|
| John Tavener: The
Repentant Thief:
Clarinet: Instrumental
Work
Clarinette et Piano
Chester
Composed in 1990 for solo Clarinet Timpani Percussion and Strings John Tavene...(+)
Composed in 1990 for solo Clarinet Timpani Percussion and Strings John Tavener's The Repentant Thief was inspired by the biblical story of the two criminals who were crucified alongside Jesus atGolgotha. This work contrasts dance-like material with melancholy laments bound together by a refrain with a recitative-like character recalling Greek folk and Orthodox traditions. This edition is for Clarinet withPiano reduction.
Délais: En Stock |
|
|
| John Tavener: Greek
Interlude: Flute: Score
Flûte traversière et
Piano [Partition]
Chester
Greek Interlude for flute and piano was composed in July this year. The music w...(+)
Greek Interlude for flute and piano was composed in July this year. The music which was written with young players in mind is based on ancient Byzantine modes and Greek folk music originating from different Greek islands. The piece may be thought of as a musical voyage starting in Bulgaria travelling to Greek islands and then returning through Bulgaria. Commissioned by the Little Missenden festival 1979.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.
|
|
|
| John Tavener:
Kaleidoscopes: Oboe:
Score
Hautbois et Orchestre [Conducteur]
Chester
John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion an...(+)
John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion and Strings lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia and first performed by themwith soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall London. This is the full score. In the composer's note Tavener explains his high regard for Mozart and how inKaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart whether it be rhythmic harmonic or contrapuntal.
|
|
|
| John Tavener: The
Repentant Thief:
Ensemble: Score
Clarinette, Orchestre [Partition]
Chester
A work for solo clarinet in B flat timpani percussion and strings commissione...(+)
A work for solo clarinet in B flat timpani percussion and strings commissioned by the London Symphony Orchestra. It was first performed in September 1991 at the Barbican Centre London by Andrew Marriner (clarinet) and theLondon Symphony Orchestra directed by Michael Tilson Thomas.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.
|
|
|
| John Tavener: Cantus
Mysticus (Clarinet Part):
Clarinet: Part
Clarinette [Partition] - Intermédiaire
Chester
Cantus Mysticus was commissioned by The Foundation for the Cuenca Religious Musi...(+)
Cantus Mysticus was commissioned by The Foundation for the Cuenca Religious Music Week. First performance on 22nd March 2005 as part of the XLIV Cuenca Religious Music Week by Joan Enric Lluna (clarinet) Patricia Rozario(soprano) and the Madrid Community Orchestra conducted by the composer. The composer writes: Cantus Mysticus sets a text by Goethe concerned with the Eternal Feminine: Das ewig Weibliche sichuns hinan (TheEternal Woman draws us upwards). Many of my recent works have been concerned with meditation on the Creative Feminine which according to esoteric metaphysics reveals the 'child of the soul' and thus God. The slow contemplativeand very intense opening of Cantus Mysticus leads gradually towards a 'still centre' with much use of 'silence'. This is followed by an ecstatic celebration of the Divine Feminine the Virgine Madre of Dante and Christianity theMaha Maya of Hinduism and Maha Prajavati of Buddhism. The Jazz-style passages for clarinet express Lîla or Divine Play. Cantus Mysticus is scored for B flat clarinet soprano and strings (violins and cellos only).
Délais: En Stock |
|
|
| John Tavener:
Kaleidoscopes: Oboe: Part
Hautbois et Orchestre [Set de Parties séparées]
Chester
Oboe Part-John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Per...(+)
Oboe Part-John Tavener's Kaleidoscopes is a tribute to Mozart for Solo Oboe Percussion and four String Quartets lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia and firstperformed by them with soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall London. This is the Solo Oboe part. In the composer's note Tavener explains his high regard forMozart and how in Kaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart whether it be rhythmic harmonic orcontrapuntal.
|
|
|
| John Tavener: Little
Troika For Marianna:
Clarinet: Instrumental
Work
Clarinette [Partition]
Chester
For Clarinet Solo and Optional Dancer.
|
|
|
| John Tavener: Lament For
Constantinople: Flute:
Instrumental Work
Flûte traversière [Partition]
Chester
This work is scored for Alto Flute and Baritone Voice.Quoting Tavener: Lament fo...(+)
This work is scored for Alto Flute and Baritone Voice.Quoting Tavener: Lament for Constantinople is offered in unspeakable gratitude to the Holy Orthodox Church. For its apophatic theology a stumbling block for thehuman intelligence for the fact of its 'trinitarian' consciousness for the Divine Liturgy in its offering: 'Bringing before Thee Thine own of Thine own in all and for all' - for the ikons apostolic windows into the divineworld. And last but not least for its music which is a gathering together of all Ancient musics that have ever existed as well as the music of the synagogue at the time of Christ revealing thus an apostolic and eschatologicaldimension.
|
|
