| Simon Holt: Banshee (Oboe
Part): Oboe: Instrumental
Work Oboe Chester
A chamber ensemble piece that reflects Holt's passion for the visual arts and li...(+)
A chamber ensemble piece that reflects Holt's passion for the visual arts and literature. The Banshee according to legend is less a shape than a mournful screaming that haunts the Irish night and the ScottishHighlands.Beneath the window of the visited house she fortells the death of one of the family.The Banshee was commissioned by Melinda Maxwell and is dedicated to her and Richard Benjafield thepercussionist at the first performance
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| Simon Holt: Holt Feet Of
Clay Solo Cello: Cello:
Instrumental Work Cello Chester
Holt Feet Of Clay Solo Cello
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| Simon Holt: Migas - Book
1: Piano: Instrumental
Work Piano solo [Sheet music] Chester
Migas is a selection of pieces composed over 33 years by British Composer Simo...(+)
Migas is a selection of pieces composed over 33 years by British Composer Simon Holt.Migas translates in English to Crumbs.This collection of11 brief Piano pieces was written over a period of 33 years most of them for the pianists Rolf Hind and Andrew Zolinsky.
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| Simon Holt: 3rd Quartet:
String Quartet: Parts String Quartet: 2 violins, viola,
cello [Sheet music] - Intermediate/advanced Chester
Simon Holt's 3rd Quartet is the third of six pieces which make up a cycle with t...(+)
Simon Holt's 3rd Quartet is the third of six pieces which make up a cycle with the overall title 'Terrain'. Lasting around 23 minutes this wonderful work is arranged for String Quartet and wasco-commissioned by The Radcliffe Trust NMC Recordings Internationales Musikfestival Heidelberger Fruhling and Wigmore Hall. The premiere was performed on 19th January 2015. This is the set of parts for 2 Violins Viola andCello. The six different compositions of which 3rd Quartet is the third are for different combinations of stringed instruments featuring Piano in the second piece. The music thatcomprises 3rd Quartet is drawn from the other parts of the cycle as a whole yet in a reverse order. In this way the piece develops what has come before foreshadows what's to come all the while encompassingthe entire cycle in a single piece.
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| Simon Holt: Sphinx for
Cor Anglais and Gongs:
Cor Anglais: Score [Sheet music] Chester
Sphinx is scored for cor anglais and nine tuned gongs and lasts approximately f...(+)
Sphinx is scored for cor anglais and nine tuned gongs and lasts approximately fourteen minutes. It is austere in texture and takes the form of an extended riddle the answer to which may be the one and only appearance of A# rightat the end of the piece played by the cor anglais (It is the quietest highest and possibly the longest note that the cor plays). It is dedicated to Susanna Eastburn.
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| Simon Holt: Two Movements
For String Quartet:
String Quartet: Parts String Quartet: 2 violins, viola,
cello Chester
Two Movements For String Quartet
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| Simon Holt:
Bagatelarañas: Ensemble:
Parts Chester
Simon Holt's Bagatelarañas for Wind Quintet. Composed in 2010. Duration: 15 mi...(+)
Simon Holt's Bagatelarañas for Wind Quintet. Composed in 2010. Duration: 15 minutes
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| Simon Holt: A Table Of
Noises (Percussion Part):
Percussion: Part Percussion [Sheet music] Chester
The solo percussion part orchestral score available separately.Note for Perform...(+)
The solo percussion part orchestral score available separately.Note for Performance.In table top the unpitched solo percussion part in the 9th movement the scoringwas initially left open. The present score showsa suggested instrumentation whichwas devised by Colin Currie in conjunction with the composer. Soloists shouldattempt to match the timbres used but should not feel constrained by the exactchoice of instruments.
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| Simon Holt: Kites (Full
Score): Orchestra: Score Orchestra [Sheet music] Chester
Kites is scored for wind quintet and string quintet and came about through Hol...(+)
Kites is scored for wind quintet and string quintet and came about through Holt's interest in Japanese things. The kite that features is preceded by an introduction of fragile slow and serene scene-setting music. Like Kites Holt's musical ideas are objects defined by the forces within them; intervals dynamic intensities and tensions between different instruments and registers. Many of these featurethroughout the piece which has a graceful ending likened to a Light breeze blowing shoreward form the ocean.
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| Simon Holt: St. Vitus In
The Kettle: Orchestra:
Score Orchestra Chester
Commissioned by the BBC National Orchestra of Wales for the opening of Hoddinott...(+)
Commissioned by the BBC National Orchestra of Wales for the opening of Hoddinott Hall. First performance on 22nd January 2009 at Hoddinott Hall Cardiff by the BBC National Orchestra of Wales conducted by Thierry Fischer.
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| Simon Holt: All Fall
Down: Ensemble: Study
Score CLT/HN/PFC/VLN/VLA/VLC::Clarinette,
Cor, Piano De Chambre, Violon, Viola,
Violoncelle [Partitions] Chester
All Fall Down by British composer Simon Holt was commissioned by the Nash Ensemb...(+)
All Fall Down by British composer Simon Holt was commissioned by the Nash Ensemble in 1994 and revised in 2008. This is the study score and is arranged for Chamber Ensemble lasting around 9minutes. The title takes its name from the traditional plague rhyme Ring A Ring O'Roses which struck Holt as he was writing the piece as entirely appropriate although not altogetherexplicable. It was first performed on the 26th of February 1994 at the Purcell Room in London and is scored for E Flat Clarinet Horn in F Piano Violin Viola and Cello.
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| Simon Holt: Sparrow Night
Score: Oboe: Study Score SCORE::Partitions [Sheet music] Chester
This is a study score of Simon Holt's Sparrow Night for Solo Oboe and Chamber E...(+)
This is a study score of Simon Holt's Sparrow Night for Solo Oboe and Chamber Ensemble. Commissioned by the Nash Ensemble this work lasts for around 17 minutes. The title ofSparrow Night comes from a Chekhov story cited by Raymond Carver in his final book of poetry 'A new path to the waterfall' in which terrible nights featuring thunder rain and wind are called by some people'sparrow nights.'
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| Simon Holt: Boots Of Lead
For Alto And Chamber
Ensemble: Alto: Score [Sheet music] Chester
Boots Of Lead For Alto And Chamber Ensemble
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| Simon Holt: String Sextet
- The Torturer's Horse
(Parts): String Ensemble:
Parts String Orchestra [Sheet music] Chester
This work was commissioned by the Nash Ensemble with funds provided by Wigmore H...(+)
This work was commissioned by the Nash Ensemble with funds provided by Wigmore Hall and PRS for Music Foundation. It was first performed by the Nash Ensemble at Wigmore Hall London on 23rd March 2011.
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| Simon Holt: Piano Trio -
Los Ojos: Chamber
Ensemble: Score and Parts Piano Trio: piano, violin, cello Chester
Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cell...(+)
Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt
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| Simon Holt: 3rd Quartet:
String Quartet: Score String Quartet: 2 violins, viola,
cello [Sheet music] - Intermediate/advanced Chester
Simon Holt's 3rd Quartet is the third of six pieces which make up a cycle with t...(+)
Simon Holt's 3rd Quartet is the third of six pieces which make up a cycle with the overall title 'Terrain'. Lasting around 23 minutes this wonderful work is arranged for String Quartet and wasco-commissioned by The Radcliffe Trust NMC Recordings Internationales Musikfestival Heidelberger Fruhling and Wigmore Hall. The premiere was performed on 19th January 2015. The six different compositions ofwhich 3rd Quartet is the third are for different combinations of stringed instruments featuring Piano in the second piece. The music that comprises 3rd Quartet is drawn from theother parts of the cycle as a whole yet in a reverse order. In this way the piece develops what has come before foreshadows what's to come all the while encompassing the entire cycle in a single piece.
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| Simon Holt: An Icicle Of
Moon: Orchestra: Study
Score Orchestra [Sheet music] Chester
This is the study score for Simon Holt's An Icicle Of Moon a work for Orchestra...(+)
This is the study score for Simon Holt's An Icicle Of Moon a work for Orchestra. The piece was commissioned by Bamberger Symphoniker and its first performance was on 31st October 2014 at theJoseph-Keilberth-Saal Bamberg. A full performance of the work lasts around 6 1/2 minutes. The title of this work is taken from a phrase from a poem by Federico Garc a Lorca.
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| Simon Holt: The Man In
The Wind And The West
Moon: Harp: Instrumental
Work Harp [Partitions] Chester
Simon Holt's the man in the wind and the west moon was composed for Solo Harp in...(+)
Simon Holt's the man in the wind and the west moon was composed for Solo Harp in 2013 having been commissioned by The Tanza Trust. The piece takes its title from a line in a DylanThomas poem named 'And death shall have no dominion'. The four sections of the work see shifting harmonies throughout with the first section repeating but also changing ever so subtly. The unique thing about the piece is thateach section is dynamically different but is left open to interpretation by the player. The man in the wind and the west moon was first performed on the2nd of June 2014 at Milton Court Concert Hall in London by Alex Rider. The piece lasts around 7 minutes and the bottom C and D strings should be tuned to C# and D# respectively.
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| Simon Holt: Mantis: Tenor
Saxophone: Instrumental
Work Tenor Saxophone [Sheet music] Chester
Mantis was originally composed by Simon Holt for Viola. This arrangement is for ...(+)
Mantis was originally composed by Simon Holt for Viola. This arrangement is for Tenor Saxophone and was first performaned on 12th July 2015 by Niels Bijl at La Cité de la Musique et de la Danse Strasbourg as part of SaxOpen - World Saxophone Congress & Festival.?The piece lasts around 3 minutes. The original Viola composition was first performed on 16th February 2009 by Roger Chase at theStradivari Music and Arts Center Chicago.
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| Simon Holt: Everything
Turns Away (Parts):
String Ensemble: Parts String Orchestra [Sheet music] Chester
Everything Turns Away (Parts)
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| Simon Holt: Era
Madrugada: Chamber
Ensemble: Study Score CHAM::Chamber Group [Sheet music] Chester
Era Madrugada is a work by Simon Holt for Chamber Ensemble commissioned by the ...(+)
Era Madrugada is a work by Simon Holt for Chamber Ensemble commissioned by the Royal Institute of British Architects and first performed on 24th May 1984 at BBC Portland Place Concert Hall London by theNash Ensemble. This is the study score. Era Madrugada is inspired by the poem 'Suprise' by prominent Spanish poet Federico Garc a Lorca.
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| Simon Holt: A Table Of
Noises (Full Score):
Orchestra: Score Orchestra [Sheet music] Chester
Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchest...(+)
Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008 at Symphony Hall Birmingham by Colin Currie (percussion) and the City ofBirmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top the unpitched solo percussion part in the 9th movement the scoring was initially left open. The present full score showsa suggested instrumentation which was devised by Colin Currie in conjunction with the composer. Soloists should attempt to match the timbres used but should not feel constrained by the exact choice ofinstruments.COMPOSER’S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash’s parlour table that fascinated me as a child. There is even abottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn’t walk too far without his trusty crutch.He kept everything he needed within arm’s length. In the list of instruments for the solo part there’s everything from deep log drum sounds to very high metallic chime sounds. Wood glass metal and a whistle. Mostlysmall-scale things with a large gong behind used sparingly. I think that we managed to keep below 30 instruments in all which I was keen to do. I didn’t want scores of things that are only played once they have to earn theirkeep. I didn’t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon a flamenco instrument which isessentially a wooden box. The player hits the front of the box in various ways rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the
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| Simon Holt: Morpheus
Wakes: Flute: Study Score 2 Flutes, Basso continuo [Sheet music] Chester
The Study Score for Simon Holt's Morpheus Wakes a concerto for Flute or Alto Fl...(+)
The Study Score for Simon Holt's Morpheus Wakes a concerto for Flute or Alto Flute and Orchestra. Commissioned by BBC Radio 3 this work was first performed at the BBC Proms on 27th July 2014 at theRoyal Albert Hall in London. A full performance lasts around 15 minutes. Morpheus Wakes is a Flute concerto in two movements. In the first the soloist plays the Alto Flute before switching toFlute for the second.
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| Simon Holt: Who Put Bella
In The Wych Elm
(Libretto): Opera:
Libretto [Libretti] Chester
Simon Holt’s chamber opera Who put Bella in the Wych Elm? is a highly cre...(+)
Simon Holt’s chamber opera Who put Bella in the Wych Elm? is a highly creative work with the most intriguing score. An emotive and haunting composition this work is guaranteed to move the audience. This is the Libretto.
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| Simon Holt: The Legend Of
Melusine: Vocal: Vocal
Work TREBLE/ORGA::Treble, Organ
Accompaniment [Vocal Score] - Intermediate/advanced Chester
Composer Simon Holt's The Legend Of Melusine was commissioned in 2014 by the Sou...(+)
Composer Simon Holt's The Legend Of Melusine was commissioned in 2014 by the Southbank Centre to celebrate the return of the Royal Festival Hall Organ and to celebrate the 150th anniversary of the RoyalCollege of Organists. The work lasts around 12 minutes and is arranged for Boy Treble Voice and Organ. This unique work sees the Organ as an accompaniment and complement to both the narration and singing of theBoy Treble throughout. The words of The Legend Of Melusine written by Holt himself portrays a version of the Melusine myth of European folklore a feminine spirit of the water that turns into aserpent from the waist down. This wonderfully engaging tale is matched by the superb vocal melodies and accompanying Organ work.
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| Simon Holt: Escaramuza:
Clarinet: Instrumental
Work Chester
Escaramuza (the Spanish word for ‘skirmish’) is an 8 minute single ...(+)
Escaramuza (the Spanish word for ‘skirmish’) is an 8 minute single movement for Clarinet and Piano and is dedicated to the wildly talented Mark Simpson.It takes the form of a volatile cinematicfragment that begins in an almost oppressive static way but quickly lurches into a more restless impulsive state.
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