Concerto For Guitar Et String Orchestra (Pno Red)

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

Arrangeur: Fernand Oubradous. Par VIVALDI. Antonio Vivaldi (1673-1741) was an Italian composer, violinist and teacher in the Baroque era. His name has become synonymous with the series of Violin concertos known as the Four Seasons, but he also wrote over 500 other concertos for various instruments, as well as dozens of operas and several sacred works. The Concerto No. 23 (RV 425) was written in 1725. Set in the key of C major, it was originally scored for solo Mandolin with String Orchestra and Continuo Bass (Cembalo). It has been arranged for Guitar or Mandolin with Piano accompaniment by the French composer Fernand Oubradous ./ Répertoire / Guitare et Accompagnement Piano

Par BROUWER LEO. does not include score or parts of the string orchestra, only score of violin + guitar/ Répertoire / Violon et Guitare

This lively movement is adapted from Vivaldi's Concerto for Two Guitars carefully crafted for String Ensemble by Steven Frackenpohl. In true Vivaldi style the ensemble is driven by energetic rhythms that make all parts interesting and fun to play. Another outstanding edition for young string orchestra teaching and performance. Dur: 4:10

Segal, Peter. Par VIVALDI ANTONIO. / Niveau : Intermédiaire / Répertoire / Guitare et Orchestre

Cordero's Concierto Festivo for guitar and string orchestra is his fourth concerto written in 2003 and dedicated to legendary guitarist Pepe Romero. It was commissioned by the University of Puerto Rico to celebrate the 100thAnniversary of its foundation and the re-opening of its Theater. The Puerto Rico Symphony Orchestra was conducted by Maestro Guillermo Figueroa. This concerto has three movements written in a modal and neo-Romantic style inwhich the contrapuntal elements of the Spanish Renaissance combine with contemporary harmonies giving it a distinctive flavor which is present in most of Cordero's works