Antonín Dvo?ák: String Quartet F Op. 96: String Quartet: Parts

Like Dvorák's third and fourth quartets (in D major and E minor respectively), String Quartet #2 in B-flat major was probably composed between 1868 and 1870, when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost - it was even said that Dvorák destroyed them. But copies of the parts resurfaced in the archive of the Prague Conservatory and have served as the principal source for this new publication.This edition presents the musical text from the 'Antonín Dvorák Complete Edition?, together with a new foreword by Hartmut Schick.- Musical text based on the 'Antonín Dvorák Complete Edition?, volume IV/5- New foreword by Hartmut Schick (Ger/Cz/Eng) / Quatuor A Cordes

Par DVORAK ANTONIN. Cette partition classique, String Quartet 13 Gmaj Op106 Parts de Dvorak Antoninéditée au 2ème semestre 2011 a été avant tout composée pour Musique de Chambre. Bien qu'ayant aucun Cd avec, elle vous apportera tout ce que vous recherchez. Les éditions Baruk ont choisi de l'éditer sous la référence 1801732000/ Répertoire / Quatuor à Cordes

Of the works which Antonin Dvorak wrote during his three-year sojourn in America the String Quartet In F Major ('American') is the best known after the New World Symphony.It was written essentially without interruption during the course of June 1893 and reflects happy times spent in the hamlet of Spillville over the summer holidays among Czech compatriots descendants of Czech immigrants where the composer surrounded by nature and friends had the ideal conditions for his composition work. The use of elements of American folk and popular music gives the piece its typical character.This pocket score is part of the firstComplete Critical Edition of Works by Antonin Dvorak.Also available set of parts (H1594)

In the summer of 1893 Antonin Dvorak sat down and composed String Quartet In F Op.96. This beloved quartet was written whilst Dvorak was on vacation in rural Iowa. It is a slow movement for quartet and the finale sweeps along on a energetic syncopated rhythm in the second violin and viola that shortly transforms itself into a wonderful patchwork of shifting accents. The first violin sings first randomly and then voluptuously atop this motoric accompaniment. The quartet is written for 2 violins viola and cello.