SKU: CA.1610549
Language: all languages.
Based on a violin concerto by Johann Friedrich Fasch. Score and part available separately - see item CA.1610500.
SKU: CA.1610513
SKU: CA.1610500
ISBN 9790007076146. Language: all languages.
Based on a violin concerto by Johann Friedrich Fasch.
SKU: CA.1610512
SKU: CA.1610511
SKU: CA.1610514
SKU: CA.1610509
Based on a violin concerto by Johann Friedrich Fasch. Score and parts available separately - see item CA.1610500.
SKU: CA.1530001
Score available separately - see item CA.1530000.
SKU: CA.1530311
ISBN 9790007067830.
Score and part available separately - see item CA.1530300.
SKU: BA.BA07567
ISBN 9790006544097. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of “L’Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, “La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of “La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of “La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh & Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.1530312
ISBN 9790007067847.
SKU: BA.BA07566
ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldi??s twelve concertos op. 4 known by the name of ??La Stravaganza? were first mentioned as a collection of ??Concerti a 4? in the 1711 Foreword of ??L??Estro Armonico? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, ??La Stravaganza? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of ??La Stravaganza? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of ??La Stravaganza? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
SKU: CA.1530301
Score available separately - see item CA.1530300.