Matériel : Partition
Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)
SKU: FZ.5254
ISBN 9790230652544. 24.00 x 33.00 cm inches.
This facsimile of an original and the manuscript by Antonio Vivaldi is part of our Dominantes collection. VI sonatas for cello solo col basso - Edition: Paris, Leclerc le cadet, Le Clerc, Boivin, (undated: 1740). [Sonatas for cello and continuo] - Edition: Manuscript probably used for the 1740 Parisian edition. [Two sonatas for cello and continuo] - Edition: Manuscripts from the library of Count Schornborn. [Three sonatas for cello and continuo] - Edition: Manuscript held in the Naples Conservatory Library. Anonymous manuscript from the library of Count Schornborn, bound together with two sonatas by Vivaldi. Presentation by Philippe Muller: Foreword (the various sources) - Problems of authenticity - Vivaldi's sonatas. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Municipal Library of Lyon (France). - National Library of Paris (France). - Library of the Conservatory of Naples (Italy). - a private collection. Anne Fuzeau Classique propose period copies of classical music scores.