Zapateado Op. 23

For the elaboration of his eight Spanish Dances (HN 1370) Sarasate employed extant material ??? folk melodies or songs by well-known composers ??? which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23 which make up nos. 5 and 6 of the third volume of Spanish Dances were composed in the summer 1879. Zapateado is a breath-taking highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer???s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition this piece has not lost any of its allureand continues to enjoy great popularity. For the elaboration of his eight Spanish Dances (HN 1370) Sarasate employed extant material ??? folk melodies or songs by well-known composers ??? which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23 which make up nos. 5 and 6 of the third volume of Spanish Dances were composed in the summer 1879. Zapateado is a breath-taking highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer???s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition this piece has not lost any of its allureand continues to enjoy great popularity.

With Online Audio-Written in Spanish and English this book contains 12 of Juan Serrano's finest flamenco guitar solos. Selections include: Bella Mar (Verdiales); Ensueno (Petenera); Fantasy (Zambra); Juani (Farruca); Lidia;Majestuosas (Serguiriyas); Munequita (Zapateado); Nancy (Rumba); Nostalgia (Guajiras); Posadas (Soleares); Tentacion (Bulerias); and Verde Selva (Danzon).All solos are scored in notation and tablature. Includes accessto online audio recording download of Juan Serrano playing each solo.

Contenu : Prélude n°1 en mi mineur - Prélude n°2 en do mineur - Prélude n°3 en la mineur - Zapateado - Etude en ré majeur - Valse n°1 en ré majeur - Valse n°2 en mi mineur - Valse n°4 en ré mineur - A l'aube d'une nuit d'été - L'Ultime adieu Compositeur/Auteur : FAYS Raphaël Discipline/Instrument : guitare Collection : Estrada Délia Support : Partition Style/Genre : classique Date de parution : juil.-97 Niveau de difficulté : 2 Nombre de pages : 25

Mangulina-Mangulina is a dance derived from Zapateado Español (a Spanish heel-tapping dance). Guayacanal originally written in the 1950's by Dominican songwriters Luis Kalaff?and Bienvenido Brens embodies what is known as the Mangulina today and is so famous that when asked people often think it's a folk song. This piece is best accompanied with Tamborra (a double-headed Drum from the Dominican Republic) and Güira (a metal scraper from the Dominican Republic scraped with a metal fork).?As part of the Latin Accents series it has been arranged by Francisco Nunez for treble Voices in fourparts (SSAA) and optional Percussion.