Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &

Cette suit édition Vol. 2 de la méthode réussie flûte ' Querflöte spielen - mein schönstes Hobby ', contenant une sélection variée de pièces de performance pour flute et piano à travers toutes les époques et de styles de musique. Les pièces sont appropriés pour les auditions et les concerts de musique de l'école ainsi que pour privés musique-fabrication à la maison. Hormis principalement compositeurs connus tels que Johann Sebastian Bach, Wolfgang Amadeus Mozart, Johann Joachim Quantz ou Scott Joplin, cette édition contient également des pièces de moindre compositeurs connus tels que John O'Neill ou Matyas Seiber. / Flûte Traversière Et Piano

Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.

Johanson, Bryan. Par MOZART WOLFGANG AMADEUS. / Niveau : Intermédiaire / Répertoire / 4 Guitares

for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score