SKU: HL.49030772
ISBN 9790001142823. 8.25x11.75x0.08 inches.
SKU: HL.49030686
ISBN 9790001142717. 8.25x11.75x0.11 inches.
SKU: HL.49031211
ISBN 9790001142984.
SKU: HL.49030758
ISBN 9790001142816. 8.25x11.75x0.075 inches.
SKU: TM.10518SC
SKU: TM.10518SET
SKU: HL.49004137
ISBN 9790001042970.
SKU: TM.08351SC
SKU: TM.08351SET
SKU: HL.49018904
ISBN 9790001168281. 7.5x11.0x0.048 inches. German.
Singing, especially singing in small groups, is a valuable and even the most natural musical activity - that is what Paul Hindemith (1895-1963) firmly believed: 'Everybody has got a voice ... A choir is the least demanding and at the same time best educational tool.' And that is why singing had always been part of his teaching activities, be it while trying and practising musical-theoretical tasks, be it while rehearsing old and modern choral settings. No wonder that the composer had dealt with choral music all his life, addressing himself to all different kinds of vocal ensembles: to mixed choirs, male-voice and children's choirs, professional choirs and trained singers. He developed his a-cappella style during his training with Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatoire in Frankfurt. As a consequence, the sketch books from his student days also contain three-part vocal settings on cantus firmi. The sacred choral works presented here (1. Christus, der ist mein Leben, 2. Erhalt uns, Herr, bei deinem Wort, 3. Nun komm, der Heiden Heiland, 4. Gott des Himmels) are not only interesting as compositional studies, but also as sonorous and catchy choral music which can be easily performed by any good church choir.
SKU: HL.48025278
UPC: 196288158561.
Erich Schmid (1907 - 2000) was an orchestra conductor, choir director and university lecturer who promoted world premieres and radiobroadcasts of contemporary music in Switzerland. He himself studied with Bernhard Sekles, among others, then with Arnold Schönberg and followed the aesthetics of the New Viennese School in his compositions. The historical-critical Erich Schmid Edition publishes for the first time all sixteen opus-numbered works as well as three additional piano works. The playfully inventive cycle for voice, piano and string quartet, dedicated to his “dear wife†Martha, brings together short compositions written in 1937-40. “These are,†says Schmid, “12 small pieces in a wide variety of instrumentation and different forms - some of them twelve-tone pieces, some of them in a technique that comes close. An attempt to write music that is technically easier to perform.†The arch-like overall form combines folksong-like vocal numbers on text from “Des Knaben Wunderhorn†with solo pieces, quartet movements and counterpoint art on the name of “BACH†and expresses Schmid's view of music in a subtly personal way.
SKU: HL.48025279
UPC: 196288161400.
SKU: HL.48025271
UPC: 196288154341.
Erich Schmid (1907 - 2000) was an orchestra conductor, choir director and university lecturer who promoted world premieres and radiobroadcasts of contemporary music in Switzerland. He himself studied with Bernhard Sekles, among others, then with Arnold Schönberg and followed the aesthetics of the New Viennese School in his compositions. The historical-critical Erich Schmid Edition publishes for the first time all sixteen opus-numbered works as well as three additional piano works. Suite No. 1 is an interesting hybrid that conveys the most modern compositional structure in the genre of light music. Schmid composed it shortly after the end of his year as a master student of Schönberg in Berlin. Like his other works of the time, its unusual instrumentation already shows an effort to move on from classical “high forms†and compose in looser structures, with the free use of the twelve-tone technique providing inner coherence. “Danceâ€, “Waltzâ€, “March†are linked by two inserted “Intermezzi†and introduced by an “Introductionâ€. Not all movements require full instrumentation and are designed for solo rather than group performance. Professional playing techniques such as flutter tonguing and alienating sound effects through damping and muting are used.