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Edward German
Non classifié
23
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Vous avez sélectionné:
Edward German
CHORALE - CHANT
Partitions à imprimer
18 partitions trouvées
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1
German-Bird of Blue,in E flat Major
German-Bird of Blue,in E flat Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Sir Edward German
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OSM Press
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German-Bird of Blue,in E flat
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1389753 Composed by Sir Edward German. Arranged by OSM Press. Classical. Score. 5 pages. Open Cloud #973349. Publi...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1389753 Composed by Sir Edward German. Arranged by OSM Press. Classical. Score. 5 pages. Open Cloud #973349. Published by Open Cloud (A0.1389753).
$3.99 ≈
3.72€
Glorious Devon!
Glorious Devon!
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Chorale SATB
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INTERMÉDIAIRE
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Sir Edward German
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Jane Anderson-Brown
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Glorious Devon!
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Jane Anderson-Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1165007 Composed by Sir Edward German. Arranged by Jane Anderson-Brown. 19th Century,Historic,Patriotic. Octavo....
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Choral Choir (SATB) - Level 3 - SKU: A0.1165007 Composed by Sir Edward German. Arranged by Jane Anderson-Brown. 19th Century,Historic,Patriotic. Octavo. 10 pages. Jane Anderson-Brown #765356. Published by Jane Anderson-Brown (A0.1165007). Glorious Devon! a song composed by Edward German with words by Harold Boulton. Arranged for SATB chorus with optional piano accompaniment.A light hearted celebration of one of England's counties. It is my home county!
$1.99 ≈
1.85€
Lyrical Songs
Lyrical Songs
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Voix basse, Piano
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Edward MacDowell
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Lyrical Songs
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Schott Music - Digital
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SheetMusicPlus
Low voice and piano - easy to intermediate - SKU: S9.Q11710 Composed by Edward MacDowell. This edition: Sheet music. Downloadable. Duration 8 minutes, 3...
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Low voice and piano - easy to intermediate - SKU: S9.Q11710 Composed by Edward MacDowell. This edition: Sheet music. Downloadable. Duration 8 minutes, 30 seconds. Schott Music - Digital #Q11710. Published by Schott Music - Digital (S9.Q11710). German • English.The American composer and pianist Edward MacDowell (1860 1908) is rather unknown in Europe although he had his artistic roots there for he was trained as a pianist in Paris, Stuttgart, Wiesbaden and Frankfurt. After returning to his home country, he worked as a teacher while also being the director of the Boston Symphony Orchestra for eight years. During his studies in Germany, the musician already began to compose songs (with German texts), still in the European tradition. From 1886 he used English lyricism as a basis and preferred a sparing, yet expressive accompaniment of the piano. In his last songs, he placed special emphasis on the declamatory aspect of the text and expanded the harmonic range of his tonal language. Of his 42 solo songs, the present volume contains six titles from three of his song collections: Composed or printed for the first time between 1890 and 1898, these songs are a representative selection from MacDowell's important middle creative period and, without doubt, a valuable addition to the song repertoire.
$11.99 ≈
11.17€
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19 ≈
2.04€
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19 ≈
2.04€
Die See Steht Nimmer Still (The Sea Is Never Still)
Die See Steht Nimmer Still (The Sea Is Never Still)
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Chorale SATB
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AVANCÉ
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Edward David Zeliff
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Die See Steht Nimmer Still
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Edward David Zeliff
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.888255 Composed by Edward David Zeliff. Contemporary. Octavo. 12 pages. Edward David Zeliff #4765865. Published ...
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Choral Choir (SATB) - Level 5 - SKU: A0.888255 Composed by Edward David Zeliff. Contemporary. Octavo. 12 pages. Edward David Zeliff #4765865. Published by Edward David Zeliff (A0.888255). This piece is a choral adaptation of an art song setting for soprano and piano of an original text in German contemplating the nature of the ever powerful ocean. The gentleman who wrote the original poetry did so in response to observing the waves breaking upon a rocky shoreline. There is an English text under the German that is a literal and exact translation of the original language and is so well worked out that the same exact music serves the text in both languages with syllabic stress and placement of words in the sentence. Thus it may be sung in either German or English with equal effect. This choral version is an enrichment of the vocal texture but with harmonic language derived from the original piano accompaniment. The piano accompaniment is identical to that of the art song and is somewhat challenging. The choral parts are not terribly difficult, but the difficulty is enhanced somewhat when sung in German. The constant ebb and flow of the sea as well as its power and majesty and mystery are evoked in this richly harmonic and strikingly melodic music.
$2.00 ≈
1.86€
An die Musik
An die Musik
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Chorale 3 parties
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Geoffrey Edwards
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An die Musik
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Heritage Music Press
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SheetMusicPlus
SSA choir, Piano - SKU: LX.15-3775H To Music. Arranged by Geoffrey Edwards. General. Octavo. 8 pages. Heritage Music Press #e15/3775H. Published ...
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SSA choir, Piano - SKU: LX.15-3775H To Music. Arranged by Geoffrey Edwards. General. Octavo. 8 pages. Heritage Music Press #e15/3775H. Published by Heritage Music Press (LX.15-3775H). ISBN 9780787770242.Geoffrey Edward’s arrangement of the Schubert classic features easy-to-learn vocal parts for all voices. The score includes both German and English lyrics and is written in a comfortable D-flat major. This wonderful foreign-language concert selection is ideal for March Music-in-Our-Schools performances.
$2.40 ≈
2.24€
Orpheus Behind the Wire
Orpheus Behind the Wire
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Hans Werner Henze
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Orpheus Behind the Wire
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSSAAATTTBBB) - SKU: S9.Q9188 Poems by Edward Bond. Composed by Hans Werner Henze. This edition: choral score. Schott Chamber Choir....
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Mixed choir (SSSAAATTTBBB) - SKU: S9.Q9188 Poems by Edward Bond. Composed by Hans Werner Henze. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 17 minutes. Schott Music - Digital #Q9188. Published by Schott Music - Digital (S9.Q9188). German • English.Edward Bond hat für das Programmheft der Stuttgarter Uraufführung des Tanzdramas Orpheus am 17. März 1979 anstelle eines Essays eine Anzahl von Gedichten geschrieben, die als Marginalien zu seinem visionären Ballett-Libretto zu verstehen sind. Für den Chorzyklus hat er noch einige weitere Gedichte hinzugefügt. Ich habe aus beiden Materialien eine Auswahl getroffen und sie im Sommer 1983 während eines langen Lehraufenthaltes in Tanglewood, Mass., in Musik gesetzt, mit Ausnahme von zwei Sätzen, die schon existierten, und von denen 'Epitaph' 1982 in Kindberg, Steiermark, als Teil eines Requiems für den Arbeiterdichter Walter Buchebner durch den ORF-Chor uraufgeführt wurde, während das andere 'Pressed by the weight of...' durch den Chor der Musikhochschule Köln als Zeil einer von AIDA organisierten Solidaritätskundgebung für die argentinischen desaparecidos aufgeführt wurde. - Hans Werner Henze.
$16.99 ≈
15.83€
Orpheus
Orpheus
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Heinrich Poos
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Orpheus
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Schott Music - Digital
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SheetMusicPlus
4 P. S. (Trgl. · Beck. · kl. Tr. · gr. Tr. · Röhrengl.) - Hfe. · Klav. · Org. (Harm.) · Marimb. (Cel.) - 3 Kb. mixed choir (SSATBB), spe...
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4 P. S. (Trgl. · Beck. · kl. Tr. · gr. Tr. · Röhrengl.) - Hfe. · Klav. · Org. (Harm.) · Marimb. (Cel.) - 3 Kb. mixed choir (SSATBB), speakers and instruments - difficult - SKU: S9.Q6670 Three Fantasies. Composed by Heinrich Poos. This edition: choral score. Downloadable, Choral score. Duration 45 minutes. Schott Music - Digital #Q6670. Published by Schott Music - Digital (S9.Q6670). German.Heinrich Poos (born 1928) is one of the great German composers of choral music of our time. In his 'Orpheus' cycle, Poos takes up the ancient myth of the singer and poet Orpheus who is a symbol of the power of music. The three-part work is based on texts from classical antiquity, the Middle Ages and the present time which are all dealing with the issue of 'music', texts by Plato, Virgil, Ovid, Shakespeare, Edward Bond. In addition to a powerful choir, the 40-minute work requires a narrator and a differentiated instrumental ensemble.
$15.99 ≈
14.90€
The Sea
The Sea
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Chorale TTBB
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INTERMÉDIAIRE
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Edward MacDowell
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W
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The Sea
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W. Spencer Germany
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.966783 Composed by Edward MacDowell. Arranged by W. Spencer Germany. 20th Century,Instructional,Romantic Period....
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Choral Choir (TTBB) - Level 3 - SKU: A0.966783 Composed by Edward MacDowell. Arranged by W. Spencer Germany. 20th Century,Instructional,Romantic Period. Octavo. 6 pages. W. Spencer Germany #3926231. Published by W. Spencer Germany (A0.966783). The Sea is an arrangement of an English art song by Edward MacDowell (1893) with text by William Dean Howells. With rich, chromatic harmonies and a text-tailored melody, The Sea lends itself well to high school and collegiate men's ensemble.
$2.50 ≈
2.33€
Wien, Du Stadt Meiner Träume (Vienna, City of My Dreams)
Wien, Du Stadt Meiner Träume (Vienna, City of My Dreams)
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Chorale SATB
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INTERMÉDIAIRE
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Rudolf Sieczynski
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Scott S
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Wien, Du Stadt Meiner Trä
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955861 Composed by Rudolf Sieczynski. Arranged by Scott S. Stewart. 20th Century,Multicultural,Romantic P...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955861 Composed by Rudolf Sieczynski. Arranged by Scott S. Stewart. 20th Century,Multicultural,Romantic Period,World. 7 pages. Scott S. Stewart #6487467. Published by Scott S. Stewart (A0.955861). Vienna is among the most sung about cities in Europe, particularly during the interwar period. Austrian composer Rudolf Sieczynski composed this nostalgic waltz Wien, Du Stadt Meiner Träume (Vienna, City of My Dreams) paying homage the city of his birth. He describes Vienna as if it were a woman, wooing a man with her divine beauty. This song was popularized by the Austrian tenor Richard Tauber in 1935, and is featured in the soundtrack of Stanley Kubrick’s 1999 film Eyes Wide Shut. This arrangement is for 4-part SATB ensemble with piano accompaniment. It uses both the original German lyrics, and Edward Lockton’s English text. Performance time: 2:43+- Heaven, Vienna mine, laughter and music and stars that shine; Wonderful city where I belong, Of her I sing my song.
$2.99 ≈
2.79€
Angelus
Angelus
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Angelus
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - intermediate - SKU: S9.Q14295 Ave, Marry. Composed by Edward Elgar. This edition: choral score. Downloadable. Schott Music - Digita...
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Mixed choir - intermediate - SKU: S9.Q14295 Ave, Marry. Composed by Edward Elgar. This edition: choral score. Downloadable. Schott Music - Digital #Q14295. Published by Schott Music - Digital (S9.Q14295). German • English • French.
$1.99 ≈
1.85€
Zwei Weihnachtslieder
Zwei Weihnachtslieder
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Voix haute
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INTERMÉDIAIRE
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Hermann Schroeder
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Zwei Weihnachtslieder
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - intermediate - SKU: S9.Q21098 Composed by Hermann Schroeder. This edition: Sheet music. Zwei ausdrucksvolle Vertonungen für Li...
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High voice and piano - intermediate - SKU: S9.Q21098 Composed by Hermann Schroeder. This edition: Sheet music. Zwei ausdrucksvolle Vertonungen für Liederabende oder geistliche Konzerte in der Weihnachtszeit. Downloadable. Duration 7 minutes. Schott Music - Digital #Q21098. Published by Schott Music - Digital (S9.Q21098). German.Seit den berühmten Weihnachtsliedern op. 8 von Peter Cornelius (Schott ED 610) und den beiden Weihnachtsliedern von Edward Grieg (Schott ED 09960) hat die Weihnachtsthematik auch Eingang in das Kunstlied gefunden. Der Kölner Komponist und Kirchenmusiker Hermann Schroeder (1904-1984) setzt diese Tradition fort und vertonte zwei Texte aus der Advents- und Weihnachtszeit: Rosen und Schlehen im Advent von Johannes Kirschweng sowie das Gedicht Weihnachten von Eduard Mörike. Zwei ausdrucksvolle Vertonungen für Liederabende oder geistliche Konzerte in der Weihnachtszeit.
$9.99 ≈
9.31€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
24.18€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
18.59€
An die Musik
An die Musik
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Chorale 3 parties
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Classique
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Franz Schubert
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Geoffrey Edwards
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An die Musik
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Heritage Music Press
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SheetMusicPlus
3-part mixed choir, Piano - SKU: LX.15-3600H To Music. Composed by Franz Schubert. Arranged by Geoffrey Edwards. Educational. Octavo. 8 pages. He...
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3-part mixed choir, Piano - SKU: LX.15-3600H To Music. Composed by Franz Schubert. Arranged by Geoffrey Edwards. Educational. Octavo. 8 pages. Heritage Music Press #e15/3600H. Published by Heritage Music Press (LX.15-3600H). ISBN 9780787762476.This authentically constructed arrangement of the Schubert classic features a very readable Part III for the gentlemen. German and English lyrics are both included in the score, which is written in a comfortable D-flat major. A wonderful foreign-language concert selection and ideal for March Music-in-Our-Schools performances.
$2.40 ≈
2.24€
Who'll Buy My Lavender?
Who'll Buy My Lavender?
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Piano, Voix
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Folklorique/Traditionel
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Sir Edward German
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Who'll Buy My Lavender?
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Sir Edward German. Folk. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Sir Edward German. Folk. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.65€
The English Rose
The English Rose
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Piano, Voix
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Folklorique/Traditionel
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Sir Edward German
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The English Rose
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Sir Edward German. Folk. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Sir Edward German. Folk. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.65€
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Edward German
