by Howie Richey as follows:sounds like Stairway to Heaven sung by Sgt. Pepper!Yup I can see that LOLFrench and English versions:Déjeuner Du MatinIl a mis le caféDans la tasseIl a mis le laitDans la tasse de caféIl a mis le sucreDans le café au laitAvec la petite cuillèreIl a tournéIl a bu le café au laitEt il a reposé la tasseSans me parlerIl a alluméUne cigaretteIl a fait des rondsAvec la fuméeIl a mis les cendresDans le cendrierSans me parlerSans me regarderIl s'est levéIl a misSon chapeau sur la têteIl a misSon manteau de pluieParce qu'il pleuvaitEt il est partiSous la pluieSans une paroleSans me regarderEt moi, j'ai prisMa tête dans ma mainEt j'ai pleuréBreakfastHe put the coffee in the cupHe put the milk inthe cup of coffeeHe put the sugarin the café au laitWith a coffee spoon he stirred he drank the café au lait and set down the cupwithout a word to mewithout a word to mehe lit a cigarettehe made smoke ringswith the smokehe put the ashesin the ash traywithout a word to mewithout a look at mehe got uphe put his hat upon his headhe put his raincoat on because it was rainingand he left in the rainwith out a wordwithout a look at meand I ....I took my head in my hand and I cried.
$5.50 ≈
5.07€
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99 ≈
9.20€
I'll Never Be Alone
I'll Never Be Alone
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Kevin Longley
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I'll Never Be Alone
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Kevin Longley
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SheetMusicPlus
Large Ensemble Bass Guitar,Drums,Fiddle,Hand Percussion,High Voice,Medium Voice,Piano Accompaniment,Woodblock - Level 4 - SKU: A0.1019369 Composed by Ke...
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Large Ensemble Bass Guitar,Drums,Fiddle,Hand Percussion,High Voice,Medium Voice,Piano Accompaniment,Woodblock - Level 4 - SKU: A0.1019369 Composed by Kevin Longley. A Cappella,Country,Gospel,Spiritual. Score and parts. 25 pages. Kevin Longley #6536615. Published by Kevin Longley (A0.1019369). I'll Never Be AloneInspiration My mothers life; her perseverance, her faith, her love, inspired this music and continues to inspire me to this day. The Music It had been many years since I had written any country music. Soon after my mothers passing I was in the kitchen late one night when the chorus, both words and music, came to me. I quickly scribbled it onto a piece of scrap paper and then set it on my desk. A year later I went back to it and wrote thIS song. The music opens with tenors singing in three part harmony, (ie the chorus), acappella. This is followed by the A section which tells the story of my mothers life; the hardships, the joys, her faith and how God was guiding her. The A section then alternates with the chorus until a C section, bridge is introduced, which is a look ahead to her existence in the heavenly place. The music then returns to the A section which tells of her passing and how her faith became mine.
$1.99 ≈
1.83€
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
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David Warin Solomons
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David Warin Solomons: Five Poe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and part...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
$19.95 ≈
18.38€
Eulogy - Score Only
Eulogy - Score Only
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Contemporain
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Antonio Gervasoni
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Eulogy - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1088415 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 32 pages. Antonio...
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Small Ensemble - Level 4 - SKU: A0.1088415 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 32 pages. Antonio Gervasoni #692680. Published by Antonio Gervasoni (A0.1088415). Three-movement work for soprano, clarinet and piano. Eulogy is a piece dedicated to the memory of my dear friend Rafael Salazar. I met Rafael in 1994, when I was invited to take the position of guest pianist (I was already an alumnus) in my high school orchestra, where he played the violin. I was seven years his senior, but that didn't stop us from forging a great friendship. He played my music in many other occasions. He grew up and matured, became a loving husband, father, and successful attorney. He was always available, always ready to lend a hand, genuinely concerned for the well-being of other people and for the future of our country. He was always there for me and for all his friends and I have lost count of all the times he offered me his help, without expecting anything in return. In November 2019, at age 39, he was diagnosed with cancer. Despite all our hopes and his great will to live, he passed away on April 18, 2020. He now visits me in my dreams and sometimes, when I realize that I'm dreaming, I give him a big hug. Rest in peace my friend. I'll miss you a lot.
$8.99 ≈
8.28€
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
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Contemporain
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. ...
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Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00 ≈
17.50€
Sanctus, Benedictus and Agnus Dei (with major 7th) for ATB choir and guitar (mp3)
Sanctus, Benedictus and Agnus Dei (with major 7th) for ATB choir and guitar (mp3)
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András Csáki
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Sanctus, Benedictus and Agnus
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David Warin Solomons
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SheetMusicPlus
Choir,Guitar - Level 4 - SKU: A0.1387480 By András Csáki (guitar) and Budapest Scoring Singers. By David Warin Solomons. Contemporary,Religious,Sa...
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Choir,Guitar - Level 4 - SKU: A0.1387480 By András Csáki (guitar) and Budapest Scoring Singers. By David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 419. David Warin Solomons #971335. Published by David Warin Solomons (A0.1387480). Recently rediscovered work of mine from 1975 - with special thanks to Nigel Warner for discovering and returning my manuscript and to Alexandr Burikov for entering it on Finale notation for me. Sanctus, sanctus, sanctusDominus Deus SabbaothSanctus Sanctus Dominus SanctusPleni sunt caeli et terra gloria TuaOsanna in excelsisBenedictus qui venit in nomine DominiOsanna in excelsis.Agnus Dei qui tollis peccata mundiMiserere nobisAgnus Dei qui tollis peccata mundiDona nobis pacemAmen(Holy, holy holyLord God of HostsHoly holy Lord holyHeaven and earth are full of your gloryHosanna in the highestBlessed is he who comes in the name of the LordHosanna in the highestLamb of God who takes away the sins of the worldHave mercy on usLamb of God who takes away the sins of the worldGive us peaceAmen)Performed by:Altos -  Nagy Bernadett and Viola ThurnayTenors - Lajos Fodré and Péter Mészáros Basses -  Ãkos Borka and Béla Silló György Guitar - András Csáki.
$7.50 ≈
6.91€
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Return To Me
