Partitions Numériques de Sacred pour 2 Flûtes, 2 Clarinettes (Quatuor)

Sacred

Sacred

He Is Born The Divine Christ Child
He Is Born The Divine Christ Child #2 Flûtes, 2 Clarinettes (Quatuor) #INTERMÉDIAIRE #Noël #French carol #Dana F #He Is Born The Divine Christ C #David E. Smith #SheetMusicPlus

By French carol. Arranged by Dana F. Everson. For Woodwind quartet. Sacred instrumental music. Bb, Eb. Christmas. Level 3. Score and parts. Duration 2'45 . Publ...(+)

By French carol. Arranged by Dana F. Everson. For Woodwind quartet. Sacred instrumental music. Bb, Eb. Christmas. Level 3. Score and parts. Duration 2'45 . Published by David E. Smith
A woodwind quartet score for two flutes, two clarinets and piano in a jubilant fashion. The piece starts out with a flute solo then in flute/clarinet responsorals. The piece continues to gain more flavor through rhythmic activity leading up to an exuberan.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Woods Only. Baroque, Easter, Instructional, Sacred, World. 7 pages. Woods Only Music #6384923. Published by Woods Only Music

Come, Thou Long-Expected Jesus
Come, Thou Long-Expected Jesus #2 Flûtes, 2 Clarinettes (Quatuor) #INTERMÉDIAIRE #Noël #Musique Sacrée #Charles Wesley #Douglas Smith #Come, Thou Long-Expected Jesus #David E. Smith - Digital Sheet Music #SheetMusicPlus

Composed by Charles Wesley. Arranged by Douglas Smith. Christmas. Sheet Music. Sacred instrumental music. Score and parts. 13 pages. David E. Smith - ...(+)

Composed by Charles Wesley. Arranged by Douglas Smith. Christmas. Sheet Music. Sacred instrumental music. Score and parts. 13 pages. David E. Smith - Digital Sheet Music #130409. Published by David E. Smith - Digital Sheet Music
A Woodwind quartet for two flutes and 2 clarinets. An introduction using unrelated material leads the tune presented in voice two, supported by harmonies in the lower voices, then an obbligato-like motion added by the upper voice. A modulation upward makes room for a duet in the upper lines, later joined by the lower voices in a contrapuntal fashion. The final section becomes more vigorous and imitative until a solid, declamatory ending.