Matériel : Partition + CD
SKU: BT.DHP-1135503-401
ISBN 9789043139335. 9x12 inches. English-German-French-Dut ch.
All Time Klezmers is a wonderful collection of klezmer music, inspired by the Jewish dances and songs of the klezmorim from Eastern Europe - from the lyrical Hora to the fast, compelling Freilach. Some of the pieces have a second part ad libitum - for playing together or for variation in a repeat. This book contains the piano accompaniment parts that fit to the violin and cello editions of All Time Klezmers. All Time Klezmers is een prachtige verzameling klezmermuziek, ge nspireerd op de joodse dansen en liederen van de klezmorim uit Oost-Europa: van de lyrische Hora tot de snelle, meeslepende Freilach. Ook de invloed van de nieuwere Israëlische volksmuziek la Giora Feidman is hoorbaar. Deze uitgave bevat de pianobegeleidingen bij All Time Klezmers voor viool of cello. All Time Klezmers ist eine wundervolle Sammlung von Klezmermusik, inspiriert von den jüdischen Tänzen und Liedern der Klezmorim aus Osteuropa: vom lyrischen Hora bis hin zum schnellen, unwiderstehlichen Freilach. Einige Stücke haben eine optionale zweite Stimme für das Zusammenspiel oder eine Variation in einer Wiederholung. Diese Ausgabe enthält die Klavierbegleitungen passend zu All Time Klezmers für Violine und für Violoncello.Le recueil All Time Klezmers s´inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora l'exubérance du Freilach. Certaines pièces possèdent une deuxième voix optionnelle qui peut être utilisée pour jouer en duo ou pour varier le contexte thématique dans le cas d'un passage avec reprise. Ce recueil contient uniquement les parties d'accompagnement de piano de l'ensemble des pièces presentées dans All Time Klezmers pour violon ou violoncelle.
SKU: BT.DHP-1186027-401
ISBN 9789043155687. English-German-French-Dut ch.
All Time Klezmers is a wonderful collection of klezmer music, inspired by the Jewish dances and songs of the klezmorim from Eastern Europe - from the lyrical Hora to the fast, compelling Freilach. Some of the pieces have a second part ad libitum - for playing together or for variation in a repeat. This book contains the piano accompaniment parts that fit to the flute and alto sax editions of All Time Klezmers. All Time Klezmers is een prachtige verzameling klezmermuziek, ge nspireerd op de joodse dansen en liederen van de klezmorim uit Oost-Europa: van de lyrische Hora tot de snelle, meeslepende Freilach. Ook de invloed van de nieuwere Israëlische volksmuziek la Giora Feidman is hoorbaar. Deze uitgave bevat de pianobegeleidingen bij All Time Klezmers voor fluit of altsaxofoon. All Time Klezmers ist eine wundervolle Sammlung von Klezmermusik, inspiriert von den jüdischen Tänzen und Liedern der Klezmorim aus Osteuropa: vom lyrischen Hora bis hin zum schnellen, unwiderstehlichen Freilach. Einige Stücke haben eine optionale zweite Stimme für das Zusammenspiel oder eine Variation in einer Wiederholung. Diese Ausgabe enthält die Klavierbegleitungen passend zu All Time Klezmers für Flöte und für Altsaxophon.Le recueil All Time Klezmers s´inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora l'exubérance du Freilach. Certaines pièces possèdent une deuxième voix optionnelle qui peut être utilisée pour jouer en duo ou pour varier le contexte thématique dans le cas d'un passage avec reprise. Ce recueil contient uniquement les parties d'accompagnement de piano de l'ensemble des pièces presentées dans All Time Klezmers pour fl te ou saxophone alto.
SKU: BT.DHP-1186028-401
ISBN 9789043155694. English-German-French-Dut ch.
All Time Klezmers is a wonderful collection of klezmer music, inspired by the Jewish dances and songs of the klezmorim from Eastern Europe - from the lyrical Hora to the fast, compelling Freilach. Some of the pieces have a second part ad libitum - for playing together or for variation in a repeat. This book contains the piano accompaniment parts that fit to the clarinet edition of All Time Klezmers. All Time Klezmers is een prachtige verzameling klezmermuziek, ge nspireerd op de joodse dansen en liederen van de klezmorim uit Oost-Europa: van de lyrische Hora tot de snelle, meeslepende Freilach. Ook de invloed van de nieuwere Israëlische volksmuziek la Giora Feidman is hoorbaar. Deze uitgave bevat de pianobegeleidingen bij All Time Klezmers voor klarinet. All Time Klezmers ist eine wundervolle Sammlung von Klezmermusik, inspiriert von den jüdischen Tänzen und Liedern der Klezmorim aus Osteuropa: vom lyrischen Hora bis hin zum schnellen, unwiderstehlichen Freilach. Einige Stücke haben eine optionale zweite Stimme für das Zusammenspiel oder eine Variation in einer Wiederholung. Diese Ausgabe enthält die Klavierbegleitungen passend zu All Time Klezmers für Klarinette. Le recueil All Time Klezmers s´inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora l'exubérance du Freilach. Certaines pièces possèdent une deuxième voix optionnelle qui peut être utilisée pour jouer en duo ou pour varier le contexte thématique dans le cas d'un passage avec reprise. Ce recueil contient uniquement les parties d'accompagnement de piano de l'ensemble des pièces presentées dans All Time Klezmers pour clarinette.
SKU: BT.DHP-1135502-400
ISBN 9789043137683. 9x12 inches. English-German-French-Dut ch.
This is a wonderful collection of klezmer music, inspired by the Jewish dances and songs of the klezmorim from Eastern Europe - from the lyrical HORA to the fast, compelling FREILACH. Some of the pieces have a second part ad libitum - for playingtogether or for variation in a repeat. For the accompaniment, chord symbols have been added and on the included CD there are complete versions as well as play-along versions of all pieces, played live by genuine klezmer musicians.Een prachtige verzameling klezmermuziek, ge nspireerd op de joodse dansen en liederen van de klezmorim uit Oost-Europa: van de lyrische Hora tot de snelle, meeslepende Freilach. Ook de invloed van de nieuwere Israëlische volksmuziek la Giora Feidman is hoorbaar. Sommige stukken hebben een tweede stem ad libitum - voor samenspel of ter afwisseling bij herhaling. Voor de begeleiding zijn akkoordsymbolen toegevoegd - en op de bijgevoegde cd staan van alle stukken mooie demo- én play-along-versies, die live zijn ingespeeld door rasechte klezmermuzikanten.ALL TIME KLEZMERS ist eine wundervolle Sammlung von Klezmermusik, inspiriert von den jüdischen Tänzen und Liedern der Klezmorim aus Osteuropa: vom lyrischen Hora bis hin zum schnellen, unwiderstehlichen Freilach. Einige Stücke haben eine optionalezweite Stimme für das Zusammenspiel oder eine Variation in einer Wiederholung. Für die Begleitung wurden Akkordsymbole hinzugefügt. Auf der beiliegenden CD gibt es vollständige Aufnahmen sowie Mitspielversionen aller Stücke, live eingespielt vonechten Klezmermusikern.L e recueil All Time Klezmers s??inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora l??exubérance du Freilach. L??accompagnement a été confié d??authentiques klezmorim évoluant dans la plus pure tradition de la musique klezmer. La raccolta All Time Klezmers si ispira alle danze e ai balli: dalla bellezza lirica della Hora all??esuberanza di Freilach. Ci si ritrova ugualmente l??influenza della musica tradizionale israeliana nello spirito di Giora Feidman. L??accompagnamento è affidato ad un vero gruppo klezmorim che vi trasciner nell??autenticit di questo genere musicale.
SKU: BT.1247-05-404-DHI
ISBN 9789043169745. English-German-French-Dut ch.
SKU: BT.1246-05-404-DHI
ISBN 9789043169738. English-German-French-Dut ch.
SKU: OT.37019SET
8.27 x 11.69 inches.
Lev KoganKlezmer Dance Suite for clarinet, strings, percussion, and tubaarranged by Alan Kaufman, with cadenzas by Gene KavadloScore and one copy each partI have been Principal Clarinetist with the Charlotte Symphony Orchestra, North Carolina, since 1975. My interest in klezmer music began in 1984 when I realized how unique the clarinet voice can be in the klezmer idiom - it is totally different from playing in a symphony orchestra, and I found that unique voice to be very appealing. I formed a quartet called Viva Klezmer!, and we have been concertizing and recording ever since.I discovered Lev Kogan's Hassidic Tunes for Clarinet and Piano a number of years ago and was struck by the lovely melodies and harmonies that Mr. Kogan had composed. The tunes were always enjoyed by audiences whenever I performed them, and it occured to me that several of them could be orchestrated and grouped together to form a very attractive klezmer suite. I enlisted the aid of my talented colleague, Alan Kaufman, and the result is this publication. There is dearth of klezmer music featuring clarinet with orchestra or chamber ensemble, and this publication helps fill that void.The suite can be performed with orchestra or, if percussion and tuba are unavailable, as chamber music with clarinet and strings. In the absence of tuba, the part may be played by another bass instrument.Gene KavadloLev Kogan (1927-2007) was born in Baku, Azerbaijan, and immigrated to Israel in 1972. Kogan attended the Moscow State Conservatory from 1946-1952 where he studied piano and was a composition of Aram Khatchturian. He has devotred much time to the research, creation and performance of Jewish music. In Israel, he has composed many productions for the Yiddish theater and Chassidic, Yiddish songs and chamber music.Originally from New York State, Alan Kaufman graduated from Potsdam State University with a Bachelor's Degree in Music Education and a Master's Degree in Music Performance in Percussion. Since then, he has been a performer, arranger, educator, producer and composer of commercial jingles, recordings and movie and television soundtracks. He has produced albums and/or has arranged for an array of groups from The Buddy Rich Band to performing with artists as diverse as Luciano Pavoratti and Bernadette Peters, to Dave Brubeck and Johnny Cash. Since 1978, Alan has resided in Charlotte, NC where he continues his musical journey.
SKU: OT.37019
ISBN 9789655050851. 8.27 x 11.69 inches.
Lev KoganKlezmer Dance Suite for clarinet, strings, percussion, and tubaarranged by Alan Kaufman, with cadenzas by Gene KavadloScore. A set of parts may be ordered separately.There is also an edition for small ensemble including a score and one copy each part, SKU 37019setI have been Principal Clarinetist with the Charlotte Symphony Orchestra, North Carolina, since 1975. My interest in klezmer music began in 1984 when I realized how unique the clarinet voice can be in the klezmer idiom - it is totally different from playing in a symphony orchestra, and I found that unique voice to be very appealing. I formed a quartet called Viva Klezmer!, and we have been concertizing and recording ever since.I discovered Lev Kogan's Hassidic Tunes for Clarinet and Piano a number of years ago and was struck by the lovely melodies and harmonies that Mr. Kogan had composed. The tunes were always enjoyed by audiences whenever I performed them, and it occured to me that several of them could be orchestrated and grouped together to form a very attractive klezmer suite. I enlisted the aid of my talented colleague, Alan Kaufman, and the result is this publication. There is dearth of klezmer music featuring clarinet with orchestra or chamber ensemble, and this publication helps fill that void.The suite can be performed with orchestra or, if percussion and tuba are unavailable, as chamber music with clarinet and strings. In the absence of tuba, the part may be played by another bass instrument.Gene KavadloLev Kogan (1927-2007) was born in Baku, Azerbaijan, and immigrated to Israel in 1972. Kogan attended the Moscow State Conservatory from 1946-1952 where he studied piano and was a composition of Aram Khatchturian. He has devotred much time to the research, creation and performance of Jewish music. In Israel, he has composed many productions for the Yiddish theater and Chassidic, Yiddish songs and chamber music.Originally from New York State, Alan Kaufman graduated from Potsdam State University with a Bachelor's Degree in Music Education and a Master's Degree in Music Performance in Percussion. Since then, he has been a performer, arranger, educator, producer and composer of commercial jingles, recordings and movie and television soundtracks. He has produced albums and/or has arranged for an array of groups from The Buddy Rich Band to performing with artists as diverse as Luciano Pavoratti and Bernadette Peters, to Dave Brubeck and Johnny Cash. Since 1978, Alan has resided in Charlotte, NC where he continues his musical journey.
SKU: OT.37019PARTS
Lev KoganKlezmer Dance Suite for clarinet, strings, percussion, and tubaarranged by Alan Kaufman, with cadenzas by Gene KavadloSet of partsThere is also an edition for small ensemble including a score and one copy each part, SKU 37019setI have been Principal Clarinetist with the Charlotte Symphony Orchestra, North Carolina, since 1975. My interest in klezmer music began in 1984 when I realized how unique the clarinet voice can be in the klezmer idiom - it is totally different from playing in a symphony orchestra, and I found that unique voice to be very appealing. I formed a quartet called Viva Klezmer!, and we have been concertizing and recording ever since.I discovered Lev Kogan's Hassidic Tunes for Clarinet and Piano a number of years ago and was struck by the lovely melodies and harmonies that Mr. Kogan had composed. The tunes were always enjoyed by audiences whenever I performed them, and it occured to me that several of them could be orchestrated and grouped together to form a very attractive klezmer suite. I enlisted the aid of my talented colleague, Alan Kaufman, and the result is this publication. There is dearth of klezmer music featuring clarinet with orchestra or chamber ensemble, and this publication helps fill that void.The suite can be performed with orchestra or, if percussion and tuba are unavailable, as chamber music with clarinet and strings. In the absence of tuba, the part may be played by another bass instrument.Gene KavadloLev Kogan (1927-2007) was born in Baku, Azerbaijan, and immigrated to Israel in 1972. Kogan attended the Moscow State Conservatory from 1946-1952 where he studied piano and was a composition of Aram Khatchturian. He has devotred much time to the research, creation and performance of Jewish music. In Israel, he has composed many productions for the Yiddish theater and Chassidic, Yiddish songs and chamber music.Originally from New York State, Alan Kaufman graduated from Potsdam State University with a Bachelor's Degree in Music Education and a Master's Degree in Music Performance in Percussion. Since then, he has been a performer, arranger, educator, producer and composer of commercial jingles, recordings and movie and television soundtracks. He has produced albums and/or has arranged for an array of groups from The Buddy Rich Band to performing with artists as diverse as Luciano Pavoratti and Bernadette Peters, to Dave Brubeck and Johnny Cash. Since 1978, Alan has resided in Charlotte, NC where he continues his musical journey.
SKU: HF.FH-3007
ISBN 9790203430070. 8.3 x 11.7 inches.
1. Cha Cha; 2. Freylekhs shtikele; 3. It's Swing Time; 4. Le Carrousel; 5. Slow Waltz; 6. Tango.
SKU: AP.1-ADV8437
UPC: 805095084375. English.
Klezmer Jam is a lively jam session original by Valentin Hude where the lead material is shared by every member of the quartet at one time or another. It is great fun for players and audiences alike. Arranged for 4 clarinets (3 clarinets in B-flat & bass clarinet in B-flat).
SKU: BT.DHP-1064029-070
ISBN 9789043127820. 9x12 inches. English-German-French-Dut ch.
Klezmer is the traditional music for weddings and celebrations of the Yiddish-speaking Jews of Eastern Europe. Its origin goes back to the sixteenth century. Klezmer was played by the klezmorim, travelling Jewish musicians who picked up something from local music culture wherever they went. Thus klezmer became a melting pot of various music styles. This music stays interesting because of its synthesis of familiar sounds and exotic turns ? as well as the simultaneously melancholic and cheerful mood. Roland Kernen has composed this three-movement work in klezmer style for flexible line-up.Part 1 Fl Ob Bb Clar S Sax Tpt Part 2 Fl Cor Ang Bb Clar Eb Clar A Sax Tpt Hn Part 3Eb Clar T Sax Bsn Hn Trom Euph Part 4 T Sax Bsn Trom Euph Part 5 Bass Clar Bari Sax Bsn Trom Euph Tuba Cont Bsn Opt. Mallets Timp Perc 1 Perc 2 Klezmer is de traditionele muziek voor bruiloften en feesten van de joden van Oost-Europa. De oorsprong ervan gaat terug tot in de zestiende eeuw. Klezmer werd gespeeld door rondtrekkende joodse muzikanten die overal waar ze kwameniets van de lokale muziekcultuur oppikten. De muziek vond later haar weg naar Amerika. Deze muziek blijft boeiend vanwege haar synthese van bekende klanken en exotische wendingen - evenals de gelijktijdig melancholische en vrolijkestemming. Roland Kernen maakte een driedelig werk in klezmerstijl voor variabele bezetting.Klezmer ist die traditionelle Musik für Hochzeiten und Feste der Jiddisch sprechenden Juden Osteuropas. Im vergangenen Jahrzehnt erlebte Klezmer eine Renaissance. Dank der Synthese von vertrauten Klängen und exotischen Wendungen sowie der zugleich melancholischen und fröhlichen Stimmung, bleibt diese Musik immer interessant. Roland Kernen komponierte dieses dreisätzige Werk im Klezmerstil für variable fünfstimmige Besetzung.Part 1 Fl Ob Kl B S-Sax Trp Part 2 Fl Cor Ang Kl B A-Kl A-Sax Trp Hn Part 3 A-Kl T-Sax Fg Hn Pos Euph Part 4 T-Sax Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Mallets Timp Perc 1 Perc 2La musique klezmer est la musique traditionnelle des mariages et célébrations des communautés juives de langue yiddish installées en Europe de l’Est. Jouée par les klezmorim, des musiciens juifs itinérants, cette musique se caractérise par des influences métissées et une large palette de sentiments. Klezmoresque est une œuvre en trois mouvements de style klezmer pour ensemble instrumentation variable.Part 1 Fl Htb Cl. Si♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Sax. T. Basson Trb Euph. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes Opt.Mallets Timb. Perc 1 Perc 2 La musica klezmer è una musica festiva suonata in occasione di matrimonio e feste dagli ebrei dell’Europa dell’est che parlano ancora jiddish. E’ una musica dolce e malinconica che racchiude elementi conosciuti ed esotici. Roland Kernen ha composto questo brano in tre movimenti per strumentazione variabile a cinque voci.Part 1 Fl Ob Bb Clar S Sax Tpt Part 2 Fl Cor Ang Bb Clar Eb Clar A Sax Tpt Hn Part 3 Eb Clar T Sax Bsn Hn Trom Euph Part 4 T Sax Bsn Trom Euph Part 5 Bass Clar Bari Sax Bsn Trom Euph Tuba Cont Bsn Opt. Mallets Timp Perc 1 Perc 2.
SKU: AP.1-ADV14284
ISBN 9783954810161. UPC: 805095142846. English.
Helmut Eisel is regarded as one of the best and most versatile klezmer clarinettists in Europe. There are only a few musicians like him who are able to tell stories on their instrument, each of them born of the moment and addressed directly to their audience. In Talking Clarinet for the first time contains some of Helmut Eisel's improvisations. Faithfully transcribed, they allow fascinating insights into the current klezmer music and invite you to play these improvisations. The accompanying texts, exercises, and music shall encourage you to find your own style and tell your own stories. For music is language, yet it says so much more. The volume is accompanied by an additional C part. Titles: Talking with Music * Improvising Naturally * Talking Clarinet and Klezmer * Not Only Black and White * Talking Clarinet on Stage * Effects * Talking Clarinet on a Journey Through Time.
SKU: PR.144407530
ISBN 9781491136614. UPC: 680160687992.
A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bach??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked ??white-hot,? and the music certainly is.My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the ??Preludio? movement from Bach??s E major Partita, and I decided to refer to that music in my own first movement, also titled ??Preludio.? The beginning subtly reflects Bach??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bach??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bach??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked ??White-hot.? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the ??fall-offs? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.