| Edward Gregson: Five
Songs Of Innocence and
Experience: Vocal: Vocal
Album Piano, Voix Novello & Co Ltd. 9.99 GBP - vendu par Musicroom GB |
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| Edward Gregson John
Ridgeon: Nine Miniatures:
Tuba: Instrumental Album Tuba et Piano Brass Wind Publications
Nine easy pieces with Piano accompaniment.
9.75 GBP - vendu par Musicroom GB |
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| Edward Gregson: Tributes
(Clarinet/Piano):
Clarinet: Instrumental
Work Clarinette et Piano - Intermédiaire Novello & Co Ltd.
Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes...(+)
Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes there are five pieces in the set each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and as a tribute to them Gregson tried to invade indeed imitate their stylistic worlds in these pieces.They are as follows:To Francis Poulenc (for Emma Johnson) a rather dreamy toccata lyrical in feel but interrupted by typically quirky and disruptive rhythmic episodes.To Gerald Finzi (forJohn Bradbury) slow and lyrical with long melodic arches.To Igor Stravinsky (for Linda Merrick) asymmetric rhythms dominate with wide leaps in the solo line and bitonal harmony on the Piano.To Olivier Messiaen (for Nicholas Cox) based on the ravishing slow movement for Cello in his Quartet for the End of Time a seamless melody is woven around ever-changing repeated chords on the Piano.To Béla Bartók (for Michael Collins) the most virtuoso of the set; after a slow introduction a swirling folk-like dance unfolds mirroring Bartok?s penchant for simple modal shapes and ostinati rhythms.
19.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Edward Gregson: Shadow of
Paradise
(Oboe/Percussion): Oboe:
Instrumental Work Hautbois, Percussion [Partition] Novello & Co Ltd.
Shadow of Paradise was written specially for Melinda Maxwell. The work was compl...(+)
Shadow of Paradise was written specially for Melinda Maxwell. The work was completed in 2005 the same year that she recorded the work together with Richard Benjafield (percussion) for the Dutton label.'The work is based on the poem by Samuel Taylor Coleridge Kubla Khan and I have attempted to capture some of the spirit of his highly evocative text in my music.It is structured in three main sections: the opening section (And ‘mid this tumult Kubla heard from far Ancestral voices prophesying war) is dramatic in nature with the oboe announcing two ideas - the first a high repeated note rhythmic pattern (later with multiphonics) answered by six differentlypitched drums and temple blocks and the second a short lyrical phrase mainly built on thirds.In the second section (A damsel with a dulcimer In a vision once I saw…Could I revive within me Her symphony and song) the solo oboe transforms the repeated notes and thirds of the first section into a love song underpinned by the percussionist’s vibraphone and crotales.A short reprise of the very opening leads into the final section (Beware! Beware! His flashing eyes his floating hair! Weave a circle round him thrice…) which mirrors the text with three short dances in chain form folk-like in character and increasingly climactic. A final reprise of the opening seems to suggest a violent end but the oboe’s echo of the love song answered by the percussionist’s crotales brings the work to a gentler conclusion.' Edward Gregson - December 2011Instrumentation:Solo oboeSolo percussion (6 temple blocks 2 bongos 4 tom-toms vibraphone crotales 2 tambourines)
13.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: Peace
Perfect Peace: SATB:
Vocal Score Chorale SATB SATB A Cappella [Vocal Score] Novello & Co Ltd.
Peace Perfect Peace by Edward Gregson for SATB choir a cappella.
2.25 GBP - vendu par Musicroom GB |
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| 5 Songs Of Innocence And
Experience (GREGSON
EDWARD) Voix Baryton, Piano Novello & Co Ltd.
Par GREGSON EDWARD. The five song set the texts As I pass at dusk (Robert Kent),...(+)
Par GREGSON EDWARD. The five song set the texts As I pass at dusk (Robert Kent), The day is gone (John Keats), Carol (C Day Lewis), Come live with me (C Day Lewis), and To my brother (Siegfried Sassoon). Also available for Mezzo-Soprano, or High Voice. / Musique contemporaine / Répertoire / Baryton et Piano
22.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| The Sad Tale Of Barbara
Allen (Version For SATB) Chorale SATB Novello & Co Ltd.
The original version of this setting of the well-known traditional English folk ...(+)
The original version of this setting of the well-known traditional English folk song was completed in 1974, and was commissioned by Rachel McMillan College of Education (where Gregson was a lecturer at the time) for its Music Department Choir (female voices). It then had the somewhat unusual instrumentation of spinet, flute and string quartet.In 2017 Gregson was asked to revise it for performance and publication in a new version for upper voices and piano. Arranged for SATB with Piano accompaniment. / SATB
8.00 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Welcome Chorale SATB Novello & Co Ltd.
Welcome is a work composed by Edward Gregson, arranged for Upper Voices and Pian...(+)
Welcome is a work composed by Edward Gregson, arranged for Upper Voices and Piano. It was originally composed for boys' voices, Organ, Brass and Percussion in 1996, but ten years later Gregson created a new version especially for the Kinder Children's Choir of the High Peak. This latter version appears here, and lasts around 4 minutes.The text of Welcome consists of the word 'Welcome', repeated numerous times in a variety of languages , from English to various European languages, to Hebrew and Arabic. Gregson's idea was to provide a fitting way to welcome a new and diverse audience into a new concert hall designed for a new Millennium.The voices are divided into as many as six parts in certain places, but it's left to the conductor to decide on how to distribute these parts, depending on the size and make-up of the choir. The work is suitable for performance by any mixture of upper voices, from children's choirs to female voices.In the January/February 2016 issue of Choir and Organ, Geoffrey Webber calls Welcome 'an ear-catching start for any concert programme.' / Choeur Et Piano
7.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Edward Gregson: Concerto
For Trombone: Trombone:
Instrumental Work Trombone et Piano [Partition] Novello & Co Ltd.
Arranged for Trombone and Piano by the composer. This concerto was commissione...(+)
Arranged for Trombone and Piano by the composer. This concerto was commissioned by the Bedfordshire Education Service for Michael Hext who won Young Musician of the Year in 1978. First performed in 1979 at the Royal College of Music by Michael Hext. Duration 15 minutes. Full score and parts are available on hire.
19.99 GBP - vendu par Musicroom GB |
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| Fairground Songs Divers Boosey and Hawkes 15.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Connotations Divers Boosey and Hawkes 66.00 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Music For Greenwich Divers Boosey and Hawkes 28.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Edward Gregson: Quintet
For Brass: Brass
Ensemble: Score Ensemble de cuivres [Partition] Novello & Co Ltd. 23.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: Horn
Concerto Orchestral
Version: Orchestra: Score Cor, Orchestre Novello & Co Ltd.
Full Score-The Horn Concerto was written in 1971 and was the first of the ten co...(+)
Full Score-The Horn Concerto was written in 1971 and was the first of the ten concertos Gregson has composed to date. It is dedicated to the English horn player Ifor James who died in 2004 and was originally written for brass band. However in 2013 Gregson was asked by Paul Klein Principal Horn of the Ulster Orchestra and BBC Northern Ireland to undertake an orchestral version for him. Gregson decided to score the concerto for a late Haydn sized orchestra with the addition of a percussionist to add some colour to the texture. The concerto takes as its starting point the Mozartian model namely a sonata form opening movement a song-like slow movement and a jaunty rondo finale. The opening movement opens with a strident motif built on rising fourths announced by the soloist and answered by the orchestra. This pattern of ‘question/answer’ continues until a climactic moment breaks the tension and is followed by a lyrical second subject announced by the soloist over undulating rhythmic patterns on strings. The music is developed and recapitulated from these ideas with the lyrical idea returning via solo clarinet with horn answering in canon. The movement ends with the strident fourths this time in inversion. The slow movement is in tertiary form and opens with an expansive melody from the soloist over a repetitive harmonic and melodic pattern. This is expanded and developed building all the while in intensity until it is interrupted by cadenza-like passages on the horn and muted brass. After a brief climax the music subsides into a moment of emotional serenity before the opening melody returns this time on solo oboe with the horn interweaving its own answering melodic lines. The rondo finale is more light-hearted in mood with a catchy 6/8 tune at its heart. It is twice interrupted first by an idea built on long held chromatic notes from the soloist against a highly rhythmic backdrop (wind brass and snare drum) then by a slower more thoughtful melodic idea. However
29.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: Cameos
For Trumpet: Trumpet:
Instrumental Album Trompette, Piano Brass Wind Publications
Cameos For Trumpet contains a collection of terrific pieces for Trumpet and Pian...(+)
Cameos For Trumpet contains a collection of terrific pieces for Trumpet and Piano by Edward Gregson.
9.75 GBP - vendu par Musicroom GB Délais: En Stock |
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| Edward Gregson: Edward
Gregson: Welcome: SSA:
Vocal Score Chorale 3 parties SSA [Vocal Score] Novello & Co Ltd.
Welcome is a work composed by Edward Gregson arranged for Upper Voices and Pian...(+)
Welcome is a work composed by Edward Gregson arranged for Upper Voices and Piano. It was originally composed for boys' voices Organ Brass and Percussion in 1996 but ten years later Gregson created a new version especially for the Kinder Children's Choir of the High Peak. This latter version appears here and lasts around 4 minutes. The text of Welcome consists of the word 'Welcome' repeated numerous times in a variety of languages from English to various European languages to Hebrew and Arabic. Gregson's idea was to provide a fitting way to welcome a new and diverse audience into a newconcert hall designed for a new Millennium. The voices are divided into as many as six parts in certain places but it's left to the conductor to decide on how to distribute these parts depending on the size and make-up of the choir. The work is suitable for performance by any mixture of upper voices from children's choirs to female voices. In the January/February 2016 issue of Choir & Organ Geoffrey Webber calls Welcome 'an ear-catching start for any concert programme.'
3.99 GBP - vendu par Musicroom GB |
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| Tributes (Clarinet And
Piano) Clarinette et Piano Novello & Co Ltd.
Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes...(+)
Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano
33.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Edward Gregson: Equale
Dances for Brass Quintet
(Parts): Brass Ensemble: Quintette de Cuivres: 2 trompettes,
Cor, trombone, tuba [Partition] Novello & Co Ltd.
Equale Dances for Brass Quintet (Parts)
34.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: Sonata
For Four Trombones:
Trombone: Score Quatuor de cuivres: 4 trombones [Partition] Novello & Co Ltd.
Sonata For Four Trombones
15.99 GBP - vendu par Musicroom GB |
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| Music For Greenwich Divers Boosey and Hawkes 39.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Edward Gregson: An Album
for my Friends: Piano:
Instrumental Album Piano seul [Partition] Novello & Co Ltd.
'The idea for this set of pieces initially came from writing one as a sixtieth b...(+)
'The idea for this set of pieces initially came from writing one as a sixtieth birthday present (I shall not mention which one!). Having written one Baroque-titled piece I gradually added more until a whole suite of Baroque dances was completed.The stimulus of writing a modern set of piano pieces based on Baroque models (in my case a mixture of the English and French Suites of Bach) is nothing new of course. Many twentieth-century composers were inspired by the rigours of devising new ways of looking at Baroque dances and in the process brought new life to the forms (in the case of Schoenberg?s Piano Suite of 1925 actually liberating his new method of 12- notecomposition from theory into practice).For my part the challenge was to write a set of pieces for the piano which would be technically suitable for both young and mature pianists whilst still responding to the compositional demands of creating interesting material mainly organised through contrapuntal means (often just two-part counterpoint as in Bourr?e 1 or the Gigue) but sometimes through harmonic means (as in the Sarabande or Gavotte).In addition the more personal nature of the genesis of the album resulted in each piece or dance being dedicated to a particular friend. Whilst their pianistic skills might vary quite considerably they all share a great love of music - something which unites us all.'???????????? - Edward Gregson1. Paul?s Prelude2. Adam?s Allemande3. Clare?s Courante4. Stefan?s Sarabande5. Gaynor?s Gavotte6. Brian?s Bourr?e (Bour?e 1)7. Bethan?s Bour?e (Bour?e 2)8. Maggie?s Minuet9. Gavin?s Gigue10. Phil?s Postlude
15.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: A Welcome
Ode: SATB: Vocal Score Chorale SATB [Vocal Score] - Intermédiaire/avancé Novello & Co Ltd.
This work dedicated to the composer Paul Patterson can be performed by either ...(+)
This work dedicated to the composer Paul Patterson can be performed by either Choir Piano Duet and Percussion or Choir Organ and Percussion. Percussion Part is available: NOV160278-01
10.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: Ten
Minatures For Trumpet And
Piano: Trumpet:
Instrumental Album Trompette, Piano Brass Wind Publications
The content is carefully graded to present a stimulating and progressive program...(+)
The content is carefully graded to present a stimulating and progressive programme which spans the first 18 months of a player's development.
9.75 GBP - vendu par Musicroom GB |
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| Connotations Divers Boosey and Hawkes 39.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Edward Gregson:
Occasional Pieces: Brass
Ensemble: Score and Parts Ensemble de cuivres Novello & Co Ltd.
Edward Gregson's Occasional Pieces for Brass Quintet. Processional (1992) for b...(+)
Edward Gregson's Occasional Pieces for Brass Quintet. Processional (1992) for brass quintet was commissioned by the University of Sunderland to celebrate their first graduation ceremonies under university status. These were held at the Empire Theatre Sunderland during November 1992. The commission was partly funded by Northern Arts.
24.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: Triptych
(Violin Solo): Violin:
Instrumental Work Violon [Partition] Novello & Co Ltd.
Triptych for solo Violin with optional Bodhran.1. A Dionysian Dialogue2. Song t...(+)
Triptych for solo Violin with optional Bodhran.1. A Dionysian Dialogue2. Song to Aphrodite3. A Celtic Bacchanal
10.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: Le Jardin
À Giverny: Cor Anglais:
Instrumental Work Cor anglais, Piano [Partition] Novello & Co Ltd.
Edward Gregson's Le Jardin À Giverny was composed in 2016 and is arranged for C...(+)
Edward Gregson's Le Jardin À Giverny was composed in 2016 and is arranged for Cor Anglais and Piano. It has a duration of approximately 6 minutes.
10.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Edward Gregson: A Song
For Chris: Cello:
Instrumental Work Violoncelle, Piano [Partition] - Avancé Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...(+)
In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
19.99 GBP - vendu par Musicroom GB |
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| Edward Gregson: Three
John Donne Settings:
SATB: Vocal Score Chorale SATB SATB, Percussion(s) [Vocal Score] Novello & Co Ltd.
Three John Donne Settings was commissioned by the Friends of the National Youth ...(+)
Three John Donne Settings was commissioned by the Friends of the National Youth Choir of Wales. Comisiynwyd gan Gyfeillion Côr Cenedlaethol Ieuenctid Cymru.Three John Donne Settings was first performed on 26 July 2013 by the National Youth Choir of Wales conducted by David Lawrence at St. Mary’s Church Conwy as part of the Conwy Classical Music Festival.
4.50 GBP - vendu par Musicroom GB |
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| Edward Gregson: Serenata
Notturna: Cello:
Instrumental Work Violoncelle, Piano [Partition] Novello & Co Ltd.
'As the title suggests my Serenata Notturna evokes the atmosphere of night musi...(+)
'As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody (like a lullaby) uttered by the cello the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfiguredinto something much more peaceful - hence the quotation that prefaces the score: 'out of darkness cometh light'.'Edward Gregson
13.99 GBP - vendu par Musicroom GB |
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