Samuel Barber

First Edition Piano Trio Score and Parts-Composed for the wedding of his sister Sarah to Samuel Fulton Beatty on May 4 1940 in Barber's New York apartment.The two-minute piece makes a great prelude to any concert both as a novelty and as a well-craftedcomposition with some beautiful soaring melodies and intricate counterpoint. Late Intermediate Level.

Score-Ringbound full score edition of Samuel Barber's Cello Concerto Op.22 the work composed for Raya Grabousova and the Boston Symphony Orchestra.

Anthony And Cleopatra was commissioned by the Metropolitan Opera Association for the opening of the new Metropolitan Opera House New York in 1966. Barber's opera is based on Shakespeare's play of the same name. This edition features Barber's own Piano reduction of the original Orchestral score.

Description Samuel Barber: Souvenirs Op.28 (Original Piano Duet Version) Souvenirs, in the original arrangement, for one piano, four hands. Songlist Galop Hesitation-tango Pas De Deux Schottische Two-step Waltz

Samuel Barber's Capricorn Concerto from 1944 is named after the house in Mount Kisco New York where Barber lived with his partner and collaborator Gian-Carlo Menotti from 1943 to 1974. This is the Score and Parts editionof the work which is scored for Flute Oboe and Trumpet with a Piano reduction of the original String Ensemble.

Score and Parts-Arguably America's most notable art song Samuel Barber's masterwork has been brilliantly arranged in this edition for strings by John Moss. Written for voice in 1938 and based on text by noted poet James Agee Barber's music ishighly emotional a quality apparent in this skilled setting for strings. With solo parts for violin and viola this edition is a superb opportunity to teach 20th century music at its very best.

Study Score No. 106-Worked for Soprano Alto Tenor Mixed Chorus and Orchestra. Text: Søren Kierkegaard.

Barber's Twelfth Night from Opus 42 with text by Laurie Lee arranged for SATB chorus a cappella. A Piano accompaniment is provided for rehearsal purposes.

Samuel Barber's Let Down The Bars O Death for Mixed Chorus A Cappella. Based on a poem by Emily Dickinson.

Motetto on words from the Book of Job was one of Barber's earliest choral works and until this publication edited by Harold Rosenbaum existed only as a manuscript in the Library of Congress. Richly harmonic this work for doublechorus is a window into the composer's imagination and craft.

Low Voice and Piano-Five beautiful songs by composer Samuel Barber set to poems by Rainer Maria Rilke. This version for Low Voice and Piano accompaniment. French language with English translation.

Barber's setting of a text by Matthew Arnold arranged here for Voice and Piano. The lowest note is a B below Middle C and the highest note is an F (1 1/2 octives above Middle C). The composition originally set for Medium Voice and String Quartet displays Barber's exceptional skills as a songwriter and the piece is one that the composer recorded and performed himself on several occasions. The nature of the music is characteristic of Barber's greatest melodies combining apparently simple tonalities with underlying dissonances is a manner that captures the emotional timelessness of Arnold's poetry.The string parts for the quartet and voice arrangement are available(Catalogue No. GS341380)