100% PIANO Volume 1

Petites pièces originales pour Piano de difficultés progressives / Méthodes and études instrumentales / Partition / Agrafé /

Piano : partitions + CD / Delpech, Michel , Trenet, Charles , Aznavour, Charles , Pagny, Florent , Barbara , Fugain, Michel , Jonasz, Michel , Lama, Serge , Queen

This third volume in the Classical Piano Solos series features 20 original pieces from the masters, suitable for pianists at a Grade 3 standard.This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces such as Burgmüller's 'Ballade? and Rebikov's 'Playing Soldiers? as well as lesser-known gems like CPE Bach's 'Presto? - a fast, motivating recital piece, and the lovely, lyrical 'Piece Romantique? by Cecile Chaminade. / Piano

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

Partition pour piano Nombre de pages : 48 Niveau : 3 La collection DECOUVRIR LES GRANDS COMPOSITEURS présente aux jeunes pianistes débutants les ?uvres des plus célèbres compositeurs par l'intermédiaire de compositions originales et d'arrangements pour piano par H.G. Heumann. Elle propose aux jeunes pianistes et à tous ceux qui commencent le piano un voyage dans l'?uvre et la vie des compositeurs pour mieux connaître et aimer les grands artistes qui ont fait l'histoire de la musique. Ce volume est consacré à Jean Sébastien Bach, l'un des plus grands compositeurs de l'époque baroque (vers 1600-1750). Comme Georg Philip Telemann l'écrivait très justement dans un sonnet dédié à Bach: (il était) un grand maître dans l'art du contrepoint et de l'orgue, un improvisateur inventif et un grand professeur pour ses fils talentueux et ses élèves. Dans cette édition, nous avons repris les indications d'exécution de Bach, aussi bien dans les pièces originales que dans les arrangements. L'on pourra ainsi constater combien les musiciens baroques faisaient l'économie de conseils concernant le tempo, la dynamique ou le phrasé. Nous vous souhaitons beaucoup de plaisir dans la découverte de ce génie musical. (Hans Günter Heumann). Contenu : Menuet BWV anh. 132 - Préludes BWV 999, 927 et 846 - Inventions à 2 voix BWV 772 et 779 - Aria (Variations Goldberg BWV 988) - Polonaise (Suite française n°6 BWV 817) - Jesus bleibet meine Freude BWV 147 - O Haupt voll Blut un Wunden (Passion selon St Matthieu) - Bereite dich, Zion (Oratorio de Noël) - Toccata et Fugue BWV 565 - Concerto brandebourgeois n°3 - Badinerie BWV 1067 - Air de la suite orchestrale n°3 BWV 1068 - Concerto pour clavecin BWV 1052 - Chaconne de la Partita n°2 BWV 1004 - Bourrée de la 1ère Suite pour luth BWV 966

This collection of 50 of the most beautiful original compositions for piano, presented by Schott, contains a selection of works that is suitable for pupils in their first years of piano lessons.

The volume contains compositions ranging from Johann Pachelbel (1653-1706) to Alexander Grechaninov (1864-1956), providing playing material from the baroque period to the early 20th century.

As well as many individual pieces, this volume also includes easy sonatas and sonatinas by Haydn, Clementi, Mozart and Beethoven.

Complete with fingerings, tempo suggestions in the form of metronome marks and notes on the execution of ornaments, this collection with its modern, readable typeface is ideal not only for lessons, but also for private music-making. / Classique / Partition / Broché /

47 pieces by CPE Bach, JS Bach, Beethoven, Burgmüller, Chopin, Grieg, Gurlitt, Heller, Kuhlau, Kullak, Liszt, MacDowell, Mendelssohn, Schubert, Schumann, and Tchaikovsky. All are at the intermediate level in a slim, affordable volume. Includes - JS BACH: Invention #8 in F Major, BWV 779 - Prelude in C Major from The Well-Tempered Clavier, Book 1, BWV 846 - BEETHOVEN: Six Variations on a Swiss Song, WoO 64 - BURGMÜLLER: L'adieu from 25 Easy and Progressive Studies, Op. 100, #12 - CHOPIN: Prélude in E minor, Op. 28, #4 - GRIEG: Arietta from Lyric Pieces, Op. 12, #1 - HELLER: The Avalanche from 25 Melodious Etudes, Op. 45, #2 - LISZT: Gray Clouds - MACDOWELL: To A Wild Rose from Woodland Sketches, Op. 51, #1 - MENDELSSOHN: Song Without Words in A Major, Op. 19, #4 - SCHUMANN: About Strange Land and People from Scenes from Childhood, Op. 15, #1 - TCHAIKOVSKY: Sweet Dreams from Album for the Young, Op. 39, #21 / Piano

Par BRAHMS JOHANNES. Brahms compose seulement trois sonates pour violon et piano, toutes les agrafes du répertoire partout, étudié, pratiqué et joué par des joueurs de musique de chambre. Les musiciens et les étudiants de musique seront ravis de posséder les trois oeuvres présentées dans cette compilation en un seul volume, tiré à part éditions faisant autorité. Les deux Sonata #1 in G Major, Op.. 78, et la Sonate n o 2 en la majeur, op. 100, sont intensément lyrique dans la nature, contenant certaines des plus belles mélodies expressives et Brahms. Sonate n o 3 en ré mineur, op. 108, un travail tumultueux plein de feu et de passion, est un favori particulier avec le public à travers le monde. La partie de violon, édité par le célèbre artiste et professeur Leopold Auer, apparaît à la fois dans le livre et en tant qu'entité distincte, le score amovible. / Niveau : Avancé / Répertoire / Violon et Piano