SKU: NR.106883
SKU: FT.FM520
ISBN 9790570484195.
This piece is a reworking of the song ‘An end’ from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement. Likewise the secondary motif, first heard in bars 27 to 30, is presented differently each time. Wistful throughout and unashamedly melodic, the flute part is in constant dialogue with the piano accompaniment.
SKU: FT.FM519
ISBN 9790570484188.
This piece is a reworking of the song ‘An End’ from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement. Likewise the secondary motif, first heard in bars 27 to 30, is presented differently each time. Wistful throughout and unashamedly melodic, the flute is in constant dialogue with the piano accompaniment.
SKU: FT.FM518
ISBN 9790570484171.
This piece is a reworking of the song ‘An end’ from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement. Likewise the secondary motif, first heard in bars 27 to 30, is presented differently each time. Wistful throughout and unashamedly melodic, the oboe is in constant dialogue with the piano accompaniment.
SKU: FT.FM614
ISBN 9790570485130.
The overall structure is A B A1 C D A2; melodic and rhythmic motifs are constantly woven (hence the title), overlapped and transformed throughout all sections. Although the whole range of the flute is used, the rich lower register is especially exploited. Without harmonic support, the work relies on textural variety and busy, rhythmic momentum. Basically tonal, but without an obvious key centre, the work uses mild clashes to provide astringency. A gradually decreasing tempo allows for more reflective playing, before a busier texture increases the pace into a brief return of the agitated initial material, which brings the piece to an energetic conclusion.
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