SKU: WD.080689338083
UPC: 080689338083.
SKU: WD.080689631238
UPC: 080689631238.
From the Integrity Choral Series, arranged and orchestrated by Jay Rouse, His Name Is Jesus (Heaven’s Hope) reminds us of the one Name that brings glory, wonder, peace, favor, and rejoicing. Combining the beautiful melody from Travis Cottrell and the popular Hillsong worship song, What a Beautiful Name, this anthem gives you the ultimate, worshipful Christmas anthem.
SKU: WD.080689533082
UPC: 080689533082.
SKU: CF.CPS225
ISBN 9781491152515. UPC: 680160910014.
Tartan Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section, lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted. We set up a “Skype†meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.
SKU: CF.CPS225F
ISBN 9781491153192. UPC: 680160910694.
SKU: WD.080689660177
UPC: 080689660177.
Songs—powerful and bold, uplifting and encouraging, tender and sweet; songs that convey a message and spirit of grace and tenderness; special songs made even more special as they are sung with the unique and heavenly sound of an all women’s choir. Word Music & Church Resources, committed to providing a widely diverse range of Church music products, is pleased to bring you, Endless Praise, the new, seven-song choral collection for Ladies' Choir (SSA). Featuring these well-known, popular songs in an appealing variety of styles—Raise a Hallelujah, Let There Be Praise, Your Love Awakens Me, Grace Will Find You, I Believe in a Hill Called Mount Calvary, What a Beautiful Name, and Praise the Lord—and arranged and orchestrated by industry favorites Cliff Duren, Daniel Semsen, Marty Parks, and David Wise, Endless Praise is guaranteed to make a long-lasting and impactful impression on the hearts of both the singers and congregation.
SKU: WD.080689635175
UPC: 080689635175.
“Stand and join the endless song…He shall reign forever!†The Integrity Choral Series, in association with Word Music & Church Resources, proudly presents the latest Integrity Christmas Musical, filled with celebration and praise, JOY! He Shall Reign. Eloquently created by Tony Wood and Michael Farren, and brilliantly arranged and orchestrated by Cliff Duren, this joyous musical will invite and unite your choir and congregation into a time of praise this Christmas. Exciting and uplifting, JOY! He Shall Reign is a musical that will stir the Christmas spirit in your congregation, as they unite in bringing glorious praise to the Lord, rejoicing over His great gift to us. Intertwining popular worship songs with Christmas favorites, such as What a Beautiful Name with O Come, Let Us Adore Him and We Are Watching, while also introducing new and powerful Christmas songs of worship and praise, this musical – full of wonder and celebration – will have your congregation on their feet with hearts overflowing with gratitude and praise as they celebrate the season of light with JOY! He Shall Reign!
SKU: HL.51489062
UPC: 840126951950. 6.75x9.5x0.263 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. To this day, the G-major symphony, first performed in March 1792, numbers among Haydn's most popular works. It owes its English nickname “Surprise†to the striking tutti chords in the Andante, which apparently caught the audience off guard. Haydn had consciously incorporated this effect at a later stage - and was thus subsequently also perfectly willing to authorize this nickname that had been dreamt up by a London musician. This popular work also spread rapidly through German-speaking countries, where it is still firmly established in the repertoire as the “symphony with the drumbeat.†This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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SKU: HL.51489068
UPC: 840126951967. 6.75x9.5x0.278 inches.
Haydn arrived in London at the beginning of February 1794 for his second stay in England. Two movements of the Symphony in G major Hob. I:100 had already been completed by then, and the finished work was premiered on 31 March. The trumpet fanfare in the second movement and the use of “janissary†percussion gave the symphony its nickname “Military Symphony,†which Haydn himself even used. Its success in London was enormous; in 1794/95 alone, the work was performed nine times and thus quickly became one of the most popular Haydn symphonies of all time. To everyone wishing to become more acquainted with this symphony, let this inexpensive study edition be commended - with reliable commentaries on its genesis, sources, and edition as well as an unassailable musical text taken from the Haydn Complete Edition.
