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A Mother's Love
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Vous avez sélectionné:
A Mother's Love
Chorale TTBB
Partitions à imprimer
7 partitions trouvées
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1
Can't Help Falling In Love
Can't Help Falling In Love
#
Chorale TTBB
#
Mariage/Ballade
#
Rock
#
Elvis Presley
#
Jonathan Kilhams
#
Can't Help Falling In Love
#
Jonathan Kilhams
#
SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octa...
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Choral Choir (TTBB) - SKU: A0.943042 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jonathan Kilhams. Rock. Octavo. 9 pages. Jonathan Kilhams #4798035. Published by Jonathan Kilhams (A0.943042). About the piece Can't Help Falling in Love is a 1961 song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. (The melody is based on Plaisir d'amour, a popular French love song composed in 1784 by Jean-Paul-Égide Martini). The song was initially written for a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you. Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. During the following four decades, it has been recorded by numerous other artists, including Bob Dylan on his 1973 album Dylan, Tom Smothers, Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the U.S. and UK charts. Elvis Presley's version of the song topped the British charts in 1962, spending four weeks at no. 1. The single is certified Platinum by the RIAA, for US sales in excess of one million copies. In the United States, the song peaked at No. 2 on the US Billboard Hot 100 behind Joey Dee and the Starliters' Peppermint Twist and went to No. 1 on the Adult Contemporary chart for six weeks.About the arrangement This arrangement was inspired by the Elvis Presley version in 1962 and also the Pentatonix version recorded in 2017. It has been arranged for choirs that like to perform off by heart as the verse and chorus harmony are the same with very slight additions. The arrangement is for TTBB and piano and my thanks must go to Gareth Giles (pianist, organist, composer and arranger) who helped create the piano part for this arrangement. Duration: 3 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00 ≈
£3.93
Mother-in-law
Mother-in-law
#
Chorale TTBB
#
INTERMÉDIAIRE
#
Pop musique
#
Allen Toussaint
#
Christopher Alexander
#
Mother-in-law
#
Christopher Alexander
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.839883 Composed by Allen Toussaint. Arranged by Christopher Alexander. Pop. 16 pages. Christopher Alexand...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.839883 Composed by Allen Toussaint. Arranged by Christopher Alexander. Pop. 16 pages. Christopher Alexander #6065469. Published by Christopher Alexander (A0.839883). Do you want your boys to have fun singing? Use this arrangement of the 1960s doo-wop hit by Ernie K. Doe for your men's chorus. We do love all of our mothers-in-law, so this song should be performed as only a joke.
$2.50 ≈
£1.97
O Come to the Stable
O Come to the Stable
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Chorale TTBB
#
FACILE
#
John van Gulik
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John van Gulik
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O Come to the Stable
#
John van Gulik
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244634 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Holiday,Religious. Octavo. 1...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244634 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Holiday,Religious. Octavo. 17 pages. John van Gulik #839588. Published by John van Gulik (A0.1244634). A simple setting to an original text by John van Gulik, this is arranged for 4 part men's choir. Suitable for Christmas concertsO come to the stable, O come to the BabeSee there in a manger, The Holy One is laid.O come to the stable, O come to the BabeA child like no other, A message of loveSinging Gloria in Excelcis, On a cold winter's breezeAngels guided the shepherds, To fall on their kneesO come to the stable. Whisper softly to findHis mother now resting, Sleeping Saviour of manThe wise men from asia, Being led by a starA call to come worship, The King of heaven's SonThe prophets of old days, Spoke a message of loveAnd mercy for all man, The Messiah has comeFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00 ≈
£1.57
Candlelight Carol
Candlelight Carol
#
Chorale TTBB
#
John Rutter
#
Candlelight Carol
#
Oxford University Press Digital
#
SheetMusicPlus
SKU: OX.9780193571020 Composed by John Rutter. Score. 10 pages. Oxford University Press Digital #9780193571020. Published by Oxford University Press Dig...
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SKU: OX.9780193571020 Composed by John Rutter. Score. 10 pages. Oxford University Press Digital #9780193571020. Published by Oxford University Press Digital (OX.9780193571020). ISBN 9780193571020.For TTBB and organ. Inspired by Geertgen's painting Nativity at Night, Candlelight Carol centres around the love of a mother on that first night in the stable. This carol is available in its original version for mixed voices and also for upper voices. Offprinted from John Rutter Choral Works for TTBB choirs.
$3.65 ≈
£2.87
Det förlorade paradiset
Det förlorade paradiset
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Chorale TTBB
#
Kjell Perder
#
Det förlorade paradiset
#
Bo Ejeby Forlag - Digital
#
SheetMusicPlus
SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beet...
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SATB chorus and reciter - SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
$6.40 ≈
£5.04
In My Room
In My Room
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
The Beach Boys
#
Donald A
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In My Room
#
Donald A Mills
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
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