Henri Dutilleux

Henri Dutilleux's (1916-2013) compositional style greatly reflected that of Maurice Ravel Claude Debussy and Albert Roussel. Yet his unique individual style did not go amiss as in his Au Gré des Ondes composed in 1946 and still performed to this day. Au Gré des Ondes translating as Along the Waves contains six movements including an homage to Bach. Au Gré des Ondes reflects Dutilleux's style in its atonality and modality use of pedal notes and subtle hints of the jazz style. As an unusual set of Piano pieces Dutilleux's compilation adds pleasant varietyto the pianists' repertoire.

Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of this work goes back to For Aldeburgh 85. Written for the 75th birthday of singer Peter Pears the piece takes up a fragment of Peter Grimes whose leading role had been written by Britten for the beloved tenor. Dutilleux adds a page titled FromJanequin to Jehan Alain in which appears a song from the Renaissance composer “L’espoir que j’ay d’acquerir vostre grace” used by J. Alain in his Variations for Organ on a theme by Clément Janequin. The junction between the two parties is made through an Interlude that introduces the “wolf’s moan” theme from the ballet Le Loup (The Wolf) composed by Dutilleux in 1953 for the troupe of Roland Petit. This subtle tangle of quotations forms a shimmering and sensual work where the uniqueness of an authentic artist powerfully asserts itself.

Created in 1943 as part of the four exam pieces for the Paris Conservatoire this charming Sonatine for Flute and Piano is part of the early works of Henri Dutilleux (1916-2013) a French Composer following the paths of Maurice Ravel and Claude Debussy. Even though the composer was later quite critical about it this Sonatine which lasts 9 minutes is the most recorded of his compositions and has become a standard in the flute repertoire. Composed of three movements it begins with a tempo “Allegretto” followed by a part more “Andante” and finishes with a cadence “Animé”. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes sonatas for piano and for oboe two symphonies the cello concerto Tout un monde lointain (A whole distant world) the violin concerto L'arbre des songes (The tree of dreams) and the string quartet Ainsi la nuit (Thus the night).

Created in 1947 as part of the four exam pieces for the Paris Conservatoire this Sonate for Oboe and Piano is one of the early works of Henri Dutilleux (1916-2013) a French Composer following the paths of Maurice Ravel and Claude Debussy with an idiosyncratic way of writing. Sonate was part of the compositions that were later disowned by the composer who considered them as being not mature enough compared to his main work even though they were played and enjoyed regularly all over the world. This duet integrates a variety of contrapuntal procedures which were highly appreciated by the composer. Composed of threemovements the first one begins with an austere canon while the latter two comprise more texture. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Cello concerto Tout un monde lointain (A whole distant world) the Violin concerto L'arbre des songes (The tree of dreams) and the string quartet Ainsi la nuit (Thus the night).

Dutilleux's Chorale Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire yet it remains a frequent favourite at virtuoso solo competitions. Chorale Cadenza and Fugue is ideal for trombonists seeking something more substantial and varied. Henri Dutilleux (1916-2013) began his career as director of the Musical Illustrations Service on French Radio and Television but he left this position after 18 years to devote himself entirely to composition. As the title suggests Dutilleux's Chorale Cadenza and Fugue is divided in tothree contrasting sections which run seamlessly from one to another. The piece begins with the Trombone playing a lyrical chorale melody accompanied by rich Piano chords. The cadenza is dramatic with the intense Trombone line being played over tremolos from the Piano. This is followed by the angular and rhythmic Fugue initially stated in the low register of the Piano. As the Trombone states the Fugue a countermelody is introduced on the Piano. These themes continue and augment into a virtuosic fanfare motif closing in a grand and dramatic finish. Dutilleux's Chorale Cadenza and Fugue for Trombone and Piano is inspiring challenging motivating and essential to the repertoire of all advanced trombonists.

Les Citations by Henri Dutilleux is a diptych for Oboe Harpsichord Double Bass and Drums. Composed in 1985 for the Aldeburgh Festival this diptych is composed of two pieces: I. For Aldeburgh 85 and II. From Janequin to Jehan Alain. Very enigmatic this piece is very difficult to play and requires a very good level of theory. It is however perfect for concerts or recitals. The third section which was later added to this piece is not part of this book which only contains the scores for the first and second part for each instrument. Henri Dutilleux was internationally acclaimed for his workwinning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers amongst many others. His work also includes a Piano sonata two symphonies the Cello concerto 'Tout un monde lointain' (A whole distant world) the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).

Composed between 1973 and 1976  Ainsi La Nuit for a String Quartet is one of the most important works of its genre byHenri Dutilleux (1916-2013) a French composer. This score of Ainsi La Nuit is the conductor's score with the four instruments altogether. The score for each individual instrument can be bought separately. Commissioned by the Koussevitzky Foundation for the Juilliard Quartet  Ainsi La Nuit is based on a series of studies lasts 18 minutes and is divided into 7 sections:  1. Nocturne 2. Miroir d'espace 3.Litanies 4. Litanies II 5. Constellations 6. Nocturne II 7. Temps suspendu Built on single hexachords it also use the octatonic mode and focus on harmonies contrasts and oppositions of register.  Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'arbre des songes' (The tree of dreams) and the Cello concerto 'Tout un monde lointain' (A whole distant word).