Johann Christian Schickhardt (c. 1682 c. 25 March 1762) was a German composer and woodwind player.
In the first half of the 18th century, numerous works of his, mostly chamber music featuring the treble recorder, appeared in print from publishers Estienne Roger and Le Cčne in Amsterdam. At least 30 sets of musical works are known to have been published, some of which are no longer extant. A catalog of Schickhardt's published and manuscript works can be found in David Lasocki's article. With the revival of the treble recorder in the early 20th century, a great interest in suitable repertoire for the instrument developed and some of Schickhardt's works were republished in new editions. It is predominantly through his works for recorder that Schickhardt is known today.
Schickhardt's compositions include sonatas for solo recorder and basso continuo (op. 1 and op. 17) as well as trio sonatas for two recorders and basso continuo (op. 16). Besides these, there are also compositions that stand between the chamber and larger scale concert music styles, e.g., his op. 9 for four recorders and basso continuo and his six sonatas for recorder, two oboes, and basso continuo. Some short works by Schickhardt can also be found in the The Compleat Tutor to the Hautboy, an oboe tutor published by Walsh and Hare about 1715. Additionally, Schickhardt wrote a recorder concerto in G minor and L'Alphabet de la musique (op. 30, c. 1735), which contains sonatas in all 24 keys. Text source : Wikipedia (Hide extended text) ... (Read all)