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Vous avez sélectionné:
Sam M
expert
Orchestre
Partitions à imprimer
7 partitions trouvées
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1
I'm Every Woman
I'm Every Woman
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Orchestre
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AVANCÉ
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Whitney Houston
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Daryl McKenzie
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I'm Every Woman
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1232940 By Whitney Houston. By Nickolas Ashford and Valerie Simpson. Arranged by Daryl McKenzie. Film/TV,Pop. Score a...
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Full Orchestra - Level 5 - SKU: A0.1232940 By Whitney Houston. By Nickolas Ashford and Valerie Simpson. Arranged by Daryl McKenzie. Film/TV,Pop. Score and Parts. 156 pages. Daryl McKenzie #828567. Published by Daryl McKenzie (A0.1232940). Arranged in the style of Whitney Houston for Vocal with Pops Orchestra (Voice, 2Fl/Picc, 2 Ob/Cor, 2Cl/BCl, 2Bsn, 5 Saxes, 4Hn, 4Trpt, 4Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Hp, Vln1, Vln2, Vla, Vcl, CB) Key of F (a 3rd lower than Whitney Houston)Note: Playable without SaxesAudio demo (Sibelius sounds): Click hereSame arrangement in the Key of Ab (whitney key) also available: search hereThis arrangement performed by Nicole Henry and the Pasadena Symphony PopsMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99 ≈
$136.60
Darker America
Darker America
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Orchestre
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AVANCÉ
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Contemporain
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William Grant Still
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John M
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Darker America
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1385407 By William Grant Still. By William Grant Still. Arranged by John M. Laverty. 20th Century,Classical. 118 page...
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Full Orchestra - Level 5 - SKU: A0.1385407 By William Grant Still. By William Grant Still. Arranged by John M. Laverty. 20th Century,Classical. 118 pages. Zephyrwindmusic.com #969388. Published by zephyrwindmusic.com (A0.1385407). For full orchestra, edited by John M. Laverty. American composer William Grant Still (1895-1978) wrote Darker America in 1924, the same year George Gershwin wrote Rhapsody in Blue. It is one of numerous works written in the 1920s to incorporate elements of American jazz and blues. This edition is updated to meet 21st Century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form â?? printed on paper â?? or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 FlutesOboeEnglish Horn2 Clarinets in B-ï¬?at2 BassoonsHorn in FTrumpet in B-ï¬?atTrombonePercussionPianoStrings.
$50.00 ≈
$68.31
Shadowland
Shadowland
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Orchestre
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AVANCÉ
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Film/TV
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Hans Zimmer, Lebo M, and Mark
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Brian Strohmetz
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Shadowland
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Brian Strohmetz
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultura...
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Full Orchestra - Level 5 - SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultural,Musical/Show,World. Score and parts. 71 pages. Brian Strohmetz #633740. Published by Brian Strohmetz (A0.1030571). For Orchestra, Solo Vocalist and Choir Shadowland is a song written by Lebo M., Hans Zimmer and Mark Mancina for the musical The Lion King (1997), a stage adaptation of Disney's 1994 animated film of the same name. Based on the song Lea Halalela (Holy Land), a track featured on Lebo's Lion King-inspired concept album Rhythm of the Pride Lands (1995), Lebo composed the track with Zimmer, while both Lebo and Mancina contributed new lyrics to its melody. Lebo based the song's lyrics on his own experiences having been exiled from South Africa during apartheid, therefore imbuing Shadowland with themes about refugeeism and survival. Originally performed by Trinidadian-American singer and actress Heather Headley as Nala, and South African actress Tsidii Le Loka as Rafiki, roles both performers originated on stage, Shadowland narrates Nala's decision to leave the Pride Lands in search of a more habitable environment upon realizing that her homeland has grown dry and barren in the midst of Scar's reign. Taking place shortly after Nala rejects Scar's romantic advances, director Julie Taymor used the song to develop Nala into a stronger character for the stage adaptation, and identified Shadowland as her favorite among the production's original songs, believing its message and themes to be universal. Musically, Shadowland is a soul power ballad. Sung in both English and African languages, its instrumentation combines African percussion with European orchestration to create a more exotic sound while accompanying pop vocals and African chants; some critics have observed political themes such as feminism, injustice and the ecosystem throughout the song's lyrics. Shadowland has been mostly positively received by music and theatre critics; both Headley and actresses who replaced her in subsequent productions of the musical have been praised for their vocals and performances.
$74.99 ≈
$102.45
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50 ≈
$43.03
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
$27.32
Feeling Good
Feeling Good
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Orchestre
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AVANCÉ
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Michael Buble
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Daryl McKenzie
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Feeling Good
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1107458 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Daryl McKenzie. Broadway,Jazz,Musical/Sh...
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Full Orchestra - Level 5 - SKU: A0.1107458 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Daryl McKenzie. Broadway,Jazz,Musical/Show,Standards. Score and parts. 89 pages. Daryl McKenzie #710119. Published by Daryl McKenzie (A0.1107458). Arranged in the style of Michael Buble or Vocal with Pops Orchestra - Voice, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Bbm/Bm/Cm Note this arrangement will work with Woodwinds only (No Saxes), Saxes only (No Woodwinds or F Horns) or with both. Full audio demo (sibelius sounds): https://bit.ly/3S4Bc8w Same arrangement in the keys of Ebm/Em/Fm or Gm/G#m/Am also available: https://bit.ly/3qFBWp1 More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99 ≈
$136.60
909 Bryce (Nostalgia)
909 Bryce (Nostalgia)
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Orchestre
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AVANCÉ
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Contemporain
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Juan C
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909 Bryce
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Juan C. Davila
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.890935 Composed by Juan C. Davila. Contemporary. Score and parts. 63 pages. Juan C. Davila #3047891. Published by Jua...
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Full Orchestra - Level 5 - SKU: A0.890935 Composed by Juan C. Davila. Contemporary. Score and parts. 63 pages. Juan C. Davila #3047891. Published by Juan C. Davila (A0.890935). This composition was written for full orchestra. It's based on my childhood home. I'm pretending to go back in time through a portal to relieve happy memories with my family at 909 Bryce. My adventures are relived vividly throughout the piece until the end when I have to return back home to the present through the same portal. In real life, my family was forced out of this house for falling behind in payments. The house still stands at 909 Bryce much older and worn out but my memories remain happy and nostalgic.
$14.99 ≈
$20.48
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