Bill Frisell: Bill Frisell - An Anthology: Piano Vocal and Guitar: Artist

Une des plus vénéré guitaristes de jazz autour, Berklee alun que Bill Frisell est célèbre pour son son distinctif et sophistiqué. Cette collection de must-have comprend 79 chansons haut de tout au long de la carrière prolifique de Frisell, plus une préface, illustrations, une chronologie biographique et une discographie. / Guitare

for electric guitar, 2 violas and cello. Par BRYARS GAVIN. I had written the Cadman Requiem in 1989 for the Hilliard Ensemble in memory of my friend and sound engineer Bill Cadman, who was killed in the Lockerbie air crash. His death affected me very deeply and, pending a recording of this piece, Manfred Eicher asked if I might like to develop an instrumental work from this, using the same instrumentation for accompaniment and retaining the same opening bars as part of a new ECM album. The piece is 'after' the Requiem therefore in the musical sense of being based on it, in the chronological sense of following on from it, and in the spiritual sense of representing that state which remains after mourning is (technically) over. I wrote the piece in Venice in September 1990 and finished it in Oslo on the day of the recording, where I added the electric guitar of Bill Frisell. This, I felt, blended particularly well with low strings (2 violas and cello). Coincidentally, having used certain distortion effects on the guitar, we found that we were recording on the twentieth anniversary of the death of Jimi Hendrix. Within the music I use one or two modified extracts from the Cadman Requiem itself, and from its common source Invention of Tradition, for which Bill Cadman had done the sound design. The piece is dedicated to the two Bills (Cadman and Frisell)./ Répertoire / Guitare Electrique, 2 Altos et Violoncelle

Symphony Orchestra-Frisland was composed by Luís Tinoco and was first published in 2014. Inspired by the music of the American jazz Guitar player and composer Bill Frisell. Commissioned by the Seattle Symphony Orchestra and Ludovic Morlot as part of its Sonic Evolution project that celebrates the past and future of Seattle's music scene. First performance: Seattle Symphony conducted by Ludovic Morlot - Benaroya Hall Seattle 6th June 2014. Instrumentation:3FLT(3=PICC) 3OB(3=CORA) 2CLT 1 BASS CLT 3BSN(3=CBSN) 4HN 3TPT in C (1=TPT in D) 2TBN 1BTBN 1TBA TIMP 3PERC HP STR ORCH]