Chick Corea

This jazz fusion classic by Chick Corea was recorded by Stan Getz in 1972 and also by Chick Corea with his group Return to Forever on the landmark album Light as a Feather. In this exciting version for mature jazz ensembles Mike Tomaro retains the highly energetic samba feel of the original while adding some creative touches of his own. Solos for trumpet and alto are featured.

One of pianist Chick Corea's earlier compositions this medium swing chart begins in a subtle manner that features counterlines that are interwoven with the sinewy melody. However the intensity begins to build through the pianoand alto sax solos ending with a roaring full band climax.

From Chick Corea's My Spanish Heart album this tune is not really a rhumba but rather an extremely energetic samba. This chart features dynamic and challenging passages for the entire ensemble and also ample room for soloists.

Composed by jazz pianist Chick Corea and recorded on his landmark 1973 album Light as a Feather this vibrant work has solidified its standing as a jazz fusion classic. The lyrical and sensuous opening features a solo Tenor Sax followed by a fast and energetic Latin pulse that features the melody traded between various sections of the band. Paul Murtha's exciting version is effectively crafted for the concert stage.

Professional Editions-Jazz Ens-Recorded by Chick Corea in the early 1970s Se¤or Mouse is a sophisticated samba that exemplifies Corea as a skilled and visionary composer. Mike Tomaro's sizzling chart for mature bands maintains an energetic flow throughout using a wide range of dynamic levels and textures. Includes solos for alto and guitar.

Here is a sizzling Afro-Cuban version of this Chick Corea classic that is sure to be an impressive addition to any program for mature bands. Perfect as a feature for your pianist but the flexible solo section allows other players to be featured as well.

Enregistré par Chick Corea et l'origine sur le CD and ldquo - changement, and rdquo - Chick rend hommage à l'ère du hard bop et Miles Davis en particulier avec ce blues modale tempo modéré. Version de Mark Taylor pour les jeunes joueurs commence par un petit groupe jouant la tête avant le saxes reprendre sur le second refrain. Y compris l'espace solo pour piano et aussi un solo flexible article avec des échantillons écrits pour tous les joueurs, ce graphique bien écrit fera toute bande sonore polie. / Saxophone Alto, Saxophone Tenor, Saxophone Baryton, Trompette, Trombone, Guitare, Piano, Contrebasse, Percussions, Tambours Congas, Vibraphone Et Flûte Traversière En Partition