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Dvorák, Anton
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Non classifié 58

Piano & claviers
Piano, Voix 81
Piano seul 59
Accompagnement Piano 9
Piano Facile 8
1 Piano, 4 mains 2

2 Pianos, 4 mains 2
Orgue, Trompette (duo) 2
Orgue 1
Piano Trio: piano, violon, violoncelle 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 4
Ukulele 1
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale 2 parties 5
Chorale SATB 5
Chorale 3 parties 4
Voix duo, Piano 2
Voix duo 1

Vents
Clarinette (partie séparée) 44
Saxophone (partie séparée) 30
Flute (partie séparée) 15
Quatuor de Saxophones: 4 saxophones 13
Flûte traversière et Piano 12

Hautbois (partie séparée) 12
Quatuor de Clarinettes: 4 clarinettes 12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 10
Saxophone Soprano et Piano 9
Quatuor de Flûtes : 4 flûtes 8
Hautbois 8
Flûte et Guitare 8
Clarinette et Piano 7
Saxophone Alto et Piano 7
Flûte, Hautbois, Clarinette, Basson 6
Hautbois, Piano (duo) 6
2 Saxophones (duo) 5
3 Saxophones (trio) 4
Flûte traversière 3
Ensemble de saxophones 3
Saxophone Tenor et Piano 3
Ensemble de Clarinettes 3
Clarinette 2
Piccolo 2
3 Clarinettes (trio) 2
Cor anglais, Piano 2
Flûte, Clarinette (duo) 2
Quintette de Clarinettes: 5 clarinettes 2
Ensemble de Flûtes 1
2 Flûtes traversières (duo) 1
Saxophone Baryton, Piano 1

Clarinette, Basson (duo) 1
Harmonica 1
Clarinette Basse, Piano 1
2 Flûte à bec (duo) 1

+ 30 instrumentations

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Cuivres
Trombone (partie séparée) 40
Cor (partie séparée) 24
Trompette (partie séparée) 17
Tuba (partie séparée) 16
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9

Trompette, Piano 9
Trombone et Piano 7
Cor et Piano 7
Cor 4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trompette, Trombone (duo) 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Trompette, Cor (duo) 3
Cor anglais, Piano 2
Trompette 2
Euphonium, Piano (duo) 2
Quatuor de cuivres: 2 trompettes, 2 trombones 1
2 Cors (duo) 1
Tuba et Piano 1
Quatuor de cuivres: 4 trombones 1
Trompette, Euphonium (duo) 1
Tuba 1

+ 17 instrumentations

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Cordes
Violon (partie séparée) 52
Alto seul 22
Violoncelle (partie séparée) 22
Contrebasse (partie séparée) 22
Quatuor à cordes: 2 violons, alto, violoncelle 20

Violoncelle, Piano 11
Violon et Piano 10
Alto, Piano 7
Violon, Violoncelle (duo) 6
Trio à cordes 4
4 Violoncelles 3
Alto (partie séparée) 2
Contrebasse, Piano (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
Piano Trio: Violon, Alto, Piano 1
Quatuor à cordes: 4 violons 1
Violoncelle 1
Violon 1

+ 13 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 75
Orchestre à Cordes 25
Orchestre 22
Percussion (partie séparée) 17
Timbales (partie séparée) 14

Percussion 4
Ensemble de cuivres 2
Orchestre, Violon 1
Ensemble Jazz 1
Orchestre de chambre 1

+ 5 instrumentations

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Dvorák, Anton

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Saxophone Baryton, Piano

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DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano

DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano #Saxophone Baryton, Piano #FACILE #Classique #Antonin Dvorak #James M #dynamic control #DvoÅ™ák: Largo from #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...(+)

Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. DvoÅ™Ã¡k Background AntonÃn DvoÅ™Ã¡k (1841 â€“1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia). Â DvoÅ™Ã¡k relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame DvoÅ™Ã¡k was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to DvoÅ™Ã¡k in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed DvoÅ™Ã¡k to the publisher Simrock. Later, the publisher commissioned DvoÅ™Ã¡k to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, DvoÅ™Ã¡k's worldwide status was launched. International Status DvoÅ™Ã¡k visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed DvoÅ™Ã¡k as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, DvoÅ™Ã¡k composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â

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