Woodwind World: Flute Bk 3 (part): Flute: Instrumental Album

Flute teaching material-Arrangements of Traditional Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Flute Part Only

Flute teaching material-Arrangements of Traditonal Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Flute Part Only

Traditional Carol-For a moderately advanced children's choir or easy for an adult choir. Includes: pat-a-pan and fum fum fum. Can be performed in French _x000D_Spanish or English and accompanied by piano or harp strings and_x000D_ woodwinds. Instrumentation: flute 1-2 oboe 1-2 clarinet 1-2 bassoon 1-2 violin 1-2 viola cello and bass.Harp plays from the piano part onthe octavo. No score.

Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård

Ever since the first performance of the Peer Gynt Suite No.1 in 1876 this work has remained one of the most often performed compositions in the romantic repertoire. It was only a matter of time before other ensembles adapted the work and the present arrangement for Woodwind Quintet of the four-movement suite does justice to the sound world of Grieg exploring the subtle nuances of these five very individual instruments. Included are naturally ?Morning? ?Aase?s Death? ?Anitra?s Dance? and the jewel of the suite ?In the Hall of the Mountain King?. The edition also includes a reference score to ease rehearsal ofthe work.- Valuable addition to the Woodwind Quintet literature.- Reference score- Parts for Flute Oboe Clarinet (in A) Horn (in e) Horn Bassoon